Author: Michael Teitelbaum
Publisher: Bearport Publishing
ISBN: 1684029775
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
Nina had just missed her one chance to be on the hottest TV talent show around—Singing Superstar! But then fate intervened and provided another stage for her to show off her talent, a stage far from the TV cameras. Some say that fame comes at a price. Nina was about to find out just how high that price can be!
TRAGIC THEATER
Author: G. M. Coronel
Publisher: G.M.Coronel Books
ISBN:
Category : Fiction
Languages : en
Pages :
Book Description
In February 1999, a group of spirit communicators attempted to exorcise the then-abandoned Manila Film Center of ghosts. These supernatural beings were believed to be those of the victims from a fatal accident during its hasty construction. Unknown to them, something had long ago taken sanctuary inside the building feeding on the anger and misery of the victims’ souls. They learned this secret too late and walked into a horrifying encounter.
Publisher: G.M.Coronel Books
ISBN:
Category : Fiction
Languages : en
Pages :
Book Description
In February 1999, a group of spirit communicators attempted to exorcise the then-abandoned Manila Film Center of ghosts. These supernatural beings were believed to be those of the victims from a fatal accident during its hasty construction. Unknown to them, something had long ago taken sanctuary inside the building feeding on the anger and misery of the victims’ souls. They learned this secret too late and walked into a horrifying encounter.
The Secret of the Tragic Theater
Author: Michael Teitelbaum
Publisher: Bearport Publishing
ISBN: 1684029775
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
Nina had just missed her one chance to be on the hottest TV talent show around—Singing Superstar! But then fate intervened and provided another stage for her to show off her talent, a stage far from the TV cameras. Some say that fame comes at a price. Nina was about to find out just how high that price can be!
Publisher: Bearport Publishing
ISBN: 1684029775
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
Nina had just missed her one chance to be on the hottest TV talent show around—Singing Superstar! But then fate intervened and provided another stage for her to show off her talent, a stage far from the TV cameras. Some say that fame comes at a price. Nina was about to find out just how high that price can be!
Tragic Theaters
Author: Natalie Lunis
Publisher: Bearport Publishing
ISBN: 1617729809
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
Theaters are fun places to visit—most of the time. These beautiful buildings are usually filled with funny comedies, dramatic tragedies, and exciting musicals. Yet what happens when the most exciting and dramatic events aren’t happening on the stage? Many theaters have been the scenes of unusual deaths, tragic events, and are even said to be home to ghosts and spirits. Within the 11 tragic theaters in this book, children will discover the ghost of the man who assassinated President Abraham Lincoln, and the spirit of a beautiful showgirl who keeps reappearing on the stage where she became famous 100 years ago. The haunting photographs and chilling nonfiction text will keep children turning the pages to discover more spooky stories.
Publisher: Bearport Publishing
ISBN: 1617729809
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
Theaters are fun places to visit—most of the time. These beautiful buildings are usually filled with funny comedies, dramatic tragedies, and exciting musicals. Yet what happens when the most exciting and dramatic events aren’t happening on the stage? Many theaters have been the scenes of unusual deaths, tragic events, and are even said to be home to ghosts and spirits. Within the 11 tragic theaters in this book, children will discover the ghost of the man who assassinated President Abraham Lincoln, and the spirit of a beautiful showgirl who keeps reappearing on the stage where she became famous 100 years ago. The haunting photographs and chilling nonfiction text will keep children turning the pages to discover more spooky stories.
Understanding Greek Tragic Theatre
Author: Rush Rehm
Publisher: Routledge
ISBN: 1317606841
Category : History
Languages : en
Pages : 187
Book Description
Understanding Greek Tragic Theatre, a revised edition of Greek Tragic Theatre (1992), is intended for those interested in how Greek tragedy works. By analysing the way the plays were performed in fifth-century Athens, Rush Rehm encourages classicists, actors, and directors to approach Greek tragedy by considering its original context. Emphasizing the political nature of tragedy as a theatre of, by, and for the polis, Rehm characterizes Athens as a performance culture, one in which the theatre stood alongside other public forums as a place to confront matters of import and moment. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city – a theatre whose focus was on the audience. The second half of the book examines four exemplary plays, Aeschylus’ Oresteia trilogy, Sophocles’ Oedipus Tyrannus, and Euripides’ Suppliant Women and Ion. Without ignoring the scholarly tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus) on stage and the audience in the theatre.
