Author: Sacheverell Sitwell
Publisher:
ISBN:
Category : Actors in art
Languages : en
Pages : 43
Book Description
Theatrical Figures in Porcelain
Author: Sacheverell Sitwell
Publisher:
ISBN:
Category : Actors in art
Languages : en
Pages : 43
Book Description
Publisher:
ISBN:
Category : Actors in art
Languages : en
Pages : 43
Book Description
Theatrical Figures in Porcelain. German 18th Century, Etc
Theatrical Figures in Porcelain
Author: Sacheverell Sitwell
Publisher: London : Curtain Press
ISBN:
Category : Actors in art
Languages : en
Pages : 70
Book Description
Notebook containing the holograph draft of his book on German theatrical porcelains of the eighteenth century. The draft contains holograph corrections and additions. Included are a series of eight letters to his editor, Lionel Carter, regarding the project and the manuscript as well as a copy of the published work.
Publisher: London : Curtain Press
ISBN:
Category : Actors in art
Languages : en
Pages : 70
Book Description
Notebook containing the holograph draft of his book on German theatrical porcelains of the eighteenth century. The draft contains holograph corrections and additions. Included are a series of eight letters to his editor, Lionel Carter, regarding the project and the manuscript as well as a copy of the published work.
Theatrical Figures in Porcelain, German, 18th Century. With an Introduction by William King
The Cultural Aesthetics of Eighteenth-Century Porcelain
Author: MichaelE. Yonan
Publisher: Routledge
ISBN: 1351545205
Category : Art
Languages : en
Pages : 244
Book Description
During the eighteenth century, porcelain held significant cultural and artistic importance. This collection represents one of the first thorough scholarly attempts to explore the diversity of the medium's cultural meanings. Among the volume's purposes is to expose porcelain objects to the analytical and theoretical rigor which is routinely applied to painting, sculpture and architecture, and thereby to reposition eighteenth-century porcelain within new and more fruitful interpretative frameworks. The authors also analyze the aesthetics of porcelain and its physical characteristics, particularly the way its tactile and visual qualities reinforced and challenged the social processes within which porcelain objects were viewed, collected, and used. The essays in this volume treat objects such as figurines representing British theatrical celebrities, a boxwood and ebony figural porcelain stand, works of architecture meant to approximate porcelain visually, porcelain flowers adorning objects such as candelabra and perfume burners, and tea sets decorated with unusual designs. The geographical areas covered in the collection include China, North Africa, Spain, France, Italy, Britain, America, Japan, Austria, and Holland.
Publisher: Routledge
ISBN: 1351545205
Category : Art
Languages : en
Pages : 244
Book Description
During the eighteenth century, porcelain held significant cultural and artistic importance. This collection represents one of the first thorough scholarly attempts to explore the diversity of the medium's cultural meanings. Among the volume's purposes is to expose porcelain objects to the analytical and theoretical rigor which is routinely applied to painting, sculpture and architecture, and thereby to reposition eighteenth-century porcelain within new and more fruitful interpretative frameworks. The authors also analyze the aesthetics of porcelain and its physical characteristics, particularly the way its tactile and visual qualities reinforced and challenged the social processes within which porcelain objects were viewed, collected, and used. The essays in this volume treat objects such as figurines representing British theatrical celebrities, a boxwood and ebony figural porcelain stand, works of architecture meant to approximate porcelain visually, porcelain flowers adorning objects such as candelabra and perfume burners, and tea sets decorated with unusual designs. The geographical areas covered in the collection include China, North Africa, Spain, France, Italy, Britain, America, Japan, Austria, and Holland.
The masque
The Oxford Handbook of the Georgian Theatre 1737-1832
Author: Julia Swindells
Publisher: OUP Oxford
ISBN: 0191655198
Category : Literary Criticism
Languages : en
Pages : 786
Book Description
The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 — a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms — not just tragedy and comedy, but the likes of melodrama and pantomime — as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, the Handbook shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.
Publisher: OUP Oxford
ISBN: 0191655198
Category : Literary Criticism
Languages : en
Pages : 786
Book Description
The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 — a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms — not just tragedy and comedy, but the likes of melodrama and pantomime — as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, the Handbook shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.
English Pottery and Porcelain Figures
Author: George Bernard Hughes
Publisher:
ISBN:
Category : Figurines
Languages : en
Pages : 280
Book Description
Publisher:
ISBN:
Category : Figurines
Languages : en
Pages : 280
Book Description
Theatrical Costume, Masks, Make-Up and Wigs
Author: Sidney Jackson Jowers
Publisher: Routledge
ISBN: 1136746412
Category : History
Languages : en
Pages : 568
Book Description
This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.
Publisher: Routledge
ISBN: 1136746412
Category : History
Languages : en
Pages : 568
Book Description
This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.
Harlequin Unmasked
Author: Meredith Chilton
Publisher: New Haven : George R. Gardiner Museum of Ceramic Art with Yale University Press
ISBN: 9780300090093
Category : Art
Languages : en
Pages : 368
Book Description
"The volume focuses on nearly 150 porcelain sculptures, representing more than twenty European ceramic manufacturers. The authors investigate the history of the commedia dell'arte's transformation into sculpture: Why were the figures made? Why do they appear as they do? What inspired their gestures and costumes? How did street theatre themes become integrated into court life and entertainment? Examining these porcelain figures in greater breadth and detail than any publication ever has done before, this book is essential for those interested in theatre, painting, costume, and the decorative arts."--BOOK JACKET.
Publisher: New Haven : George R. Gardiner Museum of Ceramic Art with Yale University Press
ISBN: 9780300090093
Category : Art
Languages : en
Pages : 368
Book Description
"The volume focuses on nearly 150 porcelain sculptures, representing more than twenty European ceramic manufacturers. The authors investigate the history of the commedia dell'arte's transformation into sculpture: Why were the figures made? Why do they appear as they do? What inspired their gestures and costumes? How did street theatre themes become integrated into court life and entertainment? Examining these porcelain figures in greater breadth and detail than any publication ever has done before, this book is essential for those interested in theatre, painting, costume, and the decorative arts."--BOOK JACKET.