Author: Constantine Christopher Stathatos
Publisher: Edition Reichenberger
ISBN: 9783935004916
Category :
Languages : en
Pages : 114
Book Description
A Patron and a Playwright in Renaissance Spain
Author: Ann E. Wiltrout
Publisher: Tamesis
ISBN: 9780729302548
Category : Literary Criticism
Languages : en
Pages : 196
Book Description
Publisher: Tamesis
ISBN: 9780729302548
Category : Literary Criticism
Languages : en
Pages : 196
Book Description
Bartolomé de Torres Naharro
Author: Constantine Christopher Stathatos
Publisher: Edition Reichenberger
ISBN: 9783935004916
Category :
Languages : en
Pages : 114
Book Description
Publisher: Edition Reichenberger
ISBN: 9783935004916
Category :
Languages : en
Pages : 114
Book Description
"Propalladia" and Other Works of Bartolome de Torres Naharro, Volume 4
Author: Joseph E. Gillet
Publisher: University of Pennsylvania Press
ISBN: 1512801925
Category : Literary Collections
Languages : en
Pages : 660
Book Description
In this fourth volume of Joseph E. Gillet's monumental study, Propalladia and Other Works of Bartolomé De Torres Naharro, all students of Renaissance drama will find a wealth of material on the origins of the modern European theater. Torres Naharro created the cloak-and-sword play almost a century before Lope de Vega. The commonplaces of romantic comedy appeared, for the first time on any stage, in his Comedia Ymenea published at Naples in 1517. Two of his works, the Soldadesca and the Tinellaria—evocations of the roistering life of the barracks and of a cardinal's scullery—are remarkable examples of dramatic realism avant Ia lettre. The influence of Torres Naharro and his work on the Spanish drama of the sixteenth century was all pervasive. In this volume, all the material gleaned by Dr. Gillet in extensive research is brought into clear focus to show Torres Naharro as a man of the Renaissance and a man of the theater. Of the greatest interest is the exposition of his intuition of the distinction between poetic and historic truth—commedias a fantasia and a noticia—long before the recovery of the true text of Aristotle's Poetics, and of the substratum of primitivism in many of his plays: ritual societies, the medicine man, the right to tribute, social discipline, name changing, loss of memory, sports, games, acrobatics, sorcery, riddles, genealogies, weddings, propitiation and death song, resuscitation, license and chastity, and so on. And this dramatic activity occurred early, antedating most of the Italian plays of the sixteenth century.
Publisher: University of Pennsylvania Press
ISBN: 1512801925
Category : Literary Collections
Languages : en
Pages : 660
Book Description
In this fourth volume of Joseph E. Gillet's monumental study, Propalladia and Other Works of Bartolomé De Torres Naharro, all students of Renaissance drama will find a wealth of material on the origins of the modern European theater. Torres Naharro created the cloak-and-sword play almost a century before Lope de Vega. The commonplaces of romantic comedy appeared, for the first time on any stage, in his Comedia Ymenea published at Naples in 1517. Two of his works, the Soldadesca and the Tinellaria—evocations of the roistering life of the barracks and of a cardinal's scullery—are remarkable examples of dramatic realism avant Ia lettre. The influence of Torres Naharro and his work on the Spanish drama of the sixteenth century was all pervasive. In this volume, all the material gleaned by Dr. Gillet in extensive research is brought into clear focus to show Torres Naharro as a man of the Renaissance and a man of the theater. Of the greatest interest is the exposition of his intuition of the distinction between poetic and historic truth—commedias a fantasia and a noticia—long before the recovery of the true text of Aristotle's Poetics, and of the substratum of primitivism in many of his plays: ritual societies, the medicine man, the right to tribute, social discipline, name changing, loss of memory, sports, games, acrobatics, sorcery, riddles, genealogies, weddings, propitiation and death song, resuscitation, license and chastity, and so on. And this dramatic activity occurred early, antedating most of the Italian plays of the sixteenth century.
Sources of Dramatic Theory: Volume 1, Plato to Congreve
Author: Michael J. Sidnell
Publisher: Cambridge University Press
ISBN: 9780521326940
Category : Drama
Languages : en
Pages : 332
Book Description
This book makes available major theoretical writings on drama from the Greeks to the late seventeenth century for students of dramatic theory who require more than representative snippets. All the texts included here have been newly annotated and many have been specially translated for this volume.
Publisher: Cambridge University Press
ISBN: 9780521326940
Category : Drama
Languages : en
Pages : 332
Book Description
This book makes available major theoretical writings on drama from the Greeks to the late seventeenth century for students of dramatic theory who require more than representative snippets. All the texts included here have been newly annotated and many have been specially translated for this volume.
