Author: Nicholas Thistlethwaite
Publisher: Cambridge University Press
ISBN: 9780521575843
Category : Music
Languages : en
Pages : 358
Book Description
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.
The Cambridge Companion to the Organ
Author: Nicholas Thistlethwaite
Publisher: Cambridge University Press
ISBN: 9780521575843
Category : Music
Languages : en
Pages : 358
Book Description
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.
Publisher: Cambridge University Press
ISBN: 9780521575843
Category : Music
Languages : en
Pages : 358
Book Description
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.
3 préludes et fugues
Author: Marcel Dupré
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 50
Book Description
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 50
Book Description
The Oxford Handbook of the Baroque
Author: John D. Lyons
Publisher:
ISBN: 0190678445
Category : Art
Languages : en
Pages : 907
Book Description
Baroque, the cultural period extending from the mid-sixteenth to the mid-eighteenth century, created some of the world's most striking monuments, music, artworks, and literature. This Handbook goes beyond all existing studies by presenting Baroque not only as a style, but also as a global cultural phenomenon arising in response to enormous religious, political, and technological changes.
Publisher:
ISBN: 0190678445
Category : Art
Languages : en
Pages : 907
Book Description
Baroque, the cultural period extending from the mid-sixteenth to the mid-eighteenth century, created some of the world's most striking monuments, music, artworks, and literature. This Handbook goes beyond all existing studies by presenting Baroque not only as a style, but also as a global cultural phenomenon arising in response to enormous religious, political, and technological changes.
French Organ Music in the Reign of Louis XIV
Author: David Ponsford
Publisher: Cambridge University Press
ISBN: 0521887704
Category : History
Languages : en
Pages : 341
Book Description
A radical new approach to French Baroque organ music in which developments in musical style are coupled to performance practice.
Publisher: Cambridge University Press
ISBN: 0521887704
Category : History
Languages : en
Pages : 341
Book Description
A radical new approach to French Baroque organ music in which developments in musical style are coupled to performance practice.
New Perspectives on Marc-Antoine Charpentier
Author: Shirley Thompson
Publisher: Routledge
ISBN: 1351556428
Category : Music
Languages : en
Pages : 414
Book Description
The tercentenary of Marc-Antoine Charpentier's death in 2004 stimulated a surge of activity on the part of performers and scholars, confirming the modern assessment of Charpentier (1643-1704) as one of the most important and inventive composers of the French Baroque. The present book provides a snapshot of Charpentier scholarship in the early years of the new century. Its 13 chapters illustrate not only the sheer variety of strands currently pursued, but also the way in which these strands frequently intertwine and generate the potential for future research. Between them, they examine facets of the composer's compositional language and process, aspects of his performance practice and notation, the contexts within which he worked, and the nature of his legacy. The appendix contains a transcription of the inventory of Charpentier's manuscripts prepared when their sale to the Royal Library was negotiated in 1726 - an invaluable research tool, as numerous chapters in the book demonstrate. The wide variety of topics covered here will appeal both to readers interested in Charpentier's music and to those with a broader interest in the music and culture of the French Baroque, including aspects of patronage, church and theatre. Far from treating his output in isolation, this book places it in the wider context alongside such composers as Lully, Lalande, Marais, Fran‘s Couperin and Rameau; it also views the composer in relation to his Italian training. In the process, the under-examined question of influence - who influenced Charpentier? whom did he influence? - repeatedly comes to the fore. The book's Foreword was written by H. Wiley Hitchcock shortly before he died. Hitchcock's own part in raising the profile of Charpentier and his music to the level of recognition which it now enjoys cannot be emphasized enough. Appropriately the volume is dedicated to his memory.
