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Author: Stacy Takacs Publisher: University Press of Kansas ISBN: 0700618384 Category : Social Science Languages : en Pages : 344
Book Description
The Fox-TV series 24 might have been in production long before its premier just two months after 9/11, but its storyline—and that of many other television programs—has since become inextricably embedded in the nation's popular consciousness. This book marks the first comprehensive survey and analysis of War on Terror themes in post-9/11 American television, critiquing those shows that—either blindly or intentionally—supported the Bush administration's security policies. Stacy Takacs focuses on the role of entertainment programming in building a national consensus favoring a War on Terror, taking a close look at programs that comment both directly and allegorically on the post-9/11 world. In show after show, she chillingly illustrates how popular television helped organize public feelings of loss, fear, empathy, and self-love into narratives supportive of a controversial and unprecedented war. Takacs examines a spectrum of program genres—talk shows, reality programs, sitcoms, police procedurals, male melodramas, war narratives—to uncover the recurrent cultural themes that helped convince Americans to invade Afghanistan and Iraq and compromise their own civil liberties. Spanning the past decade of the ongoing conflict, she reviews not only key touchstones of post-9/11 popular culture such as 24, Rescue Me, and Sleeper Cell, but also less remarked-upon but relevant series like JAG, Off to War, Six Feet Under, and Jericho. She also considers voices of dissent that have emerged through satirical offerings like The Daily Show and science fiction series such as Lost and Battlestar Galactica. Takacs dissects how the War on Terror has been broadcast into our living rooms in programs that routinely offer simplistic answers to important questions—Who exactly are we fighting? Why do they hate us?—and she examines the climate of fear and paranoia they've created. Unlike cultural analyses that view the government's courting of Hollywood as a conspiracy to manipulate the masses, her book considers how economic and industry considerations complicate state-media relations throughout the era. Terrorism TV offers fresh insight into how American television directly and indirectly reinforced the Bush administration's security agenda and argues for the continued importance of the medium as a tool of collective identity formation. It is an essential guide to the televisual landscape of American consciousness in the first decade of the twenty-first century.
Author: Stacy Takacs Publisher: University Press of Kansas ISBN: 0700618384 Category : Social Science Languages : en Pages : 344
Book Description
The Fox-TV series 24 might have been in production long before its premier just two months after 9/11, but its storyline—and that of many other television programs—has since become inextricably embedded in the nation's popular consciousness. This book marks the first comprehensive survey and analysis of War on Terror themes in post-9/11 American television, critiquing those shows that—either blindly or intentionally—supported the Bush administration's security policies. Stacy Takacs focuses on the role of entertainment programming in building a national consensus favoring a War on Terror, taking a close look at programs that comment both directly and allegorically on the post-9/11 world. In show after show, she chillingly illustrates how popular television helped organize public feelings of loss, fear, empathy, and self-love into narratives supportive of a controversial and unprecedented war. Takacs examines a spectrum of program genres—talk shows, reality programs, sitcoms, police procedurals, male melodramas, war narratives—to uncover the recurrent cultural themes that helped convince Americans to invade Afghanistan and Iraq and compromise their own civil liberties. Spanning the past decade of the ongoing conflict, she reviews not only key touchstones of post-9/11 popular culture such as 24, Rescue Me, and Sleeper Cell, but also less remarked-upon but relevant series like JAG, Off to War, Six Feet Under, and Jericho. She also considers voices of dissent that have emerged through satirical offerings like The Daily Show and science fiction series such as Lost and Battlestar Galactica. Takacs dissects how the War on Terror has been broadcast into our living rooms in programs that routinely offer simplistic answers to important questions—Who exactly are we fighting? Why do they hate us?—and she examines the climate of fear and paranoia they've created. Unlike cultural analyses that view the government's courting of Hollywood as a conspiracy to manipulate the masses, her book considers how economic and industry considerations complicate state-media relations throughout the era. Terrorism TV offers fresh insight into how American television directly and indirectly reinforced the Bush administration's security agenda and argues for the continued importance of the medium as a tool of collective identity formation. It is an essential guide to the televisual landscape of American consciousness in the first decade of the twenty-first century.
Author: Márta Ujvári Publisher: Walter de Gruyter ISBN: 3110320665 Category : Philosophy Languages : en Pages : 255
Book Description
This book supports a version of the trope-bundle view of individual substances matching also with a coherent account of change, individuation and individual essences. In particular, it is argued that qualitative individuation and qualitative individual essences can be tackled within the frames of a trope account. The adoption of a trope BT together with the individuation of tropes via the bearer substance might create the feeling of circularity since tropes and substances seem mutually to individuate each other. The novel solution to the problem developed here consists in showing that the individuation of concrete individual substances is independent, in crucial respects, from the fact that they are construed as bundles of tropes. Apart from metaphysician colleagues, the book is recommended for advanced students in analytic metaphysics.
Author: Srinivas Aravamudan Publisher: Duke University Press ISBN: 9780822323150 Category : Literary Criticism Languages : en Pages : 444
Book Description
Exposes new relationships between literary representation and colonialism, focusing on the metaphorizing colonialist discourse of imperial power in the tropics.
Author: Jason Mittell Publisher: NYU Press ISBN: 0814738850 Category : Performing Arts Languages : en Pages : 402
Book Description
A comprehensive and sustained analysis of the development of storytelling for television Over the past two decades, new technologies, changing viewer practices, and the proliferation of genres and channels has transformed American television. One of the most notable impacts of these shifts is the emergence of highly complex and elaborate forms of serial narrative, resulting in a robust period of formal experimentation and risky programming rarely seen in a medium that is typically viewed as formulaic and convention bound. Complex TV offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Through close analyses of key programs, including The Wire, Lost, Breaking Bad, The Sopranos, Veronica Mars, Curb Your Enthusiasm, and Mad Men the book traces the emergence of this narrative mode, focusing on issues such as viewer comprehension, transmedia storytelling, serial authorship, character change, and cultural evaluation. Developing a television-specific set of narrative theories, Complex TV argues that television is the most vital and important storytelling medium of our time.
