Author: Natalie Wigg-Stevenson
Publisher: SCM Press
ISBN: 033405947X
Category : Religion
Languages : en
Pages : 144
Book Description
Academic theology is in need of a new genre. In "Transgressive Devotion" Natalie Wigg-Stevenson articulates a theological vision of that genre as performance art. She argues that theology done as performance art stops trying to describe who God is, and starts trying to make God appear. Recognising that the act of studying theology or practicing ministry is always a performance, where the boundaries between what we see, feel, experience and learn are not just blurred but potentially invisible, Wigg-Stevenson brings together ethnographic theological fieldwork, historical and contemporary Christian theological traditions, and performance artworks themselves. A daring vision of theology which will energise anybody feeling ‘boxed in’ by the discipline, Transgressive Devotion blurs borders between orthodoxy, heterodoxy and heresy to reveal how the very act of doing theology makes God and humanity vulnerable to each other. This is theology which is a liturgy of Divine incantation. In other words: this is theology which is also prayer.
Transgressive Devotion
Author: Natalie Wigg-Stevenson
Publisher: SCM Press
ISBN: 033405947X
Category : Religion
Languages : en
Pages : 144
Book Description
Academic theology is in need of a new genre. In "Transgressive Devotion" Natalie Wigg-Stevenson articulates a theological vision of that genre as performance art. She argues that theology done as performance art stops trying to describe who God is, and starts trying to make God appear. Recognising that the act of studying theology or practicing ministry is always a performance, where the boundaries between what we see, feel, experience and learn are not just blurred but potentially invisible, Wigg-Stevenson brings together ethnographic theological fieldwork, historical and contemporary Christian theological traditions, and performance artworks themselves. A daring vision of theology which will energise anybody feeling ‘boxed in’ by the discipline, Transgressive Devotion blurs borders between orthodoxy, heterodoxy and heresy to reveal how the very act of doing theology makes God and humanity vulnerable to each other. This is theology which is a liturgy of Divine incantation. In other words: this is theology which is also prayer.
Publisher: SCM Press
ISBN: 033405947X
Category : Religion
Languages : en
Pages : 144
Book Description
Academic theology is in need of a new genre. In "Transgressive Devotion" Natalie Wigg-Stevenson articulates a theological vision of that genre as performance art. She argues that theology done as performance art stops trying to describe who God is, and starts trying to make God appear. Recognising that the act of studying theology or practicing ministry is always a performance, where the boundaries between what we see, feel, experience and learn are not just blurred but potentially invisible, Wigg-Stevenson brings together ethnographic theological fieldwork, historical and contemporary Christian theological traditions, and performance artworks themselves. A daring vision of theology which will energise anybody feeling ‘boxed in’ by the discipline, Transgressive Devotion blurs borders between orthodoxy, heterodoxy and heresy to reveal how the very act of doing theology makes God and humanity vulnerable to each other. This is theology which is a liturgy of Divine incantation. In other words: this is theology which is also prayer.
Theology as Performance
Author: Philip Stoltzfus
Publisher: Bloomsbury Publishing USA
ISBN: 0567174735
Category : Religion
Languages : en
Pages : 297
Book Description
Theology as Performance breaks new ground in the growing conversation between modern theology and philosophical aesthetics. Stoltzfus proposes that significant moments in the Western development of the concept of God, in particular as represented in the figures of Friedrich Schleiermacher, Karl Barth, and Ludwig Wittgenstein, have been deeply influenced by concepts and approaches borrowed from the discipline of musical aesthetics. Each thinker develops fundamentally different ways of writing about God that have in significant respects been derived from each one's reading and writing about music. The aesthetic implications of Schleiermacher's so-called subjectivist turn, Barth's objectivist reaction, and Wittgenstein's language-game pragmatism can thus be fully understood only by attending to the musical culture and distinctly musicological discourses that gave rise to them. Stoltzfus constructs two trajectories of thought with which to trace theological reflection upon music throughout the pre-modern period: the traditions of Orpheus and Pythagoras. Schleiermacher's aesthetic approach, then, becomes a modern representative of the Orpheus trajectory, and Barth's approach a representative of the Pythagoras trajectory. Stoltzfus interprets Wittgenstein as putting forward a radical critique of these trajectories and pointing toward a third, "performative" theological-aesthetic method. Theology as Performance offers a provocative rethinking of the aesthetic roots of modern theology.
Publisher: Bloomsbury Publishing USA
ISBN: 0567174735
Category : Religion
Languages : en
Pages : 297
Book Description
Theology as Performance breaks new ground in the growing conversation between modern theology and philosophical aesthetics. Stoltzfus proposes that significant moments in the Western development of the concept of God, in particular as represented in the figures of Friedrich Schleiermacher, Karl Barth, and Ludwig Wittgenstein, have been deeply influenced by concepts and approaches borrowed from the discipline of musical aesthetics. Each thinker develops fundamentally different ways of writing about God that have in significant respects been derived from each one's reading and writing about music. The aesthetic implications of Schleiermacher's so-called subjectivist turn, Barth's objectivist reaction, and Wittgenstein's language-game pragmatism can thus be fully understood only by attending to the musical culture and distinctly musicological discourses that gave rise to them. Stoltzfus constructs two trajectories of thought with which to trace theological reflection upon music throughout the pre-modern period: the traditions of Orpheus and Pythagoras. Schleiermacher's aesthetic approach, then, becomes a modern representative of the Orpheus trajectory, and Barth's approach a representative of the Pythagoras trajectory. Stoltzfus interprets Wittgenstein as putting forward a radical critique of these trajectories and pointing toward a third, "performative" theological-aesthetic method. Theology as Performance offers a provocative rethinking of the aesthetic roots of modern theology.
Religion, Theatre, and Performance
Author: Lance Gharavi
Publisher: Routledge
ISBN: 1136483403
Category : Performing Arts
Languages : en
Pages : 279
Book Description
The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.
Publisher: Routledge
ISBN: 1136483403
Category : Performing Arts
Languages : en
Pages : 279
Book Description
The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.
Unbridled
Author: William Robert
Publisher: University of Chicago Press
ISBN: 0226816907
Category : Literary Criticism
Languages : en
Pages : 175
Book Description
"In Unbridled, scholar of religion William Robert uses Peter Shaffer's enigmatic 1973 play Equus, about a boy passionately devoted to horses, to think about and teach religion. For Robert, a play like Equus tangles together text, performance, practice, embodiment, and reception. Studying a play involves us in playing different roles, as ourselves and others, and those roles, as well as the imaginative work they require, are critical to the study of religion. By approaching Equus with the reader, Robert transforms standard approaches to the study of religion, engaging with key themes including ritual, sacrifice, worship, power, desire, violence, and sexuality, as well as major thinkers such as Marx, Freud, Nietzsche, and contemporary theorists such as J. Z. Smith and Judith Butler. As Robert shows, the way themes and theories play out in Equus challenges us to imagine the study of religion anew through open questioning, contrasting perspectives, and alternative modes of interpretation and appreciation"--
Publisher: University of Chicago Press
ISBN: 0226816907
Category : Literary Criticism
Languages : en
Pages : 175
Book Description
"In Unbridled, scholar of religion William Robert uses Peter Shaffer's enigmatic 1973 play Equus, about a boy passionately devoted to horses, to think about and teach religion. For Robert, a play like Equus tangles together text, performance, practice, embodiment, and reception. Studying a play involves us in playing different roles, as ourselves and others, and those roles, as well as the imaginative work they require, are critical to the study of religion. By approaching Equus with the reader, Robert transforms standard approaches to the study of religion, engaging with key themes including ritual, sacrifice, worship, power, desire, violence, and sexuality, as well as major thinkers such as Marx, Freud, Nietzsche, and contemporary theorists such as J. Z. Smith and Judith Butler. As Robert shows, the way themes and theories play out in Equus challenges us to imagine the study of religion anew through open questioning, contrasting perspectives, and alternative modes of interpretation and appreciation"--
Performing the Sacred
Author: Todd E. Johnson
Publisher: Baker Academic
ISBN: 080102952X
Category : Drama
Languages : en
Pages : 176
Book Description
A theologian and a theatre artist examine both the nature of theatrical performance within contemporary culture and its relationship to Christian life, faith, and worship.
Publisher: Baker Academic
ISBN: 080102952X
Category : Drama
Languages : en
Pages : 176
Book Description
A theologian and a theatre artist examine both the nature of theatrical performance within contemporary culture and its relationship to Christian life, faith, and worship.
Theology as Performance
Author: Philip Stoltzfus
Publisher: Bloomsbury Publishing
ISBN: 0567029212
Category : Religion
Languages : en
Pages : 297
Book Description
An examination of the musical aesthetics of Schleiermacher, Barth, and Wittgenstein and the ways that competing theological claims in the West have been derived from reflection upon music.
Publisher: Bloomsbury Publishing
ISBN: 0567029212
Category : Religion
Languages : en
Pages : 297
Book Description
An examination of the musical aesthetics of Schleiermacher, Barth, and Wittgenstein and the ways that competing theological claims in the West have been derived from reflection upon music.
