Author: Melinda K. Hartwig Publisher: Brepols Publishers ISBN: Category : Art Languages : en Pages : 292
Book Description
Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE examines the style, iconography, and symbolism of painting in all extant private Theban tomb chapels decorated during the reigns of Thutmose IV and Amenhotep III. The book studies the ways in which pictorial imagery functioned on behalf of the dead in the afterlife, presented their identity to the living, and revealed underlying religious developments with important societal implications. Various aspects of the pre-Amarna Theban tomb are explored, from the tomb's purpose as a creative and commemorative vehicle for the deceased to the placement and functional properties of its imagery. The book also discusses the different styles of painting in the chapels of state and religious officials and how these styles reveal workshop organization and "patronage" practices in Thebes. The majority of the book is dedicated to the iconography of the functioning image in the tomb chapel, its reception, and its purpose as a bridge between what was represented and what was signified, between the mundane and the sacred, and between the living and the dead. Particular attention is paid to the iconography on the "western" back walls of the transverse hall in T-shaped tomb chapels, walls that held aesthetic, cultic, and symbolic significance to the ancient Egyptians. On these walls as well as the northern or southern long wall in rectangular tomb chapels, iconography and text commemorated the deceased's personal and professional identity, projected this identity into the hereafter, and contained key components for the tomb owner's rebirth. The eternal well-being of the deceased was secured through the iconography of gift giving that also mirrored religious trends that permeated society. Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE addresses Theban tomb painting and its underlying creative and commemorative properties as a medium of regeneration, preservation, and display on behalf of the tomb owner and the world of which he was a part.
Author: Melinda K. Hartwig Publisher: Brepols Publishers ISBN: 9782503513157 Category : Art Languages : en Pages : 292
Book Description
Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE examines the style, iconography, and symbolism of painting in all extant private Theban tomb chapels decorated during the reigns of Thutmose IV and Amenhotep III. The book studies the ways in which pictorial imagery functioned on behalf of the dead in the afterlife, presented their identity to the living, and revealed underlying religious developments with important societal implications. Various aspects of the pre-Amarna Theban tomb are explored, from the tomb's purpose as a creative and commemorative vehicle for the deceased to the placement and functional properties of its imagery. The book also discusses the different styles of painting in the chapels of state and religious officials and how these styles reveal workshop organization and "patronage" practices in Thebes. The majority of the book is dedicated to the iconography of the functioning image in the tomb chapel, its reception, and its purpose as a bridge between what was represented and what was signified, between the mundane and the sacred, and between the living and the dead. Particular attention is paid to the iconography on the "western" back walls of the transverse hall in T-shaped tomb chapels, walls that held aesthetic, cultic, and symbolic significance to the ancient Egyptians. On these walls as well as the northern or southern long wall in rectangular tomb chapels, iconography and text commemorated the deceased's personal and professional identity, projected this identity into the hereafter, and contained key components for the tomb owner's rebirth. The eternal well-being of the deceased was secured through the iconography of gift giving that also mirrored religious trends that permeated society. Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE addresses Theban tomb painting and its underlying creative and commemorative properties as a medium of regeneration, preservation, and display on behalf of the tomb owner and the world of which he was a part.
Author: Melinda K. Hartwig Publisher: John Wiley & Sons ISBN: 1118325087 Category : Literary Criticism Languages : en Pages : 636
Book Description
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Author: Marta Arranz Cárcamo Publisher: Archaeopress Publishing Ltd ISBN: 1789699088 Category : History Languages : en Pages : 248
Book Description
Presents proceedings from the 20th meeting of the prestigious international student Egyptology conference, held at the University of Alcalá, 2019. 15 papers address a wide range of topics including all periods of ancient Egyptian History and different aspects of its material culture, archaeology, history, society, religion and language.
Author: José Roberto Pellini Publisher: Cambridge Scholars Publishing ISBN: 1443883905 Category : Social Science Languages : en Pages : 198
Book Description
Every culture conceives of the senses in different ways, establishing their own models and sensory hierarchies. Despite the importance of the senses in human experience, archaeology has generally neglected the sensory dimension of the material world. In response to this lacuna, the contributions to this volume incorporate all the senses in imaginative scenarios, in order to stimulate new ways of seeing and conceptualising archaeology and bring back the “self” to this science. The international character of the essays brought together here, including researchers and case studies from across the globe, provides a variety of perspectives on this topic from a number of scales of analysis. The book will appeal to a wide range of readers, including academic researchers and the general public concerned with archaeology, history, anthropology, and sociology, and will provide readers with a greater understanding of the dynamics of the senses, the relationship between narratives and societies, and the cultural world.
