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Author: David P. Szatmary Publisher: Prentice Hall ISBN: Category : Rock music Languages : en Pages : 344
Book Description
A concise yet comprehensive account of the origins and evolution of rock music, emphasizing its interaction with social change and cultural trends. The narrative begins with ``the birth of the blues'' and proceeds to discuss the major (and mention the minor) performers and to identify the significant styles. These include Fifties rockabilly, folk/protest, the British Invasion, acid rock, punk/New Wave, and Eighties revivalism. Using a lively, anecdotal approach and pertinent quotes, the author examines the appropriate political, economic, technological, or psychological context of each topic, e.g., the relationship between Dylan's music and JFK's New Frontier. A primary focus throughout is on the contributions of blacks and the role of racism. Paul Feehan, Univ. of Miami Lib., Coral Gables, Fla. - Library Journal.
Author: David P. Szatmary Publisher: Prentice Hall ISBN: Category : Rock music Languages : en Pages : 344
Book Description
A concise yet comprehensive account of the origins and evolution of rock music, emphasizing its interaction with social change and cultural trends. The narrative begins with ``the birth of the blues'' and proceeds to discuss the major (and mention the minor) performers and to identify the significant styles. These include Fifties rockabilly, folk/protest, the British Invasion, acid rock, punk/New Wave, and Eighties revivalism. Using a lively, anecdotal approach and pertinent quotes, the author examines the appropriate political, economic, technological, or psychological context of each topic, e.g., the relationship between Dylan's music and JFK's New Frontier. A primary focus throughout is on the contributions of blacks and the role of racism. Paul Feehan, Univ. of Miami Lib., Coral Gables, Fla. - Library Journal.
Author: Dana Gillespie Publisher: ISBN: 9781914066030 Category : Languages : en Pages :
Book Description
Dana Gillespie, the award-winning first lady of the Blues has enjoyed an incredible life and career. Now, she has chronicled her exploits, and as anyone who knows Dana would expect, it is intelligent, insightful, outrageous, and funny.Detailing high points, low points and everything in-between, the book covers, amongst many other things, liaisons with David Bowie, Bob Dylan, Keith Moon, and the cream of 1960's rock royalty; Recording with Jimmy Page and Elton John; Performing as Mary Magdalene in the original London production of Jesus Christ Superstar, and as the Acid Queen in Tommy; Acting in films directed by Nicholas Roeg, Ken Russell and Mai Zetterling; Performing Shakespeare with Sir John Gielgud and Arthur Lowe; Topping the pop charts across Europe; Performing to an audience of one million people in India; And... oh yes... Being British junior waterski champion for 4 years!Note: This eBook version of 'Weren't Born a Man' contains a curated selection of 35 of the 150+ images contained in the print edition of the book."Spending time with Dana was very special. She was magical, and helped me overcome my shyness. She knew my story before I did! All the memories I have of her are fond ones. So much laughter and kindness which helped me enormously. Those brilliant times will never be forgotten" --Elton John"Dana is fearless. She treads all over PC preciousness with some of the most funny and scandalous anecdotes I've heard of; a life outrageously lived. And if that wasn't enough she sings the blues with a sauciness that's chilli hot and ripe with erotic innuendo that can only come from a lady of full experience. A treasure, a legend, the Queen of cleavage and the last Empress of Bohemia. " --Marc Almond"From David Bowie to Alf Garnett They say that variety is the spice of life, and Dana's life has seen more spice than most. What a life! What a woman! What a book! " --Julian Clary
Author: Lynn Abbott Publisher: Univ. Press of Mississippi ISBN: 1496810031 Category : Music Languages : en Pages : 866
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Author: Naveen Durgaraju Publisher: One Point Six Technology Pvt Ltd ISBN: 9384226386 Category : Fiction Languages : en Pages : 411
Book Description
An ordinary young atheist finds out that he is a God among men and is forced to find his stand in a battle between faith and science, belief and doubt, good and evil, light and dark, thunder and water, heart and the mind.Rules are broken, tears are shed, faith is tested, sacrifices are made, lives are lost and Gods are killed in the quest for a divine weapon by a doctor for his son … a son for his father … a priest for his religion … a woman for her love … a man for this world and … a forgotten God for his revenge.
Author: Opal Palmer Adisa Publisher: Plumeria ISBN: 9780997890006 Category : Juvenile Fiction Languages : en Pages : 36
Book Description
When Bambidele spots two Moko Jumbies outside of his window one night he is determined to uncover the mystery behind the masked stilted dancers. He embarks on a quest: Are Moko Jumbies to be feared or are they really protective magical ancestral spirits?
Author: Heather MacFadyen Publisher: Revell ISBN: 1493431978 Category : Religion Languages : en Pages : 208
Book Description
Being a good mom isn't about doing everything right to create a set of perfect trophy children--though every mom has felt the pressure to do just that and to do it all on her own. To ask for help feels like defeat. Yet when we try to do it all by our own strength, we end up depleted, lonely, and ineffective. Heather MacFadyen wants you to know that you are not meant to go it alone. Sharing her most vulnerable, hard mom moments, she shows how moms can be empowered by God, supported by others, and connected with their children. With encouragement and insight, she helps you foster the key relationships you need to be the mom you want to be. Whether you work or stay home, whether you have teenagers or babes in arms, you'll find here a compassionate friend who wants the best--not just for your kids but for you.
Author: Sam Greenlee Publisher: Wayne State University Press ISBN: 9780814322468 Category : Biography & Autobiography Languages : en Pages : 260
Book Description
A classic in the black literary tradition, The Spook Who Sat by the Door is both a comment on the civil rights problems in the United States in the late 1960s and a serious attempt to focus on the issue of black militancy. Dan Freeman, the "spook who sat by the door," is enlisted in the CIA's elitist espionage program. Upon mastering agency tactics, however, he drops out to train young Chicago blacks as "Freedom Fighters" in this explosive, award-winning novel. As a story of one man's reaction to ruling-class hypocrisy, the book is autobiographical and personal. As a tale of a man's reaction to oppression, it is universal.
Author: MONICA. MINOTT Publisher: ISBN: 9781845235178 Category : Languages : en Pages : 72
Book Description
In Zion Roses, her second collection, Monica Minott's poems grasp the reader's attention with a voice that is distinctively personal, both taut and musical--and tender and muscular when the occasion demands. Her language moves seamlessly and always appropriately between standard and Jamaican patwa, a reflection of a vision that encompasses a Black modernity still very much in touch with its aphoristic folk roots, where the ancestral meets Skype or a Jonkonnu band is stuck in a Kingston traffic jam. It is possible to see Minott's poems as being in a constant dialogue between four quadrants of engagement: with history, with landscape, with personal and family experience, and with the worlds of literature, music, and art. Minott's sense of history is deeply informed by a knowledge of the brutalities of commercial empire and of slavery and Black people's struggles against injustice and for selfhood. There is scarcely a poem that does not have some precisely described sense of the materiality of its circumstance and the interactions between the physical world and human feelings. You sense that what sustains a certain bravery of self-exposure and of risk is a sense of belonging to family.
Author: David P. Szatmary
Author: David P. Szatmary
Author: Dana Gillespie
Author: Lynn Abbott
Author: Naveen Durgaraju
Author: Opal Palmer Adisa
Author: Celia Sorhaindo
Author: Heather MacFadyen
Author: James Patterson
Author: Sam Greenlee
Author: MONICA. MINOTT