Thomas Shadwell's the Squire of Alsatia PDF Download

Author: Thomas Shadwell
Publisher: Dissertations-G
ISBN:
Category : Drama
Languages : en
Pages : 262

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Author: Thomas Shadwell
Publisher:
ISBN:
Category :
Languages : en
Pages : 504

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Author: Deborah Payne Fisk
Publisher: Cambridge University Press
ISBN: 9780521588126
Category : Drama
Languages : en
Pages : 326

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Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.

Author: Catie Gill
Publisher: Routledge
ISBN: 1351880128
Category : Literary Criticism
Languages : en
Pages : 189

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Framed by the publication of Leviathan and the 1713 Licensing Act, this collection provides analysis of both canonical and non-canonical texts within the scope of an eighty-year period of theatre history, allowing for definition and assessment that uncouples Restoration drama from eighteenth-century drama. Individual essays demonstrate the significant contrasts between the theatre of different decades and the context of performance, paying special attention to the literary innovation and socio-political changes that contributed to the evolution of drama. Exploring the developments in both tragedy and comedy, and in literary production, specific topics include the playwright's relationship to the monarch, women writers' connection to the audience, the changing market for plays, and the rise of the bourgeoisie. This collection also examines aspects of gender and class through the exploration of women's impact on performance and production, masculinity and libertinism, master/servant relationships, and dramatic representations of the coffee house. Accompanied by a list of Spanish-English plays and a chronology of monarch's reigns and significant changes in theatre history, From Leviathan to Licensing Act is a valuable tool for scholars of Restoration and eighteenth-century performance, providing groundwork for future research and investigation.

Author: David Hopkins
Publisher: Oxford University Press
ISBN: 0199219818
Category : History
Languages : en
Pages : 749

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"The present volume [3] is the first to appear of the five that will comprise The Oxford History of Classical Reception in English Literature (henceforth OHCREL). Each volume of OHCREL will have its own editor or team of editors"--Preface.

Author: Thomas Shadwell
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 0

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Author: Robert Hoe
Publisher:
ISBN:
Category : America
Languages : en
Pages : 562

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Author: Christopher J. Wheatley
Publisher: Bucknell University Press
ISBN: 9780838752432
Category : Drama
Languages : en
Pages : 220

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"This book deals with Restoration ethics and - at length - with the works of Thomas Shadwell, author of extraordinarily successful plays including The Squire of Alsatia (1688). In Squire, the hero discards a mistress with whom he has had a child, seduces the daughter of a lawyer, lies to father and guardian, and, in the fifth act, promises to reform and be a faithful husband to a convenient heiress. Modern critics have argued that Shadwell was either a fool or a knave when he claimed, in the prologue to the play, to be writing morally instructive drama. Yet - as Christopher J. Wheatley points out - in his own lifetime Shadwell (frequently a target of satire on political, religious, and aesthetic grounds) seems not to have been attacked for moral hypocrisy despite his repeated claims that drama should be morally instructive. In investigating the real reasons for Shadwell's waning popularity, Wheatley uncovers much about the history of ethics." "The introduction to this book examines the ways in which critical misconceptions about the history of ethics and literary representations of ethical beliefs hinder an understanding of Restoration literature. The first chapter posits that ethical obligation in The Squire of Alsatia is based on one's role in society. It also holds that the foundations of such a role-based ethos are custom and prudential judgments about social consequences, rather than divine law or universality of ethical principles. The second chapter examines a wide variety of sources (philosophical and theological works, courtesy books, and popular literature) to explore how a dialectical tension between traditional ethical systems and skepticism about God and reason could make a role-based ethic an acceptable option for dramatic representation to a Restoration audience." "Subsequent chapters show that an ethic based on social role and custom is consistent with the body of Shadwell's works and the didactic component of Shadwell's drama undergoes little change even after the "Glorious Revolution" of 1688 that made him Poet Laureate. The book also argues that the emergent concept of "mutual love" is central to Shadwell's ethics as the force that draws gentlemen from destructive rakish behavior to their role as guardians of community stability. The last chapter examines the logical incoherence a role-based ethic generates in Shadwell's plays, particularly in the portrayal of women. Wheatley speculates that the divorce of role from obligation becomes the dominant ideology, at least as represented on the stage in the seventeenth century, and that this shift in ethical belief contributes to the decline of Shadwell's reputation."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: David Erskine Baker
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 498

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Author: David Erskine Baker
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 494

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