Publisher: Routledge
ISBN: 1317606841
Category : History
Languages : en
Pages : 187
Book Description
Understanding Greek Tragic Theatre, a revised edition of Greek Tragic Theatre (1992), is intended for those interested in how Greek tragedy works. By analysing the way the plays were performed in fifth-century Athens, Rush Rehm encourages classicists, actors, and directors to approach Greek tragedy by considering its original context. Emphasizing the political nature of tragedy as a theatre of, by, and for the polis, Rehm characterizes Athens as a performance culture, one in which the theatre stood alongside other public forums as a place to confront matters of import and moment. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city – a theatre whose focus was on the audience. The second half of the book examines four exemplary plays, Aeschylus’ Oresteia trilogy, Sophocles’ Oedipus Tyrannus, and Euripides’ Suppliant Women and Ion. Without ignoring the scholarly tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus) on stage and the audience in the theatre.
The Risk Theatre Model of Tragedy
Author: Edwin Wong
Publisher: FriesenPress
ISBN: 1525537555
Category : Drama
Languages : en
Pages : 363
Book Description
WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events. In this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question---what happens when the perfect bet goes wrong? Not only does Wong reinterpret classic tragedies from Aeschylus to O’Neill through the risk theatre lens, he also invites dramatists to create tomorrow’s theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.
Publisher: FriesenPress
ISBN: 1525537555
Category : Drama
Languages : en
Pages : 363
Book Description
WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events. In this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question---what happens when the perfect bet goes wrong? Not only does Wong reinterpret classic tragedies from Aeschylus to O’Neill through the risk theatre lens, he also invites dramatists to create tomorrow’s theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.
A Psychoanalytic Perspective on Tragedy, Theater and Death
Author: Konstantinos I. Arvanitakis
Publisher: Routledge
ISBN: 042977608X
Category : Psychology
Languages : en
Pages : 191
Book Description
A Psychoanalytic Perspective on Tragedy, Theater and Death shines a spotlight on what theater, and especially tragedy, tells us about our ontological selves, by exploring both Euripides’ Bacchae and the work of Tadeusz Kantor. Focusing on the theatrical tradition of the West, the book examines Euripides’ Bacchae, a tragedy about the nature of tragedy, suggesting that the tragic can be defined as an ontological duality rooted in the early experience of the infant’s separation from mother, with whom s/he had, until then, formed a fused Unit. The traumatic rupture of this primal Unit is inscribed in the unconscious as death. The book then considers the defining binary structure of the theatrical setting – (spectator/spectated or fantasy/reality) – before arguing that in staging our ontological dividedness, theater shows its relation to death to be organic. The book concludes by examining in detail the principal works of Polish theater director Tadeusz Kantor, whose search for theater’s identity was, essentially, a search for human identity. Erudite and far-reaching, A Psychoanalytic Perspective on Tragedy, Theater and Death will interest psychoanalysts as well as students, scholars and researchers across the dramatic arts wishing to draw on psychoanalytic ideas.
Publisher: Routledge
ISBN: 042977608X
Category : Psychology
Languages : en
Pages : 191
Book Description
A Psychoanalytic Perspective on Tragedy, Theater and Death shines a spotlight on what theater, and especially tragedy, tells us about our ontological selves, by exploring both Euripides’ Bacchae and the work of Tadeusz Kantor. Focusing on the theatrical tradition of the West, the book examines Euripides’ Bacchae, a tragedy about the nature of tragedy, suggesting that the tragic can be defined as an ontological duality rooted in the early experience of the infant’s separation from mother, with whom s/he had, until then, formed a fused Unit. The traumatic rupture of this primal Unit is inscribed in the unconscious as death. The book then considers the defining binary structure of the theatrical setting – (spectator/spectated or fantasy/reality) – before arguing that in staging our ontological dividedness, theater shows its relation to death to be organic. The book concludes by examining in detail the principal works of Polish theater director Tadeusz Kantor, whose search for theater’s identity was, essentially, a search for human identity. Erudite and far-reaching, A Psychoanalytic Perspective on Tragedy, Theater and Death will interest psychoanalysts as well as students, scholars and researchers across the dramatic arts wishing to draw on psychoanalytic ideas.
