Author: Leopold Kozeluch
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Book Description
Three Solos, for the German Flute, with an Accompt for a Violoncello ... Arranged by Vanderhagen
Three favorite Airs, with variations for the German flute. With an accompt. for the piano forte or violoncello ... Book 3. [Score.]
The British Union-catalogue of Early Music Before the Year 1801
Author: Edith Betty Schnapper
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 614
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 614
Book Description
Six Sonatas
Author: George Frideric Handel
Publisher: Alfred Music
ISBN: 1457469138
Category : Music
Languages : en
Pages : 102
Book Description
Six Sonatas by George Frideric Handel for Violin and Piano now in one volume: A major, E major, G minor, D major, F major, A major.
Publisher: Alfred Music
ISBN: 1457469138
Category : Music
Languages : en
Pages : 102
Book Description
Six Sonatas by George Frideric Handel for Violin and Piano now in one volume: A major, E major, G minor, D major, F major, A major.
Einzeldrucke vor 1800: Kaa-Monsigny
Author: Karlheinz Schlager
Publisher:
ISBN:
Category : Music
Languages : un
Pages : 656
Book Description
Publisher:
ISBN:
Category : Music
Languages : un
Pages : 656
Book Description
An Account of the Native Africans in the Neighbourhood of Sierra Leone
Author: Thomas Masterman Winterbottom
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 422
Book Description
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 422
Book Description
The Clarinet in the Classical Period
Author: Albert R. Rice
Publisher: Oxford University Press
ISBN: 0199887780
Category : Music
Languages : en
Pages : 344
Book Description
A comprehensive study of the clarinet in use through the classical period, 1760 to 1830, a period of intensive musical experimentation. The book provides a detailed review and analysis of construction, design, materials, and makers of clarinets. Rice also explores how clarinet construction and performance practice developed in tandem with the musical styles of the period.
Publisher: Oxford University Press
ISBN: 0199887780
Category : Music
Languages : en
Pages : 344
Book Description
A comprehensive study of the clarinet in use through the classical period, 1760 to 1830, a period of intensive musical experimentation. The book provides a detailed review and analysis of construction, design, materials, and makers of clarinets. Rice also explores how clarinet construction and performance practice developed in tandem with the musical styles of the period.
Principles of the Flute, Recorder, and Oboe
Author: Jacques Hotteterre
Publisher: Courier Corporation
ISBN: 9780486246062
Category : Music
Languages : en
Pages : 98
Book Description
Originally published circa 1700, this is a milestone in the development of one of the oldest instruments. Features a new translation, with introduction and notes, by Paul Marshall Douglass. Includes 23 musical excerpts, 6 double-page fingering charts, more.
Publisher: Courier Corporation
ISBN: 9780486246062
Category : Music
Languages : en
Pages : 98
Book Description
Originally published circa 1700, this is a milestone in the development of one of the oldest instruments. Features a new translation, with introduction and notes, by Paul Marshall Douglass. Includes 23 musical excerpts, 6 double-page fingering charts, more.
The Louvre
Author: Paul George Konody
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 568
Book Description
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 568
Book Description
The Oboe
Author: Geoffrey Vernon Burgess
Publisher: Yale University Press
ISBN: 9780300093179
Category : Music
Languages : en
Pages : 444
Book Description
The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe’s prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument’s place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe’s appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument’s social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.
Publisher: Yale University Press
ISBN: 9780300093179
Category : Music
Languages : en
Pages : 444
Book Description
The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe’s prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument’s place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe’s appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument’s social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.