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Author: Stella Adler Publisher: Vintage ISBN: 0307787931 Category : Literary Criticism Languages : en Pages : 353
Book Description
In her long-awaited book, the legendary acting teacher Stella Adler gives us her extraordinary insights into the work of Henrik Ibsen ("The creation of the modern theater took a genius like Ibsen. . .Miller and Odets, Inge and O'Neill, Williams and Shaw, swallowed the whole of him"), August Strindberg ("He understood and predicted the forces that would break in our lives"), and Anton Chekhov ("Chekhov doesn't want a play, he wants what happens in life. In life, people don't usually kill each other. They talk"). Through the plays of these masters, Adler discusses the arts of playwriting and script interpretation ("There are two aspects of the theater. One belongs to the author and the other to the actor. The actor thinks it all belongs to the author. . .The curtain goes up and all he knows are the lines. . .It is not enough. . .Script interpretation is your profession"). She looks into aspects of society and class, and into our cultural past, as well as the evolution of the modern spirit ("The actor learns from Ibsen what is modern in the modern theater. There are no villains, no heroes. Ibsen understands, more than anything, there is more than one truth"). Stella Adler--daughter of Jacob Adler, who was universally acknowledged to be the greatest actor of the Yiddish theater, and herself a disciple of Stanislavsky--examines the role of the actor and brings to life the plays from which all modern theater derives: Ibsen's Hedda Gabler, The Master Builder, An Enemy of the People, and A Doll's House; Strindberg's Miss Julie and The Father; Chekhov's The Seagull, Uncle Vanya, The Cherry Orchard, and Three Sisters ("Masha is the sister who is the mystery. You cannot reach her. You cannot reach the artist. There is no logical way. Keep her in a special pocket of feelings that are complex and different"). Adler discusses the ideas behind these plays and explores the world of the playwrights and the history--both familial and cultural--that informed their work. She illumines not only the dramatic essence of each play but its subtext as well, continually asking questions that deepen one's understanding of the work and of the human spirit. Adler's book, brilliantly edited by Barry Paris, puts her famous lectures into print for the first time.
Author: Stella Adler Publisher: Vintage ISBN: 0307787931 Category : Literary Criticism Languages : en Pages : 353
Book Description
In her long-awaited book, the legendary acting teacher Stella Adler gives us her extraordinary insights into the work of Henrik Ibsen ("The creation of the modern theater took a genius like Ibsen. . .Miller and Odets, Inge and O'Neill, Williams and Shaw, swallowed the whole of him"), August Strindberg ("He understood and predicted the forces that would break in our lives"), and Anton Chekhov ("Chekhov doesn't want a play, he wants what happens in life. In life, people don't usually kill each other. They talk"). Through the plays of these masters, Adler discusses the arts of playwriting and script interpretation ("There are two aspects of the theater. One belongs to the author and the other to the actor. The actor thinks it all belongs to the author. . .The curtain goes up and all he knows are the lines. . .It is not enough. . .Script interpretation is your profession"). She looks into aspects of society and class, and into our cultural past, as well as the evolution of the modern spirit ("The actor learns from Ibsen what is modern in the modern theater. There are no villains, no heroes. Ibsen understands, more than anything, there is more than one truth"). Stella Adler--daughter of Jacob Adler, who was universally acknowledged to be the greatest actor of the Yiddish theater, and herself a disciple of Stanislavsky--examines the role of the actor and brings to life the plays from which all modern theater derives: Ibsen's Hedda Gabler, The Master Builder, An Enemy of the People, and A Doll's House; Strindberg's Miss Julie and The Father; Chekhov's The Seagull, Uncle Vanya, The Cherry Orchard, and Three Sisters ("Masha is the sister who is the mystery. You cannot reach her. You cannot reach the artist. There is no logical way. Keep her in a special pocket of feelings that are complex and different"). Adler discusses the ideas behind these plays and explores the world of the playwrights and the history--both familial and cultural--that informed their work. She illumines not only the dramatic essence of each play but its subtext as well, continually asking questions that deepen one's understanding of the work and of the human spirit. Adler's book, brilliantly edited by Barry Paris, puts her famous lectures into print for the first time.
Author: Frederick J. Marker Publisher: University of Toronto Press ISBN: 9780802082060 Category : Literary Criticism Languages : en Pages : 316
Book Description
This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.
Author: Henrik Ibsen Publisher: Methuen Drama ISBN: 9781408128435 Category : Drama Languages : en Pages : 0
Book Description
The study of Naturalist theatre remains a staple and often foundational part of the curriculum at all levels of drama education. This anthology of six of the most commonly studied and revived Naturalist plays from the European repertoire offers a unique compendium that will serve as required reading for drama courses and is ideal for theatre practitioners and fans. The selected plays perfectly reflect the formal and geographical diversity of Naturalist theatre as well as its major philosophical, political and theatrical preoccupations. A critical introduction by Dr Chris Megson contextualises the emergence of Naturalist theatre in the late nineteenth century, identifying its principal aims and methods; provides an analysis of the selected plays, mapping their key preoccupations, and ends by considering Naturalism's enduring legacy and resonance today.