Tragedy and Dramatic Theatre
Author: Hans-Thies Lehmann
Publisher: Routledge
ISBN: 1317276280
Category : Performing Arts
Languages : en
Pages : 466
Book Description
This comprehensive, authoritative account of tragedy is the culmination of Hans-Thies Lehmann’s groundbreaking contributions to theatre and performance scholarship. It is a major milestone in our understanding of this core foundation of the dramatic arts. From the philosophical roots and theories of tragedy, through its inextricable relationship with drama, to its impact upon post-dramatic forms, this is the definitive work in its field. Lehmann plots a course through the history of dramatic thought, taking in Aristotle, Plato, Seneca, Nietzsche, Heidegger, Lacan, Shakespeare, Schiller, Holderlin, Wagner, Maeterlinck, Yeats, Brecht, Kantor, Heiner Müller and Sarah Kane.
Publisher: Routledge
ISBN: 1317276280
Category : Performing Arts
Languages : en
Pages : 466
Book Description
This comprehensive, authoritative account of tragedy is the culmination of Hans-Thies Lehmann’s groundbreaking contributions to theatre and performance scholarship. It is a major milestone in our understanding of this core foundation of the dramatic arts. From the philosophical roots and theories of tragedy, through its inextricable relationship with drama, to its impact upon post-dramatic forms, this is the definitive work in its field. Lehmann plots a course through the history of dramatic thought, taking in Aristotle, Plato, Seneca, Nietzsche, Heidegger, Lacan, Shakespeare, Schiller, Holderlin, Wagner, Maeterlinck, Yeats, Brecht, Kantor, Heiner Müller and Sarah Kane.
Greek Tragic Theatre
Author: Rush Rehm
Publisher: Routledge
ISBN: 1134814143
Category : History
Languages : en
Pages : 182
Book Description
Emphasizing the political nature of Greek tragedy, as theatre of, by and for the polis, Rush Rehm characterizes Athens as a performance culture; one in which the theatre stood alongside other public forums as a place to confront matters of import. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre focussed on the audience.
Publisher: Routledge
ISBN: 1134814143
Category : History
Languages : en
Pages : 182
Book Description
Emphasizing the political nature of Greek tragedy, as theatre of, by and for the polis, Rush Rehm characterizes Athens as a performance culture; one in which the theatre stood alongside other public forums as a place to confront matters of import. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre focussed on the audience.
The Music of Tragedy
Author: Naomi A. Weiss
Publisher: Univ of California Press
ISBN: 0520401441
Category : Drama
Languages : en
Pages : 300
Book Description
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.
Publisher: Univ of California Press
ISBN: 0520401441
Category : Drama
Languages : en
Pages : 300
Book Description
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.
The Origin of German Tragic Drama
Author: Walter Benjamin
Publisher: Verso Books
ISBN: 1789604737
Category : Literary Criticism
Languages : en
Pages : 325
Book Description
The Origin of German Tragic Drama is Walter Benjamin's most sustained and original work. It begins with a general theoretical introduction on the nature of the baroque art of the sixteenth and seventeenth centuries, concentrating on the peculiar stage-form of royal martyr dramas called Trauerspiel. Benjamin also comments on the engravings of Durer and the theatre of Calderon and Shakespeare. Baroque tragedy, he argues, was distinguished from classical tragedy by its shift from myth into history. Georg Lukacs, an opponent of Benjamin's aesthetics, singled out The Origin of German Tragic Drama as one of the main sources of literary modernism in the twentieth century.
Publisher: Verso Books
ISBN: 1789604737
Category : Literary Criticism
Languages : en
Pages : 325
Book Description
The Origin of German Tragic Drama is Walter Benjamin's most sustained and original work. It begins with a general theoretical introduction on the nature of the baroque art of the sixteenth and seventeenth centuries, concentrating on the peculiar stage-form of royal martyr dramas called Trauerspiel. Benjamin also comments on the engravings of Durer and the theatre of Calderon and Shakespeare. Baroque tragedy, he argues, was distinguished from classical tragedy by its shift from myth into history. Georg Lukacs, an opponent of Benjamin's aesthetics, singled out The Origin of German Tragic Drama as one of the main sources of literary modernism in the twentieth century.