Timeless Truth in the Hands of History PDF Download

Author: Gale Heide
Publisher: Wipf and Stock Publishers
ISBN: 1556354975
Category : Religion
Languages : en
Pages : 231

View

Book Description
What is the purpose of theology for the church? Systematic theology provides an inroad into this question by offering both a method for doing theology and an explanation for the purpose of that method. However, system is itself the product of a specific understanding of knowledge grounded in rational demonstration of facts. This study attempts to address the historical debate over when systematic theology began. Much of the debate is centered on the definition of system and revolves around the use, or lack thereof, of external philosophical categories or language. Specific historical figures have been selected to serve as illustrations of how theological prolegomena functioned in works prior to and following the influence of Enlightenment thought. In the early chapters it will be seen that theology was neither totally saturated with, nor totally devoid of, external philosophical reference points or programmatic intentions. On the contrary, both external points of reference and programmatic intentions have played a role in theology since the church's inception. In other words, certain elements of system (e.g., logic, non-contradiction, organization) have played a role in theological investigation and construction since, at least, the second century. The last two chapters of this study demonstrate that these may not be the same influences that have marked post-Enlightenment systematics. One of the primary characteristics of pre-Enlightenment theology is its intentional focus on the life of the church. Theology, like the Scriptures, was often written for specific circumstances. Enlightenment influences significantly changed the intentions of much of theology in that theological knowledge was studied and displayed for the sake of knowledge itself. The church no longer mattered, or was at best an afterthought, in the realm of what is now seen as the domain of academic theology.

Author: Gale Heide
Publisher: Wipf and Stock Publishers
ISBN: 1630877972
Category : Religion
Languages : en
Pages : 317

View

Book Description
System and Story is intended to develop a means for bridging the gap between critics of system and those who may find value in doing systematics from a Biblically oriented context. Narrative theologians have rightly identified and critiqued the development of system in academic theology. Unfortunately, they have not identified the ways in which systematic elements have always played a role in theological knowledge. This study demonstrates the inherent systematic tendencies that still exist in narrative approaches to theology, while at the same time acknowledging the appropriateness of aspects of the narrative critique of system. The reaction against Enlightenment modernism is examined from the perspective of the heightened role of system in religious epistemology. The work of Stanley Hauerwas serves to carry much of the conversation regarding the critique of system and a narrative alternative as it is discovered in communal formation. After "summarizing" Hauerwas' theology, if such a thing is possible, the final chapters explore the ecclesiological concerns of narrative theologians according to a more systematic rendering of pneumatology. A Biblical rendering of pneumatology from the perspective of the Spirit's role in ecclesiology allows for a modest (i.e., pre-modern) systematic presentation commensurate with narrative communal formation. Thus, the narrative attempt to once again "do" theology for the church is seen as compatible with a Scriptural (i.e., modestly systematic) theology of the Spirit.

Author: Paul Anthony Dominiak
Publisher: Bloomsbury Publishing
ISBN: 056768508X
Category : Religion
Languages : en
Pages : 235

View

Book Description
Richard Hooker's Of the Laws of Ecclesiastical Polity has long been acknowledged as an influential philosophical, theological and literary text. While scholars have commonly noted the presence of participatory language in selected passages of Hooker's Laws, Paul Anthony Dominiak is the first to trace how participation lends a sense of system and coherency across the whole work. Dominiak analyses how Hooker uses an architectural framework of 'participation in God' to build a cohesive vision of the Elizabethan Church as the most fitting way to reconcile and lead English believers to the shared participation of God. First exploring Hooker's metaphysical architecture of participation in his accounts of law and the sacraments, Dominiak then traces how this architecture structures cognitive participation in God, as well as Hooker's political vision of the Church and Commonwealth. The volume culminates with a summary of how Hooker provides a salutary resource for modern ecumenical dialogue and contemporary political retrievals of participation.

Author: Louis Roy
Publisher: Wipf and Stock Publishers
ISBN:
Category : Religion
Languages : en
Pages : 109

View

Book Description
For readers eager to seek an improved understanding of the Good News, this book provides a way of better construing the Christian message. It begins with the church fathers, continues with the medieval thinkers, and covers modernity's doubters who published critiques of faith and elaborated new conceptions of faith. It thus surveys the various theological methods that were employed over two thousand years of Christian experience. The principal theologians and philosophers that are presented here are Augustine, Thomas Aquinas, Schleiermacher, Lonergan, Ricœur, Congar, and Geffre. The author also presents several modern authors' nuanced assessments of historicity, which fashioned and are still fashioning a large variety of cultures. This sense of history has allowed scholars to appreciate both the particular and the permanent in religious studies that convey meanings. The originality of the author of this volume consists in combining a competence in systematic interpretations with an expertise in pastoral theology. In addition, readers will find in these pages a living ecumenical dialogue characterized by correct construals of those "others" whose understandings of religion may appear as contradicting one's own views.

Author: James M. Dawsey
Publisher: Wipf and Stock Publishers
ISBN: 1666738085
Category : Religion
Languages : en
Pages : 427

View

Book Description
Is religion disappearing from American life? Less than 50 percent of Americans now hold membership in any religious institution, and even fewer attend worship services. The decline in Christian churches is especially pronounced among the young and cuts across all denominations. But for Methodists and like-minded Protestants, concerns are deeper than shrinking denominational membership. Polls show disconcerting ignorance about religious and spiritual matters even among churchgoers. Our values as a society are in large measure molded by religion. What shape will Protestant Christianity take in the twenty-first century? And of Methodism? And beyond that, what kind of community will we be? Dawsey proposes returning to the roots of Christianity. And with anecdotes and stories and a sweeping grasp of church history, he examines those essential practices and beliefs necessary to revitalize American churches. Key, he argues, is rediscovering Christianity as a philosophy of living. John Wesley characterized the practice of religion as first, doing no harm; second, doing good; and third, keeping the ordinances of faith. Loving God and God’s creation—the doing of Christianity—marks the path for becoming the churches and individuals Christians were called to be.

Author: Silje Kvamme Bjorndal
Publisher: Wipf and Stock Publishers
ISBN: 1532632797
Category : Religion
Languages : en
Pages : 233

View

Book Description
How can the church navigate the challenges of our secular age? In The Church in a Secular Age, Norwegian and Pentecostal scholar Silje Kvamme Bjørndal takes on three dynamic thinkers, each in their own way, in search for insights to this question. Philosopher Charles Taylor offers the backdrop for the conversation, as Bjørndal carefully sifts out some of his most central tenets for understanding our secular age. Bjørndal then turns to the theologian and ethicist Stanley Hauerwas and critically engages his notion of the church as a community set apart from our secular age. By bringing several of Hauerwas’s interlocutors into the conversation, Bjørndal manages to bring out both the acute relevance and the shortcomings of his ecclesiology. Thus, she finds that another turn is needed in order to offer a concrete, as well as creative, contribution to this ecclesiological conversation. Considering the undeveloped pneumatological undercurrent in Hauerwas’s work, it proves fruitful to engage the leading Pentecostal scholar Amos Yong and his foundational pneumatology. This engagement results in a shift of agency, from the community to the Spirit. And keeping up the dialogue with Taylor’s secular age, Bjørndal demonstrates how the Spirit’s agency is crucial for the church as it attempts to navigate the particular challenges (and opportunities) of a secular age.

Author: Laurence Coupe
Publisher: Northcote House Pub Limited
ISBN: 0746311125
Category : Literary Criticism
Languages : en
Pages : 145

View

Book Description
Marina Warner is such a widely celebrated writer that it is a source of some wonderment that this is the first full-length study of her work. Perhaps that is because she is so hard to characterize. For example, she is an English writer yet she has an international perspective on her country. Again, she is a novelist whose work is rooted in traditional forms such as legend, romance and fairy tale yet who is wholly contemporary in her thinking. Other paradoxes come to mind. While her numerous works of scholarship are taken seriously within the academy, she has resolutely remained an independent writer who only recently accepted an affiliation to a university. Again, her vision is secular, yet in both her critical and creative writing she returns again and again to the idea of the sacred or supernatural. Above all, she has an equally strong sense of myth and of history, their interaction being the basis of her fiction and the focus of her scholarship. In sum, she is a wonderfully ambitious and challenging writer whose contribution needs assessing, book by book - which is precisely what this pioneering Writers and their Work achieves.