Author: Gayatri Chakravorty Spivak Publisher: Harvard University Press ISBN: 0674177649 Category : Social Science Languages : en Pages : 464
Book Description
Are the “culture wars” over? When did they begin? What is their relationship to gender struggle and the dynamics of class? In her first full treatment of postcolonial studies, a field that she helped define, Gayatri Chakravorty Spivak, one of the world’s foremost literary theorists, poses these questions from within the postcolonial enclave. “We cannot merely continue to act out the part of Caliban,” Spivak writes; and her book is an attempt to understand and describe a more responsible role for the postcolonial critic. A Critique of Postcolonial Reason tracks the figure of the “native informant” through various cultural practices—philosophy, history, literature—to suggest that it emerges as the metropolitan hybrid. The book addresses feminists, philosophers, critics, and interventionist intellectuals, as they unite and divide. It ranges from Kant’s analytic of the sublime to child labor in Bangladesh. Throughout, the notion of a Third World interloper as the pure victim of a colonialist oppressor emerges as sharply suspect: the mud we sling at certain seemingly overbearing ancestors such as Marx and Kant may be the very ground we stand on. A major critical work, Spivak’s book redefines and repositions the postcolonial critic, leading her through transnational cultural studies into considerations of globality.
Author: Douglas Ehring Publisher: OUP Oxford ISBN: 0191619396 Category : Philosophy Languages : en Pages : 272
Book Description
Properties and objects are everywhere. We cannot take a step without walking into them; we cannot construct a theory in science without referring to them. Given their ubiquitous character, one might think that there would be a standard metaphysical account of properties and objects, but they remain a philosophical mystery. Douglas Ehring presents a defense of tropes—properties and relations understood as particulars—and of trope bundle theory as the best accounts of properties and objects, and advocates a specific brand of trope nominalism, Natural Class Trope Nominalism. This position rejects the existence of universals, and holds that the nature of each individual trope is determined by its membership in various natural classes of tropes (in contrast with the view that a trope's nature is logically prior to those class memberships). The first part of the book provides a general introduction and defense of tropes and trope bundle theory. Ehring demonstrates that there are tropes and indicates some of the things that tropes can do for us metaphysically, including helping to solve the problems of mental causation, while remaining neutral between different theories of tropes. In the second part he offers a more specific defense of Natural Class Trope Nominalism, and provides a full analysis of what a trope is.
Author: Marta Zarzycka Publisher: Taylor & Francis ISBN: 131759925X Category : Social Science Languages : en Pages : 181
Book Description
Photographic stills of women, appearing in both press coverage and relief campaigns, have long been central to the documentation of war and civil conflict. Images of non-Western women, in particular, regularly function as symbols of the misery and hopelessness of the oppressed. Featured on the front pages of newspapers and in NGO reports, they inform public understandings of war and peace, victims and perpetrators, but within a discourse that often obscures social and political subjectivities. Uniquely, this book deconstructs – in a systematic, gender-sensitive way – the repetitive circulation of certain images of war, conflict and state violence, in order to scrutinize the role of photographic tropes in the globalized visual sphere. Zarzycka builds on feminist theories of representations of war to explore how the concepts of femininity and war secure each other’s intelligibility in photographic practices. This book examines the complex connections between photographic tropes and the individuals and communities they represent, in order to rethink the medium of photography as a discursive and political practice. This book interrogates both the structure and transmission of contemporary encounters with war, violence, and conflict. It will appeal to advanced students and scholars of gender studies, visual studies, media studies, photography theory, cultural anthropology, cultural studies, and trauma and memory studies.
Author: Naresh K. Malhotra Publisher: Emerald Group Publishing ISBN: 0857247271 Category : Business & Economics Languages : en Pages : 214
Book Description
Contains articles by marketing field's researchers and academicians. This book includes literature reviews, methodologies, empirical studies, trends, international developments, guidelines for implementation, and suggestions for theory development and testing.
Author: Corinne Mitsuye Sugino Publisher: Rutgers University Press ISBN: 1978839715 Category : Social Science Languages : en Pages : 147
Book Description
From the debate over affirmative action to the increasingly visible racism amidst the COVID-19 pandemic, Asian Americans have emerged as key figures in a number of contemporary social controversies. In Making the Human: Race, Allegory, and Asian Americans, Corinne Mitsuye Sugino offers the lens of racial allegory to consider how media, institutional, and cultural narratives mobilize difference to normalize a white, Western conception of the human. Rather than focusing on a singular arena of society, Sugino considers contemporary sources across media, law, and popular culture to understand how they interact as dynamic sites of meaning-making. Drawing on scholarship in Asian American studies, Black studies, cultural studies, communication, and gender and sexuality studies, Sugino argues that Asian American racialization and gendering plays a key role in shoring up abstract concepts such as “meritocracy,” “family,” “justice,” “diversity,” and “nation” in ways that naturalize hierarchy. In doing so, Making the Human grapples with anti-Asian racism’s entanglements with colonialism, antiblackness, capitalism, and gendered violence.
Author: Stacy Takacs
Author: Stacy Takacs
Author: Márta Ujvári
Author: Srinivas Aravamudan
Author: Jason Mittell
Author: Gayatri Chakravorty Spivak
Author: Douglas Ehring
Author: Terence Bailey
Author: Marta Zarzycka
Author: Naresh K. Malhotra
Author: Corinne Mitsuye Sugino