Author: Niv Allon Publisher: ISBN: 0198841620 Category : Art Languages : en Pages : 214
Book Description
Writing, Violence, and the Military takes representations of reading and writing in Eighteenth Dynasty Egypt (ca. 1550-1295 BCE) as its point of departure, asking how patrons of art conceptualized literacy and how in turn they positioned themselves with respect to it. Exploring statuary and tomb art through the prism of self-representation and group formation, it makes three claims. Firstly, that the elite of this period held a variety of notions regarding literacy, among which violence and memory are most prominent. Secondly, that among the Eighteenth Dynasty elite, literacy found its strongest advocates among men whose careers brought them to engage with the military, either as military officials or as civil administrators who accompanied the army beyond the borders of Egypt. Finally, that Haremhab - the General in Chief who later ascended the throne - voiced unique views regarding literacy that arose from his career as an elite military official, and thus from his social world. Consequently, images of reading and writing allow us to study literacy with regard to those who commissioned them, and to consider these patrons' roles in changing conceptualizations. Throughout their different formulations, these representations call for a discussion on literacy in relation to self-representation and to art's role in society. They also invite us to reconsider our own approach to literacy and its significance in ancient times.
Author: Niv Allon Publisher: Bloomsbury Publishing ISBN: 1472583973 Category : History Languages : en Pages : 185
Book Description
The modern view of the ancient Egyptian world is often through the lens of a scribe: the trained, schooled, literate individual who was present at many levels of Egyptian society, from a local accountant to the highest echelons of society. And yet, despite the wealth of information the scribes left us, we know relatively little about what underpinned their world, about their mentality and about their everyday life. Tracing ten key biographies, Ancient Egyptian Scribes examines how these figures kept both the administrative life and cultural memory of Egypt running. These are the Egyptians who ran the state and formed the supposedly meritocratic system of local administration and government. Case studies look at accountants, draughtsmen, scribes with military and dynastic roles, the authors of graffiti and literati who interacted in different ways with Pharaohs and other leaders. Assuming no previous knowledge of ancient Egypt, the various roles and identities of the scribes are presented in a concise and accessible way, offering structured information on their cultural identity and self-presentation, and providing readers with an insight into the making of Egyptian written culture.
Author: Benjamin W. Porter Publisher: University Press of Colorado ISBN: 1607323257 Category : Social Science Languages : en Pages : 280
Book Description
Remembering the Dead in the Ancient Near East is among the first comprehensive treatments to present the diverse ways in which ancient Near Eastern civilizations memorialized and honored their dead, using mortuary rituals, human skeletal remains, and embodied identities as a window into the memory work of past societies. In six case studies teams of researchers with different skillsets—osteological analysis, faunal analysis, culture history and the analysis of written texts, and artifact analysis—integrate mortuary analysis with bioarchaeological techniques. Drawing upon different kinds of data, including human remains, ceramics, jewelry, spatial analysis, and faunal remains found in burial sites from across the region’s societies, the authors paint a robust and complex picture of death in the ancient Near East. Demonstrating the still underexplored potential of bioarchaeological analysis in ancient societies, Remembering the Dead in the Ancient Near East serves as a model for using multiple lines of evidence to reconstruct commemoration practices. It will be of great interest to students and scholars of ancient Near Eastern and Egyptian societies, the archaeology of death and burial, bioarchaeology, and human skeletal biology.
Author: Deborah Vischak Publisher: Cambridge University Press ISBN: 1107027608 Category : Architecture Languages : en Pages : 363
Book Description
This book examines an elite Old Kingdom cemetery at the southern boundary of ancient Egypt, where the local community developed a unique visual expression of texts, images, and architecture in their tombs. Deborah Vischak argues that localized communities are an important source of identity in ancient Egypt.
Author: Vanessa Davies Publisher: BRILL ISBN: 9004380221 Category : History Languages : en Pages : 227
Book Description
One of the world's oldest treaties provides the backdrop for a new analysis of the Egyptian concept of hetep ("peace"). To understand the full range of meaning of hetep, Peace in Ancient Egypt explores battles against Egypt's enemies, royal offerings to deities, and rituals of communing with the dead. Vanessa Davies argues that hetep is the result of action that is just, true, and in accord with right order (maat). Central to the concept of hetep are the issues of rhetoric and community. Beyond detailing the ancient Egyptian concept of hetep, it is hoped that this book will provide a useful framework that can be considered in relation to concepts of peace in other cultures. Read a recent blog post about the book here.
Author: Melinda K. Hartwig
Author: Melinda K. Hartwig
Author: Melinda K. Hartwig
Author: Marta Arranz Cárcamo
Author: José Roberto Pellini
Author: Niv Allon
Author: Niv Allon
Author: Benjamin W. Porter
Author: Deborah Vischak
Author: Vanessa Davies