Propalladia and Other Works of Bartolomé de Torres Naharro
Author: Bartolomé de Torres Naharro
Publisher:
ISBN:
Category :
Languages : en
Pages : 645
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 645
Book Description
Drama of a Nation
Author: Walter Cohen
Publisher: Cornell University Press
ISBN: 1501741667
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
During the sixteenth and seventeenth centuries, in the midst of an international florescence of drama, the English and Spanish theaters displayed striking and unique similarities. Although these two national theaters developed in relative isolation from each other, in both countries the plays synthesized native popular traditions and neoclassical learned conventions, a synthesis found neither in the more elite Italian and French drama of the time nor in any other European drama before or since. In Drama of a Nation, Walter Cohen illuminates the causes of this significant parallel development. Working from a Marxist perspective, Cohen seeks to establish correlations among individual plays, dramatic genres, theatrical institutions, cultural milieus, and political and economic systems. He argues that the drama owed its distinctiveness to the public theaters, especially of London and Madrid, which opened in the 1570s and closed, under government order, seventy years later. Both drama and theater in turn depended on a relative cultural homogeneity perpetuated by a state that primarily served the aristocracy. Absolutism, he maintains, first fostered and then undermined the public theater.
Publisher: Cornell University Press
ISBN: 1501741667
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
During the sixteenth and seventeenth centuries, in the midst of an international florescence of drama, the English and Spanish theaters displayed striking and unique similarities. Although these two national theaters developed in relative isolation from each other, in both countries the plays synthesized native popular traditions and neoclassical learned conventions, a synthesis found neither in the more elite Italian and French drama of the time nor in any other European drama before or since. In Drama of a Nation, Walter Cohen illuminates the causes of this significant parallel development. Working from a Marxist perspective, Cohen seeks to establish correlations among individual plays, dramatic genres, theatrical institutions, cultural milieus, and political and economic systems. He argues that the drama owed its distinctiveness to the public theaters, especially of London and Madrid, which opened in the 1570s and closed, under government order, seventy years later. Both drama and theater in turn depended on a relative cultural homogeneity perpetuated by a state that primarily served the aristocracy. Absolutism, he maintains, first fostered and then undermined the public theater.
Spanish Dramatists of the Golden Age
Author: Mary Parker
Publisher: Bloomsbury Publishing USA
ISBN: 0313370516
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
The Golden Age of Spanish drama extends from the close of the 15th century to the death of Calderón in 1681. During that time, the humanists, as dramatists, followed Italy's artistic awakening direction, and imitated Classical drama. With originality and dreams of greatness, they subverted the nature of tragedy; modified the approach of Comedy and invented the New Play, the Comedia Nueva. In it the poet-dramatists introduced important modificaitons of realism, included imagined reality, Christian symbolism and theatricality, as artistic truth. They elaborate all kinds of syntheses. For this reason, the Spanish Golden Age theater can be viewed as part of a tradition that includes the Greco-Roman comedy and tragedy, Christian tragedy, and the authentic national literary and dramatic tendencies. The entries in this reference book explore the fascinating history of the Golden Age of Spanish drama. The volume begins with an introductory overview of the literary, cultural, and historical contexts that shaped dramatic writing of the period. The book then presents alphabetically arranged essays for nineteen significant Spanish dramatists of the Golden Age. Each essay is written by an expert contributor and includes biographical information, an analysis and evaluation of major works, a discussion of critical response to the plays, and an extensive bibliography of primary and secondary sources. The volume closes with a selected general bibliography of central critical studies of Golden Age Spanish drama.
Publisher: Bloomsbury Publishing USA
ISBN: 0313370516
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
The Golden Age of Spanish drama extends from the close of the 15th century to the death of Calderón in 1681. During that time, the humanists, as dramatists, followed Italy's artistic awakening direction, and imitated Classical drama. With originality and dreams of greatness, they subverted the nature of tragedy; modified the approach of Comedy and invented the New Play, the Comedia Nueva. In it the poet-dramatists introduced important modificaitons of realism, included imagined reality, Christian symbolism and theatricality, as artistic truth. They elaborate all kinds of syntheses. For this reason, the Spanish Golden Age theater can be viewed as part of a tradition that includes the Greco-Roman comedy and tragedy, Christian tragedy, and the authentic national literary and dramatic tendencies. The entries in this reference book explore the fascinating history of the Golden Age of Spanish drama. The volume begins with an introductory overview of the literary, cultural, and historical contexts that shaped dramatic writing of the period. The book then presents alphabetically arranged essays for nineteen significant Spanish dramatists of the Golden Age. Each essay is written by an expert contributor and includes biographical information, an analysis and evaluation of major works, a discussion of critical response to the plays, and an extensive bibliography of primary and secondary sources. The volume closes with a selected general bibliography of central critical studies of Golden Age Spanish drama.
Occult Arts and Doctrine in the Theatre of Juan Ruiz de Alarcón
Author: Augusta Espantoso Foley
Publisher: Librairie Droz
ISBN: 9782600030380
Category : Occultism in literature
Languages : en
Pages : 132
Book Description
Publisher: Librairie Droz
ISBN: 9782600030380
Category : Occultism in literature
Languages : en
Pages : 132
Book Description
The Pastor-Bobo in the Spanish Theatre, Before the Time of Lope de Vega
Author: John Brotherton
Publisher: Tamesis
ISBN: 9780729300117
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Publisher: Tamesis
ISBN: 9780729300117
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Kings in Calderón
Author: Dian Fox
Publisher: Tamesis
ISBN: 9780729302401
Category : Literary Criticism
Languages : en
Pages : 166
Book Description
Publisher: Tamesis
ISBN: 9780729302401
Category : Literary Criticism
Languages : en
Pages : 166
Book Description