Publisher: Routledge
ISBN: 1351556428
Category : Music
Languages : en
Pages : 414
Book Description
The tercentenary of Marc-Antoine Charpentier's death in 2004 stimulated a surge of activity on the part of performers and scholars, confirming the modern assessment of Charpentier (1643-1704) as one of the most important and inventive composers of the French Baroque. The present book provides a snapshot of Charpentier scholarship in the early years of the new century. Its 13 chapters illustrate not only the sheer variety of strands currently pursued, but also the way in which these strands frequently intertwine and generate the potential for future research. Between them, they examine facets of the composer's compositional language and process, aspects of his performance practice and notation, the contexts within which he worked, and the nature of his legacy. The appendix contains a transcription of the inventory of Charpentier's manuscripts prepared when their sale to the Royal Library was negotiated in 1726 - an invaluable research tool, as numerous chapters in the book demonstrate. The wide variety of topics covered here will appeal both to readers interested in Charpentier's music and to those with a broader interest in the music and culture of the French Baroque, including aspects of patronage, church and theatre. Far from treating his output in isolation, this book places it in the wider context alongside such composers as Lully, Lalande, Marais, Fran‘s Couperin and Rameau; it also views the composer in relation to his Italian training. In the process, the under-examined question of influence - who influenced Charpentier? whom did he influence? - repeatedly comes to the fore. The book's Foreword was written by H. Wiley Hitchcock shortly before he died. Hitchcock's own part in raising the profile of Charpentier and his music to the level of recognition which it now enjoys cannot be emphasized enough. Appropriately the volume is dedicated to his memory.
Treatise on Harpsichord Tuning
Author: Jean Denis
Publisher: Cambridge University Press
ISBN: 9780521314022
Category : Music
Languages : en
Pages : 140
Book Description
A translation of Jean Denis's Treatise on Harpsichord Tuning (1643/50), with notes and an introduction.
Publisher: Cambridge University Press
ISBN: 9780521314022
Category : Music
Languages : en
Pages : 140
Book Description
A translation of Jean Denis's Treatise on Harpsichord Tuning (1643/50), with notes and an introduction.
The Evolution of Organ Music in the 17th Century
Author: John R. Shannon
Publisher: McFarland
ISBN: 0786488662
Category : Music
Languages : en
Pages : 316
Book Description
The 17th century was the century of the organ in much the same way the 19th century was the century of the piano. Almost without exception, the major composers of the century wrote for the instrument, and most of them were practicing organists themselves. This historical book surveys, analyzes, and discusses the major national styles of 17th century European organ music. Due to the extraordinarily extensive body of literature produced during this 100-year period, this text includes 350 musical examples to illustrate the various styles. The book also includes brief discussions of the various national styles of organ building, an appendix about the various notational methods used in the 17th century, and a chapter on Spain and Portugal written by Andre Lash, an expert on the subject.
Publisher: McFarland
ISBN: 0786488662
Category : Music
Languages : en
Pages : 316
Book Description
The 17th century was the century of the organ in much the same way the 19th century was the century of the piano. Almost without exception, the major composers of the century wrote for the instrument, and most of them were practicing organists themselves. This historical book surveys, analyzes, and discusses the major national styles of 17th century European organ music. Due to the extraordinarily extensive body of literature produced during this 100-year period, this text includes 350 musical examples to illustrate the various styles. The book also includes brief discussions of the various national styles of organ building, an appendix about the various notational methods used in the 17th century, and a chapter on Spain and Portugal written by Andre Lash, an expert on the subject.
Music, Books on Music, and Sound Recordings
Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 984
Book Description
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 984
Book Description
Organ Literature
Author: Corliss Richard Arnold
Publisher: Scarecrow Press
ISBN: 0810846977
Category : Music
Languages : en
Pages : 399
Book Description
Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.
Publisher: Scarecrow Press
ISBN: 0810846977
Category : Music
Languages : en
Pages : 399
Book Description
Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.
Symphonies, op. 13 et 42, pour orgue
Author: Charles-Marie Widor
Publisher:
ISBN:
Category : Symphonies (Organ)
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Symphonies (Organ)
Languages : en
Pages : 60
Book Description