Church Music Through the Lens of Performance
Author: Marcell Silva Steuernagel
Publisher: Routledge
ISBN: 1000344789
Category : Religion
Languages : en
Pages : 287
Book Description
This book is an investigation into church music through the lens of performance theory, both as a discipline and as a theoretical framework. Scholars who address religious music making in general, and Christian church music in particular, use "performance" in a variety of ways, creating confusion around the term. A systematized performance vocabulary for the study of church music can support interdisciplinary investigations of Christian congregational music making in today’s complex, interconnected world. From the perspective of performance theory, all those involved in church musicking are performing, be it from platform or pew. The book employs a hybrid methodology that combines ethnographic research and theory from ritual studies, ethnomusicology, theology, and church music scholarship to establish performance studies as a possible "next step" in church music studies. It demonstrates the feasibility of studying church music as performance by analyzing ethnographic case studies using a developmental framework based on the concepts of ritual, embodiment, and play/change. This book offers a fresh perspective on Christian congregational music making. It will, therefore, be a key reference work for scholars working in Congregational Music Studies, Ethnomusicology, Ritual Studies and Performance Studies, as well as practitioners interested in examining their own church music practices.
Publisher: Routledge
ISBN: 1000344789
Category : Religion
Languages : en
Pages : 287
Book Description
This book is an investigation into church music through the lens of performance theory, both as a discipline and as a theoretical framework. Scholars who address religious music making in general, and Christian church music in particular, use "performance" in a variety of ways, creating confusion around the term. A systematized performance vocabulary for the study of church music can support interdisciplinary investigations of Christian congregational music making in today’s complex, interconnected world. From the perspective of performance theory, all those involved in church musicking are performing, be it from platform or pew. The book employs a hybrid methodology that combines ethnographic research and theory from ritual studies, ethnomusicology, theology, and church music scholarship to establish performance studies as a possible "next step" in church music studies. It demonstrates the feasibility of studying church music as performance by analyzing ethnographic case studies using a developmental framework based on the concepts of ritual, embodiment, and play/change. This book offers a fresh perspective on Christian congregational music making. It will, therefore, be a key reference work for scholars working in Congregational Music Studies, Ethnomusicology, Ritual Studies and Performance Studies, as well as practitioners interested in examining their own church music practices.
Feeling the Future at Christian End-Time Performances
Author: Jill C. Stevenson
Publisher: University of Michigan Press
ISBN: 0472132857
Category : Performing Arts
Languages : en
Pages : 243
Book Description
How Christian depictions of the End allow spectators to experience--and feel--their place within the future history of humankind
Publisher: University of Michigan Press
ISBN: 0472132857
Category : Performing Arts
Languages : en
Pages : 243
Book Description
How Christian depictions of the End allow spectators to experience--and feel--their place within the future history of humankind
Spiritual Modalities
Author: William FitzGerald
Publisher: Penn State Press
ISBN: 0271056223
Category : Language Arts & Disciplines
Languages : en
Pages : 170
Book Description
"Explores prayer as a rhetorical art, examining situations, strategies, and performative modes of discourse directed to the divine"--Provided by publisher.
Publisher: Penn State Press
ISBN: 0271056223
Category : Language Arts & Disciplines
Languages : en
Pages : 170
Book Description
"Explores prayer as a rhetorical art, examining situations, strategies, and performative modes of discourse directed to the divine"--Provided by publisher.
Practicing Thankfulness
Author: Sam Crabtree
Publisher: Crossway
ISBN: 1433569345
Category : Religion
Languages : en
Pages : 128
Book Description
Christians are called to be thankful. What we believe about God is evident in how we exhibit thankfulness for all he has done. In this book, pastor Sam Crabtree encourages us to express glad-hearted thankfulness for God's unending provision in all circumstances. Through the daily practices of expressing gratitude—saying "thank you" to a neighbor, serving others in practical ways, or simply thanking God for his many gifts—we recognize the absolute and total lordship of God and his sovereignty over all things.
Publisher: Crossway
ISBN: 1433569345
Category : Religion
Languages : en
Pages : 128
Book Description
Christians are called to be thankful. What we believe about God is evident in how we exhibit thankfulness for all he has done. In this book, pastor Sam Crabtree encourages us to express glad-hearted thankfulness for God's unending provision in all circumstances. Through the daily practices of expressing gratitude—saying "thank you" to a neighbor, serving others in practical ways, or simply thanking God for his many gifts—we recognize the absolute and total lordship of God and his sovereignty over all things.