Author: Mario TelòPublisher:
ISBN: 9780814257739
Category :
Languages : en
Pages : 0
Book Description
Using classic Greek texts and modern theory, Telò forges a new model of tragic aesthetics.
Archive Feelings
Author: Mario TelòPublisher:
ISBN: 9780814257739
Category :
Languages : en
Pages : 0
Book Description
Using classic Greek texts and modern theory, Telò forges a new model of tragic aesthetics.
The Psychoanalytic Theory of Greek Tragedy
Author: C. Fred AlfordPublisher:
ISBN:
Category : Greek drama (Tragedy)
Languages : en
Pages : 248
Book Description
Alford begins with the possibility that the insights into human needs and aspirations contained in Greek tragedy might be more profound than psychoanalytic theory. He offers his own psychoanalytic interpretation of the tragedies, one that reconstructs the dramatists' views of the world.
Greek Tragedy and Political Theory
Author: J. Peter EubenPublisher: Univ of California Press
ISBN: 9780520055728
Category : Drama
Languages : en
Pages : 334
Book Description
Theory of Greek Tragedy
Author: Thomas De QuinceyPublisher:
ISBN:
Category : Greek drama (Tragedy).
Languages : en
Pages : 40
Book Description
Theory of Greek Tragedy
Author: Thomas De QuinceyPublisher:
ISBN:
Category : Greek drama (Tragedy)
Languages : en
Pages : 0
Book Description
Interpreting Greek Tragedy
Author: Charles SegalPublisher: Cornell University Press
ISBN: 1501746715
Category : Literary Criticism
Languages : en
Pages : 491
Book Description
This generous selection of published essays by the distinguished classicist Charles Segal represents over twenty years of critical inquiry into the questions of what Greek tragedy is and what it means for modern-day readers. Taken together, the essays reflect profound changes in the study of Greek tragedy in the United States during this period-in particular, the increasing emphasis on myth, psychoanalytic interpretation, structuralism, and semiotics.
Freudian Mythologies
Author: Rachel BowlbyPublisher: OUP Oxford
ISBN: 0191533661
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
More than a hundred years ago, Freud made a new mythology by revising an old one: Oedipus, in Sophocles' tragedy the legendary perpetrator of shocking crimes, was an Everyman whose story of incest and parricide represented the fulfilment of universal and long forgotten childhood wishes. The Oedipus complex - child, mother, father - suited the nuclear families of the mid-twentieth century. But a century after the arrival of the psychoanalytic Oedipus, it might seem that modern lives are very much changed. Typical family formations and norms of sexual attachment are changing, while the conditions of sexual difference, both biologically and socially, have undergone far-reaching modifications. Today, it is possible to choose and live subjective stories that the first psychoanalytic patients could only dream of. Different troubles and enjoyments are speakable and unspeakable; different selves are rejected, discovered, or sought. Many kinds of hitherto unrepresented or unrepresentable identity have entered into the ordinary surrounding stories through which children and adults find their bearings in the world, while others have become obsolete. Biographical narratives that would previously have seemed unthinkable or incredible—'a likely story!'—have acquired the straightforward plausibility of a likely story. This book takes two Freudian routes to think about some of the present entanglements of identity. First, it follows Freud in returning to Greek tragedies - Oedipus and others - which may now appear strikingly different in the light of today's issues of family and sexuality. And second, it re-examines Freud's own theories from these newer perspectives, drawing out different strands of his stories of how children develop and how people change (or don't). Both kinds of mythology, the classical and the theoretical, may now, in their difference, illuminate some of the forming stories of our contemporary world of serial families, multiple sexualities, and new reproductive technologies.
The Tragedy of Political Theory
Author: J. Peter EubenPublisher: Princeton University Press
ISBN: 069102314X
Category : Drama
Languages : en
Pages : 331
Book Description
In this book J. Peter Euben argues that Greek tragedy was the context for classical political theory and that such theory read in terms of tragedy provides a ground for contemporary theorizing alert to the concerns of post-modernism, such as normalization, the dominance of humanism, and the status of theory. Euben shows how ancient Greek theater offered a place and occasion for reflection on the democratic culture it helped constitute, in part by confronting the audience with the otherwise unacknowledged principles of social exclusion that sustained its community. Euben makes his argument through a series of comparisons between three dramas (Aeschylus' Oresteia, Sophocles' Oedipus Tyrannos, and Euripides' Bacchae) and three works of classical political theory (Thucydides' History and Plato's Apology of Socrates and Republic) on the issues of justice, identity, and corruption. He brings his discussion to a contemporary American setting in a concluding chapter on Thomas Pynchon's The Crying of Lot 49 in which the road from Argos to Athens, built to differentiate a human domain from the undefined outside, has become a Los Angeles freeway desecrating the land and its people in a predatory urban sprawl.
After Dionysus
Author: William StormPublisher: Cornell University Press
ISBN: 1501744879
Category : Philosophy
Languages : en
Pages : 207
Book Description
William Storm reinterprets the concept of the tragic as both a fundamental human condition and an aesthetic process in dramatic art. He proposes an original theoretical relation between a generative and consistent tragic ground and complex characterization patterns. For Storm, it is the dismemberment of character, not the death, that is the signature mark of tragic drama. Basing his theory in the sparagmos, the dismembering rite associated with Dionysus, Storm identifies a rending tendency that transcends the ancient Greek setting and can be recognized transhistorically. The dramatic character in any era who suffers the tragic fate must do so in the manner of the ancient god of theater: the depicted self is torn apart, figuratively if not literally, psychologically if not physically. Storm argues that a newly objectified concept of the tragic can prove more useful critically and diagnostically than the traditional and more subjective tragic "vision." Further, he develops a theory of the tragic field, a model for the connective and cumulative activity that brings about the distinctive Dionysian effect upon character. His theory is supported with case studies from Agamemnon and Iphigenia in Aulis, King Lear, and The Seagull. Storm's examination of the dramatic form of tragedy and the existential questions it raises is sensitive to both their universal relevance and their historical particularity.
Theorising Performance
Author: Edith HallPublisher: A&C Black
ISBN: 0715638262
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective.