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Author: Dan Curley Publisher: Cambridge University Press ISBN: 1107009537 Category : History Languages : en Pages : 289
Book Description
This comprehensive study establishes the importance of an unexpected genre, tragedy, in the career of the most mercurial Western poet.
Author: Dan Curley Publisher: Cambridge University Press ISBN: 1107009537 Category : History Languages : en Pages : 289
Book Description
This comprehensive study establishes the importance of an unexpected genre, tragedy, in the career of the most mercurial Western poet.
Author: Stavros Frangoulidis Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110596180 Category : Literary Criticism Languages : en Pages : 346
Book Description
Inspired by Theodore Papanghelis’ Propertius: A Hellenistic Poet on Love and Death (1987), this collective volume brings together seventeen contributions, written by an international team of experts, exploring the different ways in which Latin authors and some of their modern readers created narratives of life, love and death. Taken together the papers offer stimulating readings of Latin texts over many centuries, examined in a variety of genres and from various perspectives: poetics and authorial self-fashioning; intertextuality; fiction and ‘reality’; gender and queer studies; narratological readings; temporality and aesthetics; genre and meta-genre; structures of the narrative and transgression of boundaries on the ideological and the formalistic level; reception; meta-dramatic and feminist accounts-the female voice. Overall, the articles offer rich insights into the handling and development of these narratives from Classical Greece through Rome up to modern English poetry.
Author: Ingo Zissos Andrew Gildenhard Publisher: ISBN: 9781013286513 Category : Language Arts & Disciplines Languages : en Pages : 256
Book Description
This extract from Ovid's 'Theban History' recounts the confrontation of Pentheus, king of Thebes, with his divine cousin, Bacchus, the god of wine. Notwithstanding the warnings of the seer Tiresias and the cautionary tale of a character Acoetes (perhaps Bacchus in disguise), who tells of how the god once transformed a group of blasphemous sailors into dolphins, Pentheus refuses to acknowledge the divinity of Bacchus or allow his worship at Thebes. Enraged, yet curious to witness the orgiastic rites of the nascent cult, Pentheus conceals himself in a grove on Mt. Cithaeron near the locus of the ceremonies. But in the course of the rites he is spotted by the female participants who rush upon him in a delusional frenzy, his mother and sisters in the vanguard, and tear him limb from limb.The episode abounds in themes of abiding interest, not least the clash between the authoritarian personality of Pentheus, who embodies 'law and order', masculine prowess, and the martial ethos of his city, and Bacchus, a somewhat effeminate god of orgiastic excess, who revels in the delusional and the deceptive, the transgression of boundaries, and the blurring of gender distinctions.This course book offers a wide-ranging introduction, the original Latin text, study aids with vocabulary, and an extensive commentary. Designed to stretch and stimulate readers, Gildenhard and Zissos's incisive commentary will be of particular interest to students of Latin at AS and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Ovid's poetry and discussion of the most recent scholarly thought. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
Author: Anthony J. Boyle Publisher: Routledge ISBN: 1134696787 Category : Drama Languages : en Pages : 320
Book Description
The first detailed cultural and theatrical history of a major literary form, this landmark introduction examines Roman tragedy and its place at the centre of Rome’s cultural and political life. Analyzing the work of such names as Ennius, Pacuvius and Accius, as well as Seneca and his post-Neronian successors, Anthony J. Boyle delves into detailed discussion on every Roman tragedian whose work survives in substance today. Roman Tragedy examines: the history of Roman tragic techniques and conventions the history of generic form and change the debt that Rome owes to Greece, and text owes to text the birth, development and death of Roman tragedy in the context of the cities evolving, institutions, ideologies and political and social practices tragedy proper and the historical drama (fabula praetexta), which the Romans allied to tragedy. With parallel English translations of Latin quotations, this seminal work not only provides an invaluable resource for students of theatre, Roman political history and cultural history, but it is also accessible to all interested in the social dynamics of writing, spectacle, ideology and power.
Author: Jessica A. Westerhold Publisher: Cornell University Press ISBN: 1501770373 Category : Literary Criticism Languages : en Pages : 228
Book Description
Ovid's Tragic Heroines expands our understanding of Ovid's incorporation of Greek generic codes and the tragic heroines, Phaedra and Medea, while offering a new perspective on the Roman poet's persistent interest in these two characters and their paradigms. Ovid presents these two Attic tragic heroines as symbols of different passions that are defined by the specific combination of their gender and generic provenance. Their failure to be understood and their subsequent punishment are constructed as the result of their female "nature," and are generically marked as "tragic." Ovid's masculine poetic voice, by contrast, is given free rein to oscillate and play with poetic possibilities. Jessica A. Westerhold focuses on select passages from the poems Ars Amatoria, Heroides, and Metamorphoses. Building on existing scholarship, she analyzes the dynamic nature of generic categories and codes in Ovid's poetry, especially the interplay of elegy and epic. Further, her analysis of Ovid's reception applies the idea of the abject to elucidate Ovid's process of constructing gender and genre in his poetry. Ovid's Tragic Heroines incorporates established theories of the performativity of sex, gender, and kinship roles to understand the continued maintenance of the normative and abject subject positions Ovid's poetry creates. The resulting analysis reveals how Ovid's Phaedras and Medeas offer alternatives both to traditional gender roles and to material appropriate to a poem's genre, ultimately using the tragic code to introduce a new perspective to epic and elegy.
Author: Ted Hughes Publisher: Farrar, Straus and Giroux ISBN: 9780374525873 Category : Poetry Languages : en Pages : 272
Book Description
A powerful version of the Latin classic by England's late Poet Laureate, now in paperback.When it was published in 1997, Tales from Ovid was immediately recognized as a classic in its own right, as the best rering of Ovid in generations, and as a major book in Ted Hughes's oeuvre. The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.
Author: Martin M. Winkler Publisher: Cambridge University Press ISBN: 1108485405 Category : History Languages : en Pages : 491
Book Description
The first study of Ovid, especially his Metamorphoses, as inherently visual literature, explaining his pervasive importance in our visual media.
Author: Andrew M Feldherr Publisher: Princeton University Press ISBN: 1400836549 Category : Literary Criticism Languages : en Pages : 390
Book Description
This book offers a novel interpretation of politics and identity in Ovid's epic poem of transformations, the Metamorphoses. Reexamining the emphatically fictional character of the poem, Playing Gods argues that Ovid uses the problem of fiction in the text to redefine the power of poetry in Augustan Rome. The book also provides the fullest account yet of how the poem relates to the range of cultural phenomena that defined and projected Augustan authority, including spectacle, theater, and the visual arts. Andrew Feldherr argues that a key to the political as well as literary power of the Metamorphoses is the way it manipulates its readers' awareness that its stories cannot possibly be true. By continually juxtaposing the imaginary and the real, Ovid shows how a poem made up of fictions can and cannot acquire the authority and presence of other discursive forms. One important way that the poem does this is through narratives that create a "double vision" by casting characters as both mythical figures and enduring presences in the physical landscapes of its readers. This narrative device creates the kind of tensions between identification and distance that Augustan Romans would have felt when experiencing imperial spectacle and other contemporary cultural forms. Full of original interpretations, Playing Gods constructs a model for political readings of fiction that will be useful not only to classicists but to literary theorists and cultural historians in other fields.
Author: Dan Curley
Author: Dan Curley
Author: Ovid
Author: Stavros Frangoulidis
Author: Ovid
Author: Ingo Zissos Andrew Gildenhard
Author: Anthony J. Boyle
Author: Jessica A. Westerhold
Author: Ted Hughes
Author: Martin M. Winkler
Author: Andrew M Feldherr