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Author: Patrice Oppliger Publisher: Routledge ISBN: 1000620204 Category : Social Science Languages : en Pages : 101
Book Description
This book explores how television and streaming services portray transgender characters who identify as male or nonbinary in television media. Transmasculinity on Television takes a closer look at transmasculine and nonbinary characters on broadcast, cable, and streaming services between 2000 and 2021. Significant changes have occurred since the release of the 1999 film Boys Don’t Cry, and in particular through the increase in transgender producers, writers, and actors playing those roles. While a great deal of research has been published on gay, lesbian, and female transgender characters, very little analysis has been done on trans male representation in American media. This book examines the history of how film and television have portrayed transgender characters, how these depictions have developed over time and what impact these representations may have on audience attitudes. This accessible and engaging study is suitable for students and scholars in Gender Studies, Media Studies and LGBTQ Studies.
Author: Patrice Oppliger Publisher: Routledge ISBN: 1000620204 Category : Social Science Languages : en Pages : 101
Book Description
This book explores how television and streaming services portray transgender characters who identify as male or nonbinary in television media. Transmasculinity on Television takes a closer look at transmasculine and nonbinary characters on broadcast, cable, and streaming services between 2000 and 2021. Significant changes have occurred since the release of the 1999 film Boys Don’t Cry, and in particular through the increase in transgender producers, writers, and actors playing those roles. While a great deal of research has been published on gay, lesbian, and female transgender characters, very little analysis has been done on trans male representation in American media. This book examines the history of how film and television have portrayed transgender characters, how these depictions have developed over time and what impact these representations may have on audience attitudes. This accessible and engaging study is suitable for students and scholars in Gender Studies, Media Studies and LGBTQ Studies.
Author: Patrice A Oppliger Publisher: Routledge ISBN: 9781003204404 Category : Social Science Languages : en Pages : 0
Book Description
"This book explores how television and streaming services portray transgender characters who identify as male or nonbinary in television media. Transmasculinity on Television takes a closer look at transmasculine and nonbinary characters on broadcast, cable, and streaming services between 2000 and 2021. Significant changes have occurred since the release of the 1999 film Boys Don't Cry, and in particular through the increase in transgender producers, writers, and actors playing those roles. While a great deal of research has been published on gay, lesbian, and female transgender characters, very little analysis has been done on trans male representation in American media. This book examines the history of how film and television have portrayed transgender characters, how these depictions have developed over time and what impact these representations have on audience attitudes. This accessible and engaging study is suitable for students and scholars in Gender Studies, Media Studies and LGBTQ Studies"--
Author: Leandra H Hernandez Publisher: Peter Lang Incorporated, International Academic Publishers ISBN: 9781433170324 Category : Gender nonconformity on television Languages : en Pages :
Book Description
This book investigates how contemporary media represent transgender and gender non-conforming people. Authors in this edited collection analyze the most popular films and television shows of all times and find how much (and how little) media portrayals of trans folks have changed or remained stagnant in the past 20 years.
Author: Traci B. Abbott Publisher: Springer Nature ISBN: 3030977935 Category : Social Science Languages : en Pages : 298
Book Description
Due to the increase in transgender characters in scripted television and film in the 2010s, trans visibility has been presented as a relatively new phenomenon that has positively shifted the cis society’s acceptance of the trans community. This book counters this claim to assert that such representations actually present limited and harmful characterizations, as they have for decades. To do so, this book analyzes transgender narratives in scripted visual media from the 1960s to 2010s across a variety of genres, including independent and mainstream films and television dramatic series and sitcoms, judging not the veracity of such representations per se but dissecting their transphobia as a constant despite relevant shifts that have improved their veracity and variety. Already ingrained with their own ideological expectations, genres shift the framing of the trans character, particularly the relevance of their gender difference for cisgender characters and society. The popularity of trans characters within certain genres also provides a historical lineage that is examined against the progression of transgender rights activism and corresponding transphobic falsehoods, concluding that this popular medium continues to offer a limited and narrow conception of gender, the variability of the transgender experience, and the range of transgender identities.
Author: Stephanie M. Sandlin Publisher: ISBN: Category : Jerry Springer show Languages : en Pages : 174
Book Description
"Transgender (or trans) voices have not been widely explored in media studies literature. This qualitative work seeks to add to emerging body of transgender media studies by examining via trans participants two recent programs broadcast in US television that feature trans characters and content. The participants offered transcentric feedback to media examples that highlighted the unique perspectives of trans people and provided insight into how media narratives affect their populations. The participants identified themes within the media texts that they found disturbing and inauthentic of the trans experience, such as projecting cisgender values on trans people, highlighting feminine behavior in ways to draw attention, promoting difference via othering, promoting transphobic violence, and emphasizing the trope of the trans person as a tragic figure. The study participants felt that cisgendered people were making media based on cisgendered values not trans values or experiences. As a transwoman, I know well the stigma that marginalized groups face when confronted with those negative narratives. I'm personally aware that these narratives can harm people and believe the consequences of those representations are important to recognize and give voice to within media studies. This work is a contribution to the emerging study of trans representations that will allow media producers and others to understand and recognize the unique experiences of trans people. In a time when diversity of representation and inclusion is increasingly valued (Grunig, Toth, Hon, 2000; Marinucci, 2016; McLoughlin, Oliver 2000) works such as this study provide an opportunity for trans populations to express their authentic experiences and reactions to representations instead of relying on sensationalism and stereotypic tropes to speak for them"--Leaves iii-iv.
