The Female Pen: The later women novelists, 1744-1818 PDF Download

Author: Bridget G. MacCarthy
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 306

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Author: Colin Graham
Publisher: Springer
ISBN: 1349271497
Category : Literary Criticism
Languages : en
Pages : 260

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Book Description
Ireland and Cultural Theory is a unique and timely collection offering the first major assessment of how theoretical readings of 'Ireland' and Irish culture have begun to question the grounds of debate in Irish studies. Contributions engage with the concept of the 'authentic' in Irish culture through analyses of film, television and literature, emigration, and institutional critical practice. This lively and challenging volume will be of interest to lecturers and students in the field of cultural studies, Irish studies and critical theory.

Author: Laurence W. Mazzeno
Publisher: Camden House
ISBN: 1571133941
Category : Literary Collections
Languages : en
Pages : 314

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Book Description
A comprehensive look at the academic criticism of Jane Austen from her time down to the present. Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-officesuccess. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was longneglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. Yet consequently she did not suffer from the reaction against Victorianism thatdid so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. How she rose to prominence among academic critics - and has retained her position through the constant shifting of academic and critical trends - is a story worth telling, as it suggests not only something about Austen's artistry but also about how changes in critical perspective can radically alter a writer's reputation. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.

Author: Rictor Norton
Publisher: Bloomsbury Publishing
ISBN: 1847142699
Category : Literary Criticism
Languages : en
Pages : 329

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This is the biography of the Gothic novelist, Ann Radcliffe (1764-1823), author of "The Mysteries of Udolpho", the world's first "best seller". The text clarifies Radcliffe's emergence from a Dissenting Unitarian, rather than a conventional Anglican, background. This places Radcliffe within the circle of other women writers nurtured in radical Dissenting backgrounds (such as Wollstonecraft, Hays, Inchbauld and Barbauld). Radcliffe's childhood and family background are documented and the rumours of her madness and reclusiveness investigated leading to an evaluation of the resons for her probable mental breakdown. The text constitutes a "cultural history" of a writing woman, demonstrating her place within radical culture, literary tradition and aesthetic discourse, and examining her role in the rise of the professional woman writer. Her novels are analyzed mainly in the context of her biography and sources.

Author: Michael J. Marcuse
Publisher: Univ of California Press
ISBN: 0520321871
Category :
Languages : en
Pages : 2816

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Author:
Publisher: American Philosophical Society
ISBN: 9781422370940
Category :
Languages : en
Pages : 70

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Book Description

Author: Warren Roberts
Publisher: A&C Black
ISBN: 1441120424
Category : Literary Criticism
Languages : en
Pages : 240

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Book Description
This book argues that Jane Austin did know of the French Revolution and its effects on the European world, even though she never refers to it directly in her writing.

Author: Deborah Ross
Publisher: University Press of Kentucky
ISBN: 9780813132679
Category : Literary Criticism
Languages : en
Pages : 276

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Author: Doreen Alvarez Saar
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 696

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Book Description
This bibliography lists 20th-century literary criticism of 35 18th- century Anglo-American women novelists, including Mary Wollstonecraft, Maria Edgeworth, and Frances Burney. Novelists are ordered alphabetically; each section begins with a list of the author's published fiction, followed by chronologically ordered summaries of critical articles, papers, theses, and dissertations. Summaries list the name of the critic, the title, the publisher, and the page, if applicable. Most summaries are one or two sentences long; the longer ones contain quotations from the critical writing. Annotation copyrighted by Book News, Inc., Portland, OR

Author: Christopher Flint
Publisher: Stanford University Press
ISBN: 9780804741880
Category : Literary Criticism
Languages : en
Pages : 416

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Book Description
By revealing the investment of eighteenth-century British prose fiction in contemporary debates about domestic ideology, this book addresses the multiple ways in which traditional notions of the family were estranged, reconstituted as novel concepts, and then finally presented as national social norms. It focuses on works by Aphra Behn, Daniel Defoe, Samuel Richardson, Eliza Haywood, Horace Walpole, Laurence Sterne, and Mary Wollstonecraft, addressing a number of narratives that historians of the novel have overlooked while linking such better-known works as Robinson Crusoe and Pamela to their often neglected sequels. Challenging competing critical claims that the household either experienced a revolution in form or that it remained essentially unchanged, the author argues that eighteenth-century writers employed a set of complementary strategies to refashion the symbolic and affective power of bourgeois domesticity. Whether these writers regarded the household as a supplement to such other social institutions as the Church or the monarchy, or as a structure resisting these institutions, they affirmed the family's central role in managing civil behavior. At a time, however, when the middle class was beginning to scrutinize itself as a distinct social entity, its most popular form of literature reveals that many felt alienated from the most intimate and yet explosive of social experiences--family life. Prose fiction sought to channel these disturbingly fluid domestic feelings, yet was in itself haunted by the specter of unregulated affect. Recovering the period's own disparate perceptions of household relations, the book explains how eighteenth-century British prose fiction, which incorporates elements from conduct books, political treatises, and demographic material, used the family as an instrumental concept in a struggle to resolve larger cultural tensions at the same time it replicated many of the rifts within contemporary family ideology.