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Author: Camille Saint-Saëns Publisher: Alfred Music ISBN: 9781457487521 Category : Music Languages : en Pages : 100
Book Description
Expertly arranged Trio for Violin, Cello, and Piano by Camille Saint-Saëns from the Kalmus Edition series. This Trio is from the Romantic era.
Author: Camille Saint-Saëns Publisher: Alfred Music ISBN: 9781457487521 Category : Music Languages : en Pages : 100
Book Description
Expertly arranged Trio for Violin, Cello, and Piano by Camille Saint-Saëns from the Kalmus Edition series. This Trio is from the Romantic era.
Author: Alfred Music Publisher: Alfred Music ISBN: 9781457470905 Category : Music Languages : en Pages : 44
Book Description
Kalmus offers the complete parts to select masterworks for cello. Each volume includes major orchestral works that include standard audition repertoire and widely known difficult passages. These books are great for the student to practice and learn excerpts, or for the professional musician preparing for an audition. Volume Two includes the cello parts from such great works as: Vivaldi's Gloria * Mozart's Requiem * Handel's Zadok the Priest * Schubert's Mass in G.
Author: Heather Platt Publisher: Routledge ISBN: 1135847088 Category : Music Languages : en Pages : 578
Book Description
First published in 2011. Johannes Brahms: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition will include research published since the publication of the first edition and provide electronic resources.
Author: James Hepokoski Publisher: Oxford University Press ISBN: 0199890234 Category : Music Languages : en Pages : 692
Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Author: Dmitriĭ Dmitrievich Shostakovich Publisher: Cornell University Press ISBN: 9780801439797 Category : Composers Languages : en Pages : 408
Book Description
This choice by the composer's close friend Isaak Glikman brought the tormented feelings of the musical genius into public view. Now those feelings resound in the first substantial collection of Shostakovich's letters to appear in English.
Author: Paul Rodmell Publisher: Routledge ISBN: 1351572253 Category : Music Languages : en Pages : 506
Book Description
The first book devoted to the composer Charles Villiers Stanford (1852-1924) since 1935, this survey provides the fullest account of his life and the most detailed appraisal of his music to date. Renowned in his own lifetime for the rapid rate at which he produced new works, Stanford was also an important conductor and teacher. Paul Rodmell assesses these different roles and considers what Stanford's legacy to British music has been. Born and brought up in Dublin, Stanford studied at Cambridge and was later appointed Professor of Music there. His Irish lineage remained significant to him throughout his life, and this little-studied aspect of his character is examined here in detail for the first time. A man about whom no-one who met him could feel indifferent, Stanford made friends and enemies in equal numbers. Rodmell charts these relationships with people and institutions such as Richter, Parry and the Royal College of Music, and discusses how they influenced Stanford's career. Perhaps not the most popular of teachers, Stanford nevertheless coached a generation of composers who were to revitalize British music, amongst them Coleridge-Taylor, Ireland, Vaughan-Williams, Holst, Bridge and Howells. While their musical styles may not be obviously indebted to Stanford's, it is clear that, without him, British music of the first half of the twentieth century might have taken a very different course.
Author: Camille Saint-Saëns
Author: Camille Saint-Saëns
Author: Alfred Music
Author: Oscar George Sonneck
Author: Alberto Bachmann
Author: Heather Platt
Author: Arnold Schoenberg
Author: James Hepokoski
Author: Dmitriĭ Dmitrievich Shostakovich
Author: Paul Rodmell
Author: Leander Jan De Bekker