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Author: William J. Nichols Publisher: Rowman & Littlefield ISBN: 161148040X Category : Fiction Languages : en Pages : 207
Book Description
Transatlantic Mysteries presents a comparative study that brings together authors Paco Ignacio Taibo II and Manuel Vázquez Montalbán --from two specific political contexts: post-1968 Mexico and post-Franco Spain-- who both work in one specific genre--"noir" detective fiction. In this so called age of globalization, Spain and Mexico have witnessed an explosion in the production of "noir" detective fiction which these authors choose purposefully in order to infiltrate the market with formulaic "popular" literature while simultaneously critiquing the effects of the neoliberal strategies embraced by their countries. By locating themselves at the crossroads where literature meets the market, they not only underscore the effects of capital onliterary and cultural production but also explore the possibility for their writing to resist the influences of capital and question the role of an intellectual in an era of globalization. At the core of their writing Taibo and Vázquez Montalbánexamine the revolutionary possibilities of literature and popular culture to offer a new kind of Marxist project that revitalizes the Left by redefining the role of socially engaged literature in a globalized landscape.
Author: William J. Nichols Publisher: Rowman & Littlefield ISBN: 161148040X Category : Fiction Languages : en Pages : 207
Book Description
Transatlantic Mysteries presents a comparative study that brings together authors Paco Ignacio Taibo II and Manuel Vázquez Montalbán --from two specific political contexts: post-1968 Mexico and post-Franco Spain-- who both work in one specific genre--"noir" detective fiction. In this so called age of globalization, Spain and Mexico have witnessed an explosion in the production of "noir" detective fiction which these authors choose purposefully in order to infiltrate the market with formulaic "popular" literature while simultaneously critiquing the effects of the neoliberal strategies embraced by their countries. By locating themselves at the crossroads where literature meets the market, they not only underscore the effects of capital onliterary and cultural production but also explore the possibility for their writing to resist the influences of capital and question the role of an intellectual in an era of globalization. At the core of their writing Taibo and Vázquez Montalbánexamine the revolutionary possibilities of literature and popular culture to offer a new kind of Marxist project that revitalizes the Left by redefining the role of socially engaged literature in a globalized landscape.
Author: William J. Nichols Publisher: Bucknell University Press ISBN: 1611480418 Category : Social Science Languages : en Pages : 208
Book Description
Transatlantic Mysteries presents a comparative study that brings together authors Paco Ignacio Taibo II and Manuel Vázquez Montalbán —from two specific political contexts: post-1968 Mexico and post-Franco Spain— who both work in one specific genre—'noir' detective fiction. In this so called age of globalization, Spain and Mexico have witnessed an explosion in the production of 'noir' detective fiction which these authors choose purposefully in order to infiltrate the market with formulaic 'popular' literature while simultaneously critiquing the effects of the neoliberal strategies embraced by their countries. By locating themselves at the crossroads where literature meets the market, they not only underscore the effects of capital on literary and cultural production but also explore the possibility for their writing to resist the influences of capital and question the role of an intellectual in an era of globalization. At the core of their writing Taibo and Vázquez Montalbán examine the revolutionary possibilities of literature and popular culture to offer a new kind of Marxist project that revitalizes the Left by redefining the role of socially engaged literature in a globalized landscape.
Author: G. D. Falksen Publisher: Soho Press ISBN: 1616954183 Category : Young Adult Fiction Languages : en Pages : 241
Book Description
At the dawn of a reimagined 20th century, one girl must become the reluctant symbol of a new world. The year is 1908. Seventeen-year-old Rosalind Wallace’s blissful stay in England with her best friend, Cecily de Vere, ends abruptly when her father books Rosalind on the maiden voyage of his fabulous Transatlantic Express, the world’s first railroad to travel under the sea. Rosalind is furious. But lucky for her, Cecily and her handsome older brother, Charles, volunteer to accompany her home. But when Charles disappears and Cecily and her housemaid, Doris, are found stabbed to death in their state room, Rosalind finds herself trapped undersea, in a deadly fight to clear herself of her friend’s murder and to thwart a sinister enemy.
Author: Pim Higginson Publisher: Oxford University Press ISBN: 1846316901 Category : Literary Criticism Languages : en Pages : 224
Book Description
The Noir Atlantic follows the influence of African American author Chester Himes on Francophone African crime fiction. In 1953, Himes emigrated to Paris; he struggled there, just as he had in the United States. In 1957, his luck changed: the famous French Série noire brought out the first installment of his "Harlem crime series, La reine des pommes. Suddenly, he was a household name in France. Later, he would also have a significant influence on Francophone African writers; for them, Himes's blend of absurdist humor and violence offered an alternative to a high literary paradigm implanted during the colonial era. Likewise, his heterogeneous identity as American, black, and a writer of "French" bestsellers modeled an escape from the centripetal pull of the Métropole. Starting with Abasse Ndione's depictions of Senegal's marijuana-smoking subculture in La Vie en spirale (1982) and ending with Mongo Beti's 2001 Branle-bas en noir et blanc, set in Yaoundé, Cameroon, Francophone African crime fiction rejected French criteria of literary success; it embraced a new postcolonial aesthetic that emphasized entertaining the reader while making a living. The Noir Atlantic demonstrates why turning to what this study calls a "frivolous literary" mode represented a profound shift in perspective that anticipated more recent developments such as littérature monde.