Author: Kevin J. Vanhoozer
Publisher: Westminster John Knox Press
ISBN: 1611645425
Category : Religion
Languages : en
Pages : 200

View

Book Description
In this volume, highly esteemed scholar Kevin Vanhoozer introduces readers to a way of thinking about Christian theology that takes the work he began in the groundbreaking 2005 book, The Drama of Doctrine, to its next level. Vanhoozer argues that theology is not merely a set of cognitive beliefs, but is also something we do that involves speech and action alike. He uses a theatrical model to explain the ways in which doctrine shapes Christian understanding and forms disciples. The church, Vanhoozer posits, is the preeminent theater where the gospel is "performed," with doctrine directing this performance. Doctrines are not simply truths to be stored, shelved, and stacked, but indications and directions to be followed, practiced, and enacted. In "performing" doctrine, Christians are shaped into active disciples of Jesus Christ. He goes on to examine the state of the church in today's world and explores how disciples can do or perform doctrine. Written in an accessible and engaging style, Faith Speaking Understanding sets forth a compelling vision of what the church is and what it should be doing, and demonstrates the importance of Christian doctrine for this mission. Disciples who want to follow Christ in all situations need doctrinal direction as they walk onto the social stage in the great theater of the world. The Christian faith is about acknowledging, and participating in, the great thing God is doing in our world: making all things new in Christ through the Holy Spirit. Doctrine ministers understanding: of God, of the drama of redemption, of the church as a company of faithful players, and of individual actors, all of whom have important roles to play. In an age where things fall apart and centers fail to hold, doctrine centers us in Jesus Christ, in whom all things hold together.

Author: Emran Iqbal El-Badawi
Publisher: Simon and Schuster
ISBN: 0861544463
Category : History
Languages : en
Pages : 332

View

Book Description
‘A genuinely paradigm-shifting work by one of the most exciting and innovative scholars in the field... compelling and powerful...’ Reza Aslan Arab noblewomen of late antiquity were instrumental in shaping the history of the world. Between Rome’s intervention in the Arabian Peninsula and the Arab conquests, they ruled independently, conducting trade and making war. Their power was celebrated as queen, priestess and goddess. With time some even delegated authority to the most important holy men of their age, influencing Arabian paganism, Christianity and Islam. Empress Zenobia and Queen Mavia supported bishops Paul of Samosata and Moses of Sinai. Paul was declared a heretic by the Roman church, while Moses began the process of mass Arab conversion. The teachings of these men survived under their queens, setting in motion seismic debates that fractured the early churches and laid the groundwork for the rise of Islam. In sixth-century Mecca, Lady Khadijah used her wealth and political influence to employ a younger man then marry him against the wishes of dissenting noblemen. Her husband, whose religious and political career she influenced, was the Prophet Muhammad. A landmark exploration of the legacy of female power in late antique Arabia, Queens and Prophets is a corrective that is long overdue.

Author: Jack M. Greenstein
Publisher: University of Chicago Press
ISBN: 9780226307077
Category : Art
Languages : en
Pages : 334

View

Book Description
In this study, Jack M. Greenstein draws on Early Renaissance art theory, modern narratology, translation studies, critical theory, the philosophy of history, and biblical hermeneutics to explicate the sense and significance of one of Andrea Mantegna's most enigmatic and influential works, the Uffizi Circumcision of Christ. Faced with a work that resists established methods of iconographical analysis, Greenstein reassesses the nature and goals of high humanist narrative painting. The result is a new, historically grounded theory of iconography that calls into question many widely held assumptions about the social and intellectual value of Early Renaissance art. Greenstein's theory rests on a careful analysis of Leon Battista Alberti's commentary On Painting, which equated both the form and the content of artistically composed painting with historia. Situating this equation within a centuries-old discourse on the multivalent significance of the Bible, Greenstein shows that, for Alberti, historia was a mode of artistic narrative, common to literature and painting, in which moral truths were presented to the corporeal senses, particularly to vision, in the guise of plausible human actions. In Greenstein's reading, the painter's primary task was the construction of a visually plausible narrative that effectively conveyed the higher meanings of historia. Having thus delineated the structure of significance in Albertian painting, Greenstein shows what was at stake when a painter of Mantegna's historical bent undertook to produce a historia. As one of the leading historical thinkers of his age, Mantegna imbued his depicted scenes with the plausibility of historical events by employing thosecodes of evidence, causality, and historical distance that underlay the Renaissance sense of the past. But the Circumcision of Christ resisted such treatment because the symbolic conventions developed by earlier artists for conveying the higher theological meanings of the theme were incompatible with the representational fidelity embraced by painters of historia. Mantegna overcame these difficulties by arriving at a new understanding of the Circumcision, which remained faithful to the narrative structure as well as the theological content of the biblical account. His interpretation was widely adopted by later artists, but was so pictorial in nature that, despite its consistency with the biblical account, it remained with-out parallel in theological literature. Greenstein's discovery--that artistic production of Albertian painting was a specialized and singularly visual form of thinking whose roots lay more in readerly hermeneutics than in perception, commerce, or common visual experience--raises questions about narrative, representation, and the textuality of art that will interest a wide array of scholars.