Author: Ronald Herder
Publisher:
ISBN:
Category : Ear training
Languages : en
Pages : 238
Book Description
Tonal/atonal
Author: Ronald Herder
Publisher:
ISBN:
Category : Ear training
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category : Ear training
Languages : en
Pages : 238
Book Description
Schoenberg's Atonal Music
Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1108419135
Category : Music
Languages : en
Pages : 407
Book Description
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
Publisher: Cambridge University Press
ISBN: 1108419135
Category : Music
Languages : en
Pages : 407
Book Description
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
The Structure of Atonal Music
Author: Allen Forte
Publisher: Yale University Press
ISBN: 9780300021202
Category : Music
Languages : en
Pages : 244
Book Description
Describes and cites examples of pitch-class sets and relations in atonal music
Publisher: Yale University Press
ISBN: 9780300021202
Category : Music
Languages : en
Pages : 244
Book Description
Describes and cites examples of pitch-class sets and relations in atonal music
Understanding Post-Tonal Music
Author: Miguel A. Roig-Francolí
Publisher: Routledge
ISBN: 1000332632
Category : Music
Languages : en
Pages : 432
Book Description
Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music. Intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music, this book will increase the accessibility of post-tonal music by providing students with tools for understanding pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire. The updated second edition includes new "Explorations" features that guide students to engage with pieces through listening and a process of exploration, discovery, and discussion; a new chapter covering electronic, computer, and spectral musics; and additional coverage of music from the twenty-first century and recent trends. The text has been revised throughout to enhance clarity, both by streamlining the prose and by providing a visual format more accessible to the student.
Publisher: Routledge
ISBN: 1000332632
Category : Music
Languages : en
Pages : 432
Book Description
Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music. Intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music, this book will increase the accessibility of post-tonal music by providing students with tools for understanding pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire. The updated second edition includes new "Explorations" features that guide students to engage with pieces through listening and a process of exploration, discovery, and discussion; a new chapter covering electronic, computer, and spectral musics; and additional coverage of music from the twenty-first century and recent trends. The text has been revised throughout to enhance clarity, both by streamlining the prose and by providing a visual format more accessible to the student.
The Atonal Music of Arnold Schoenberg, 1908-1923
Author: Bryan R. Simms
Publisher: Oxford University Press
ISBN: 0195351851
Category : Music
Languages : en
Pages : 276
Book Description
Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new and richer understanding of Schoenberg's seminal work during this period.
Publisher: Oxford University Press
ISBN: 0195351851
Category : Music
Languages : en
Pages : 276
Book Description
Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new and richer understanding of Schoenberg's seminal work during this period.
Basic Atonal Theory
Author: John Rahn
Publisher: MacMillan Publishing Company
ISBN:
Category : Music
Languages : en
Pages : 180
Book Description
Publisher: MacMillan Publishing Company
ISBN:
Category : Music
Languages : en
Pages : 180
Book Description
Cognitive Processes in the Perception of Art
Author: W.R. Crozier
Publisher: Elsevier
ISBN: 0080866735
Category : Psychology
Languages : en
Pages : 461
Book Description
This book reviews progress and describes original research in the cognitive psychology of the arts. The invited contributors are leading authorities, and the topics which they cover include psychological approaches to symbols and meaning in art, issues in experimental aesthetics, the development in children of artistic production and appreciation, and the perception of musical and pictorial material.
Publisher: Elsevier
ISBN: 0080866735
Category : Psychology
Languages : en
Pages : 461
Book Description
This book reviews progress and describes original research in the cognitive psychology of the arts. The invited contributors are leading authorities, and the topics which they cover include psychological approaches to symbols and meaning in art, issues in experimental aesthetics, the development in children of artistic production and appreciation, and the perception of musical and pictorial material.
Serial Composition and Atonality
Author: George Perle
Publisher: Univ of California Press
ISBN: 9780520019355
Category : Music
Languages : en
Pages : 220
Book Description
Publisher: Univ of California Press
ISBN: 9780520019355
Category : Music
Languages : en
Pages : 220
Book Description
The Atonal Music of Arnold Schoenberg, 1908-1923
Author: Bryan R. Simms
Publisher: Oxford University Press, USA
ISBN: 0195128265
Category : Language Arts & Disciplines
Languages : en
Pages : 276
Book Description
Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work.
Publisher: Oxford University Press, USA
ISBN: 0195128265
Category : Language Arts & Disciplines
Languages : en
Pages : 276
Book Description
Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work.
Analyzing Atonal Music
Author: Michiel Schuijer
Publisher: University Rochester Press
ISBN: 9781580462709
Category : Music
Languages : en
Pages : 334
Book Description
For the past 40 years, pitch-class set theory has served as a frame of reference for the study of atonal music, through the efforts of Allan Forte, Milton Babbitt, and others. This text combines thorough discussions of musical concepts with an historical narrative.
Publisher: University Rochester Press
ISBN: 9781580462709
Category : Music
Languages : en
Pages : 334
Book Description
For the past 40 years, pitch-class set theory has served as a frame of reference for the study of atonal music, through the efforts of Allan Forte, Milton Babbitt, and others. This text combines thorough discussions of musical concepts with an historical narrative.