Author: Andrew Pepper Publisher: Oxford University Press ISBN: 0198716184 Category : History Languages : en Pages : 282
Book Description
Unwilling Executioner is the first book to examine the deep-rooted relationship between the development of crime fiction as a genre and the consolidation of the modern state. It offers a far-reaching and wide-ranging perspective on this unfolding relationship over a three hundred year period but is not a straightforward and conventional narrative history of the genre. It is part of a new and exciting critical move to read crime fiction as a transnationalphenomenon and to examine crime novelists in an innovative comparative context, taking them out of their discreet national traditions. Considers Anglo-American crime-writing, as well as works published inFrance, Italy, Germany, Ireland, Japan, South Africa and elsewhere, it addresses the related questions of why crime fiction is political and how particular examples of the genre engage with the complicated issue of political commitment.
Author: Jean Anderson Publisher: McFarland ISBN: 1476671753 Category : Literary Criticism Languages : en Pages : 192
Book Description
Written from a multicultural and interdisciplinary perspective, this collection of new essays explores the semiotics of food in the 20th- and 21st-century crime fiction of authors such as Anthony Bourdain, Arthur Upfield, Sara Paretsky, Andrea Camilleri, Fred Vargas, Ruth Rendell, Stieg Larsson, Leonardo Padura, Georges Simenon, Paco Ignacio Taibo II, and Donna Leon. The collection covers a range of issues, such as the provision of intra-, peri- or paratextual recipes, the aesthetics and ethics of food, eating rituals as indications of cultural belonging, and regional, national and supranational identities. It also tackles eating disorders and other seemingly abnormal habits as signs of "Otherness." Also mentioned are the television productions of the Inspector Montalbano series (1999-ongoing), the Danish-Swedish Bron/Broen (2011, The Bridge), and its remakes The Tunnel (2013, France/UK) and The Bridge (2013, USA).
Author: Jonathan Paul Eburne Publisher: Cornell University Press ISBN: 9780801446740 Category : Art Languages : en Pages : 348
Book Description
Corpses mark surrealism's path through the twentieth century, providing material evidence of the violence in modern life. Though the shifting group of poets, artists, and critics who made up the surrealist movement were witness to total war, revolutionary violence, and mass killing, it was the tawdry reality of everyday crime that fascinated them. Jonathan P. Eburne shows us how this focus reveals the relationship between aesthetics and politics in the thought and artwork of the surrealists and establishes their movement as a useful platform for addressing the contemporary problem of violence, both individual and political. In a book strikingly illustrated with surrealist artworks and their sometimes gruesome source material, Eburne addresses key individual works by both better-known surrealist writers and artists (including André Breton, Louis Aragon, Aimé Césaire, Jacques Lacan, Georges Bataille, Max Ernst, and Salvador Dalí) and lesser-known figures (such as René Crevel, Simone Breton, Leonora Carrington, Benjamin Péret, and Jules Monnerot). For Eburne "the art of crime" denotes an array of cultural production including sensationalist journalism, detective mysteries, police blotters, crime scene photos, and documents of medical and legal opinion as well as the roman noir, in particular the first crime novel of the American Chester Himes. The surrealists collected and scrutinized such materials, using them as the inspiration for the outpouring of political tracts, pamphlets, and artworks through which they sought to expose the forms of violence perpetrated in the name of the state, its courts, and respectable bourgeois values. Concluding with the surrealists' quarrel with the existentialists and their bitter condemnation of France's anticolonial wars, Surrealism and the Art of Crime establishes surrealism as a vital element in the intellectual, political, and artistic history of the twentieth century.
Author: Andrew M. Fearnley Publisher: Columbia University Press ISBN: 0231544804 Category : History Languages : en Pages : 357
Book Description
For close to a century, Harlem has been the iconic black neighborhood widely seen as the heart of African American life and culture, both celebrated as the vanguard of black self-determination and lamented as the face of segregation. But with Harlem’s demographic, physical, and commercial landscapes rapidly changing, the neighborhood’s status as a setting and symbol of black political and cultural life looks uncertain. As debate swirls around Harlem’s present and future, Race Capital? revisits a century of the area’s history, culture, and imagery, exploring how and why it achieved its distinctiveness and significance and offering new accounts of Harlem’s evolving symbolic power. In this book, leading scholars consider crucial aspects of Harlem’s social, political, and intellectual history; its artistic, cultural, and economic life; and its representation across an array of media and genres. Together they reveal a community at once local and transnational, coalescing and conflicted; one that articulated new visions of a cosmopolitan black modernity while clashing over distinctions of ethnicity, gender, class, and sexuality. Topics explored include Harlem as a literary phenomenon; recent critiques of Harlem exceptionalism; gambling and black business history; the neighborhood’s transnational character; its importance in the black freedom struggle; black queer spaces; and public policy and neighborhood change in historical context. Spanning a century, from the emergence of the Harlem Renaissance to present-day controversies over gentrification, Race Capital? models new Harlem scholarship that interrogates exceptionalism while taking seriously the importance of place and locality, offering vistas onto new directions for African American and diasporic studies.
Author: Nicole von Germeten Publisher: Cambridge University Press ISBN: 1009261525 Category : History Languages : en Pages : 285
Book Description
An evocative history of colonial Mexico's 'crime of the century' and its lasting impact on the new Mexican nation in the nineteenth century.
Author: William J. Nichols
Author: William J. Nichols
Author: William J. Nichols
Author: G. D. Falksen
Author: Pim Higginson
Author: Andrew Pepper
Author: Jean Anderson
Author: Jonathan Paul Eburne
Author: Andrew M. Fearnley
Author: 
Author: Nicole von Germeten