Author: Steven L. Schweizer
Publisher: Oxford University Press
ISBN: 0195395557
Category : Language Arts & Disciplines
Languages : en
Pages : 210
Book Description
In Timpani Tone and the Interpretation of Baroque and Classical Music, Steven L. Schweizer draws on 31 years of musical experience to explore the components of timpani tone and methods for producing it. Schweizer takes the reader on an odyssey through the interpretation of Bach, Handel, Haydn, and Mozart's symphonic and choral music.
Timpani Tone and the Interpretation of Baroque and Classical Music
Author: Steven L. Schweizer
Publisher: Oxford University Press
ISBN: 0195395557
Category : Language Arts & Disciplines
Languages : en
Pages : 210
Book Description
In Timpani Tone and the Interpretation of Baroque and Classical Music, Steven L. Schweizer draws on 31 years of musical experience to explore the components of timpani tone and methods for producing it. Schweizer takes the reader on an odyssey through the interpretation of Bach, Handel, Haydn, and Mozart's symphonic and choral music.
Publisher: Oxford University Press
ISBN: 0195395557
Category : Language Arts & Disciplines
Languages : en
Pages : 210
Book Description
In Timpani Tone and the Interpretation of Baroque and Classical Music, Steven L. Schweizer draws on 31 years of musical experience to explore the components of timpani tone and methods for producing it. Schweizer takes the reader on an odyssey through the interpretation of Bach, Handel, Haydn, and Mozart's symphonic and choral music.
Timpani Tone and the Interpretation of Baroque and Classical Music
Author: Steven L. Schweizer
Publisher: Oxford University Press
ISBN: 0190453257
Category : Music
Languages : en
Pages : 210
Book Description
Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openness to the music in effectively shaping and coloring timpani parts. In an acclaimed chapter on interpretation, Schweizer explores how timpanists can use knowledge of the composer's style, psychology, and musical intentions; phrasing and articulation; the musical score; and a conductor's gestures to effectively and convincingly play a part with emotional dynamism and power. The greater part of the book is devoted to the interpretation of Baroque and Classical orchestral and choral music. Meticulously drawing on original sources and authoritative scores from the seventeenth through nineteenth centuries, Schweizer convincingly demonstrates that timpanists were capable of producing a broader range of timpani tone earlier than is normally supposed. The increase in timpani size, covered timpani mallets, and thinner timpani heads increased the quality of timpani tone; therefore, today's timpanist's need not be entirely concerned with playing with very articulate sticks. In exhaustive sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader on an odyssey through the interpretation of their symphonic and choral music. Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners.
Publisher: Oxford University Press
ISBN: 0190453257
Category : Music
Languages : en
Pages : 210
Book Description
Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openness to the music in effectively shaping and coloring timpani parts. In an acclaimed chapter on interpretation, Schweizer explores how timpanists can use knowledge of the composer's style, psychology, and musical intentions; phrasing and articulation; the musical score; and a conductor's gestures to effectively and convincingly play a part with emotional dynamism and power. The greater part of the book is devoted to the interpretation of Baroque and Classical orchestral and choral music. Meticulously drawing on original sources and authoritative scores from the seventeenth through nineteenth centuries, Schweizer convincingly demonstrates that timpanists were capable of producing a broader range of timpani tone earlier than is normally supposed. The increase in timpani size, covered timpani mallets, and thinner timpani heads increased the quality of timpani tone; therefore, today's timpanist's need not be entirely concerned with playing with very articulate sticks. In exhaustive sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader on an odyssey through the interpretation of their symphonic and choral music. Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners.
Sourcebook for Research in Music, Third Edition
Author: Allen Scott
Publisher: Indiana University Press
ISBN: 0253014565
Category : Music
Languages : en
Pages : 518
Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Publisher: Indiana University Press
ISBN: 0253014565
Category : Music
Languages : en
Pages : 518
Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
The Cambridge Companion to Percussion
Author: Russell Hartenberger
Publisher: Cambridge University Press
ISBN: 1107093457
Category : Music
Languages : en
Pages : 327
Book Description
Timpani traditions and beyond
Publisher: Cambridge University Press
ISBN: 1107093457
Category : Music
Languages : en
Pages : 327
Book Description
Timpani traditions and beyond
Understanding Music
Author: N. Alan Clark
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316
Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316
Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
Concepts for timpani
Author: John Beck
Publisher: Carl Fischer, L.L.C.
ISBN: 0825841429
Category : Timpani
Languages : en
Pages : 116
Book Description
"The material deals with quality sound from the early stages of development to the professional stage. A book for the beginner, intermediate or advanced student, it contains exercises, etudes and solos of all difficulties provide the student with ample material to practice. Topics covered include: tuning, warm-ups, tone production, rolls, muffling, cross sticking, pedaling, intervals exercises and 12 performance solos."--Back cover
Publisher: Carl Fischer, L.L.C.
ISBN: 0825841429
Category : Timpani
Languages : en
Pages : 116
Book Description
"The material deals with quality sound from the early stages of development to the professional stage. A book for the beginner, intermediate or advanced student, it contains exercises, etudes and solos of all difficulties provide the student with ample material to practice. Topics covered include: tuning, warm-ups, tone production, rolls, muffling, cross sticking, pedaling, intervals exercises and 12 performance solos."--Back cover
The World of Baroque and Classical Musical Instruments
Author: Jeremy Montagu
Publisher: Overlook Books
ISBN:
Category : Music
Languages : en
Pages : 146
Book Description
Publisher: Overlook Books
ISBN:
Category : Music
Languages : en
Pages : 146
Book Description
Timpani
Author: Bruce Pearson
Publisher:
ISBN: 9780849759925
Category : Bands (Music)
Languages : en
Pages : 656
Book Description
Publisher:
ISBN: 9780849759925
Category : Bands (Music)
Languages : en
Pages : 656
Book Description
Timpani and the Timpanist's Art
Author: Nancy Benvenga
Publisher:
ISBN:
Category : Timpani
Languages : en
Pages : 192
Book Description
Publisher:
ISBN:
Category : Timpani
Languages : en
Pages : 192
Book Description
The Simple Flute
Author: Michel Debost
Publisher: Oxford University Press
ISBN: 019539965X
Category : Music
Languages : en
Pages : 289
Book Description
A practical, concise, and comprehensive guide for flutists.
Publisher: Oxford University Press
ISBN: 019539965X
Category : Music
Languages : en
Pages : 289
Book Description
A practical, concise, and comprehensive guide for flutists.