Author: Gerhart Hauptmann Publisher: Waveland Press ISBN: 1478608935 Category : Drama Languages : en Pages : 247
Book Description
In English translation. Three plays representative of an important period in twentieth-century drama! A good part of modern drama owes its techniques and its intense awareness of social and psychological problems to the German playwright who was awarded the Nobel Prize for Literature in 1912. Hauptmanns achievements had great influence on many outstanding writers, among them Eugene ONeill, who felt a special indebtedness to the European master. These three plays are superb examples of Hauptmanns wide range and offer students an opportunity to become acquainted with the work of a supremely accomplished writer. The Weavers, perhaps his most famous play, reveals the bitter lives of the wretched handweavers of the 1840s and their abortive rebellion. Hannele centers on an abused, motherless child, abandoned to a poorhouse, who creates her own fantasy world of dreams and legends. The Beaver Coat is a delightful satire about a washerwoman who quickly learns that she cannot advance very far through honest labor alone, and proceeds accordingly.
Author: Narve Fulsås Publisher: Cambridge University Press ISBN: 1316992799 Category : Literary Criticism Languages : en Pages : 294
Book Description
Henrik Ibsen's drama is the most prominent and lasting contribution of the cultural surge seen in Scandinavian literature in the later nineteenth century. When he made his debut in Norway in 1850, the nation's literary presence was negligible, yet by 1890 Ibsen had become one of Europe's most famous authors. Contrary to the standard narrative of his move from restrictive provincial origins to liberating European exile, Narve Fulsås and Tore Rem show how Ibsen's trajectory was preconditioned on his continued embeddedness in Scandinavian society and culture, and that he experienced great success in his home markets. This volume traces how Ibsen's works first travelled outside Scandinavia and studies the mechanisms of his appropriation in Germany, Britain and France. Engaging with theories of book dissemination and world literature, and re-assessing the emergence of 'peripheral' literary nations, this book provides new perspectives on the work of this major figure of European literature and theatre.
Author: Zander Brietzke Publisher: McFarland ISBN: 1476672237 Category : Literary Criticism Languages : en Pages : 210
Book Description
Henrik Ibsen, Anton Chekhov and August Strindberg--innovators of modern drama--created characters whose reckless pursuits of irrational objectives blind them to better options. Ibsen's protagonists in A Doll's House, Hedda Gabler and The Master Builder try to bend the world to conform to their personal visions--with disastrous results. Chekhov's characters refuse to do anything, instead dramatizing their lives as if they were actors in a play (which they are). Rehearsing the intractable squabbles between men and women in The Dance of Death and The Ghost Sonata, Strindberg suggests that only in life beyond death can humanity transcend the brutality of existence. Together, the lives of these characters offer a study of the individual's struggle with modernity.
Author: August Strindberg Publisher: Penguin ISBN: 9780140440829 Category : Drama Languages : en Pages : 180
Book Description
Three of Strindberg's most famous plays, including Miss Julia, the basis for the major motion picture Miss Julie, starring Jessica Chastain and Colin Farrell The plays in this volume focus on the tumultuous relationships between men and women, whether they are father and daughter, brother and sister, or lovers. Miss Julia is a ruthlessly realistic depiction of an upper-class woman's seduction of a servant, emphasizing the differences and the antagonism between them. In The Father a mom is brought to madness and driven out of his home by the suspicion that his daughter is not his own child, while Easter centers on a family in need of redemption for its sins and suffering, and finding forgiveness at a season of rebirth. Strindberg's acute psychological analysis and his dramatization of naked emotion within a natrualistic domestic setting make him one of the great innovators of modern theater. Peter Watts's powerful translation is accompanied by an introduction and a preface to each of the dramas, which place the plays in the context of Strindberg's life. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: August Strindberg Publisher: Courier Corporation ISBN: 0486111970 Category : Drama Languages : en Pages : 65
Book Description
One of the greatest classics of modern theater concerns a willful young aristocrat's seduction of her father's valet during a Midsummer's Eve celebration. Complete with Strindberg's highly-regarded critical preface.
Author: August Strindberg Publisher: Dramatists Play Service, Inc. ISBN: 9780413648402 Category : Drama Languages : en Pages : 296
Book Description
The third volume in the series of authoritative Methuen editions of Strindberg's Collected Plays This volume brings together Strindberg's first great play, Master Olof (1872): 'Michael Meyer's agile translation of a flawed idealist who shrinks from the logic of his own actions and puts compromise before martyrdom' (Guardian); Creditors (1888), portraying a marriage chillingly close to his own: 'one of the finest of his plays ... holds one in its icy grip' (Sunday Telegraph); and To Damascus (Part I) (1898), 'a play so packed with ideas and invective that it makes most contemporary dramas seem trivial' (Scotsman)."Michael Meyer is the translator most actors turn to when seeking a definitive text" (Sunday Times)
Author: Kirsten E. Shepherd-Barr Publisher: Columbia University Press ISBN: 0231538928 Category : Performing Arts Languages : en Pages : 397
Book Description
Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
Author: Stella Adler
Author: Stella Adler
Author: Frederick J. Marker
Author: Henrik Ibsen
Author: Gerhart Hauptmann
Author: Narve Fulsås
Author: Zander Brietzke
Author: August Strindberg
Author: August Strindberg
Author: August Strindberg
Author: Kirsten E. Shepherd-Barr