Author: Quinlan Miller Publisher: Duke University Press ISBN: 1478003391 Category : Performing Arts Languages : en Pages : 170
Book Description
Sitcoms of the 1950s and 1960s are widely considered conformist in their depictions of gender roles and sexual attitudes. In Camp TV Quinlan Miller offers a new account of the history of American television that explains what campy meant in practical sitcom terms in shows as iconic as The Dick Van Dyke Show as well as in more obscure fare, such as The Ugliest Girl in Town. Situating his analysis within the era's shifts in the television industry and the coalescence of straightness and whiteness that came with the decline of vaudevillian camp, Miller shows how the sitcoms of this era overflowed with important queer representation and gender nonconformity. Whether through regular supporting performances (Ann B. Davis's Schultzy in The Bob Cummings Show), guest appearances by Paul Lynde and Charles Nelson Reilly, or scripted dialogue and situations, industry processes of casting and production routinely esteemed a camp aesthetic that renders all gender expression queer. By charting this unexpected history, Miller offers new ways of exploring how supposedly repressive popular media incubated queer, genderqueer, and transgender representations.
Author: Danae Gallo González Publisher: Campus Verlag ISBN: 3593447754 Category : Social Science Languages : en Pages : 218
Book Description
Trans*Sichtbarkeit hat in den letzten Jahren einen Höhepunkt erreicht, so auch in TV- und Streaming-Serien. Sie geht mit Prozessen sozialer Popularisierung und akademischer Legitimierung einher. Inwiefern bildet die fiktionale Darstellung von trans*Personen ihre vielfältige Wirklichkeit ab, die von selbstbestimmten Lebensentwürfen ebenso wie von Diskriminierung und Gewalt geprägt ist? Wenn es stimmt, dass Serien Gesellschaft- und Identifikationsmodelle hervorbringen, welche Chancen und Gefahren sind dann mit ihrer Verbreitung verbunden? Die Autor_innen gehen diesen Frage anhand von ausgewählten europäischen Serien nach. creativecommons.org/licenses/by-nc-nd/4.0/
Author: Carpentier Publisher: Lexington Books ISBN: 0739131907 Category : Social Science Languages : en Pages : 341
Book Description
Trans-Reality Television: The Transgression of Reality, Genre, Politics, and Audience offers an overview of contributions which engage with the phenomenon of reality television as a tool to reflect on societal and mediated transformations and transgressions. While some contributors delve deep into the theoretical issues, others approach the topic at hand through empirical studies of specific reality television formats and programs. The chapters in this volume are divided into four sections, all of which deal with how we see the fluid social at work in reality television through the trans-real, trans-politics, trans-genre, and trans-audience. The first section stresses the concept of the trans-real. These chapters go into the complexity of the construction of reality in reality television. The second section, which deals with the concept of trans-politics, offers a diversity of perspectives on the articulation and re-articulation of politics and the political. In the third section, trans-genre, the chapters analyze how the modern conceptualizations of genre and format are transcended. Finally, the last set of chapters articulate the concept of trans-audiences, using case studies of particular audiences and a study of reality celebrities. Trans-Reality Television concludes by returning to the sense and nonsense of the use of these 'post' concepts.
Author: J. Phillips Publisher: Springer ISBN: 0230596339 Category : Social Science Languages : en Pages : 205
Book Description
This is an exploration of the cultural representations of transvestism and transsexuality in modern screen media against a historical background. Focussing on a dozen mainstream films and on shemale Internet pornography, this fascinating study demonstrates the interdependency of our perceptions of transgender and its culturally constructed images.
Author: Source Wikipedia Publisher: Booksllc.Net ISBN: 9781230813271 Category : Languages : en Pages : 72
Book Description
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 70. Chapters: Born in the Wrong Body, Degrassi (season 10), Ippadikku Rose, Kashimashi: Girl Meets Girl, List of RuPaul's Drag Race contestants, List of transgender characters in film and television, Mr. Garrison's Fancy New Vagina, My Body Is a Cage, Princess Knight, Quagmire's Dad, Ranma 1/2, RuPaul's All Stars Drag Race, RuPaul's Drag Race (season 1), RuPaul's Drag Race (season 2), RuPaul's Drag Race (season 3), RuPaul's Drag Race (season 4), RuPaul's Drag U, Simoun (anime), The Real World: Brooklyn, TransGeneration. Excerpt: The tenth season of Degrassi premiered in Canada on July 19, 2010, concluded on April 22, 2011, and consists of 44 episodes. Degrassi is a Canadian serial teen drama television series. Previously known as Degrassi: The Next Generation, the suffix "the Next Generation" was dropped this season, due to the original next generation of students having all been written out. With the start of the tenth season, the series has survived longer than the nine-year gap between Degrassi High's telemovie School's Out, and Degrassi's premiere episode "Mother and Child Reunion." Although only two school years have passed in the story timeline since season six, season ten is set in the first semester, and first half of the second semester, in which the year it aired. Writers have been able to use a semi-floating timeline, so that the issues depicted are modern for their viewers. This season depicts the lives of a group of high school sophomores, juniors, and seniors, as they deal with some of the issues that young adults face such as abusive relationships, bullying, sexual identity, gender identity, pregnancy, illegal situations, family issues, drug use, running away, and alcoholism. This season doubled the order of episodes, and switched to a telenovela/soap opera format, with the show airing new episodes four days a.