Theater Playbill for A.M. Hernandez at the Washington Theater, [May, 1861?]. PDF Download
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Author: Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Washington Theater. A.M. Hernandez. Really a physical phenomenon, an almost jointless man, who can place himself in conjunction with six dozen of bottles in a small box, two feet high, two feet broad and five feet long, a feat unparalleled, far surpassing those of the contortionists of Europe and America. Hernandez is an excellent clown and pantomimist, having for years been engaged as Premier Comique, by The Wonderful Ravels. His versatile talents are astonishing, he being master of 13 distinct instruments, a superb guitarist and an agile acrobat! Splendid attraction! This star company! Comprised of the first order of talent! ... The most pleasing vocalists! The best Negro delineators! Graceful and spirited dancers! The best instrumentalists, &c. &c. &c. Go and see the 4 stars: Charles Backus, Max Irwin, A.M. Hernandez, and Miss Julia Backus, as the "Goddess of Liberty" ... Afternoon performances on Thursday & Saturday ...
Author: Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Washington Theater. A.M. Hernandez. Really a physical phenomenon, an almost jointless man, who can place himself in conjunction with six dozen of bottles in a small box, two feet high, two feet broad and five feet long, a feat unparalleled, far surpassing those of the contortionists of Europe and America. Hernandez is an excellent clown and pantomimist, having for years been engaged as Premier Comique, by The Wonderful Ravels. His versatile talents are astonishing, he being master of 13 distinct instruments, a superb guitarist and an agile acrobat! Splendid attraction! This star company! Comprised of the first order of talent! ... The most pleasing vocalists! The best Negro delineators! Graceful and spirited dancers! The best instrumentalists, &c. &c. &c. Go and see the 4 stars: Charles Backus, Max Irwin, A.M. Hernandez, and Miss Julia Backus, as the "Goddess of Liberty" ... Afternoon performances on Thursday & Saturday ...
Author: Henry Polkinhorn Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Washington Theater. A.M. Hernandez. Really a physical phenomenon, an almost jointless man, who can place himself in conjunction with six dozen of bottles in a small box, two feet high, two feet broad and five feet long, a feat unparalleled, far surpassing those of the contortionists of Europe and America. Hernandez is an excellent clown and pantomimist, having for years been engaged as Premier Comique, by The Wonderful Ravels. His versatile talents are astonishing, he being master of 13 distinct instruments, a superb guitarist and an agile acrobat! Splendid attraction! This star company! Composed of the first order of talent! Ladies and gentlemen of versatile and artistic qualifications, selected without regard to expense, combining in one organization the most pleasing vocalists! The best Negro delinieators! Graceful and spirited dancers! The best intrumentalists, &c. &c. &c. ... With the Monster Orchestra! and Brass Band! And the grand corps de ballet of 20 young ladies. Monday evening, May 13, '61 ...
Author: Washington Theater (Organization : Washington, D.C.) Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Washington Theater. A.M. Hernandez. Really a physical phenomenon, an almost jointless man, who can place himself in conjunction with six dozen of bottles in a small box, two feet high, two feet broad and five feet long, a feat unparalleled, far surpassing those of the contortionists of Europe and America. Hernandez is an excellent clown and pantomimist, having for years been engaged as Premier Comique, by The Wonderful Ravels. His versatile talents are astonishing, he being master of 13 distinct instruments, a superb guitarist and an agile acrobat! Afternoon and evening performance. First presentation of the pantomime of Dechalumeau for the matinee. Go and see the 4 stars: Charles Backus, Max Irwin, A.M. Hernandez, and Miss Julia Backus, as the "Goddess of Liberty" ...
Author: Marilyn G. Miller Publisher: Duke University Press ISBN: 0822377233 Category : Performing Arts Languages : en Pages : 293
Book Description
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti
Author: Carol PADDEN Publisher: Harvard University Press ISBN: 0674041755 Category : Language Arts & Disciplines Languages : en Pages : 217
Book Description
"Inside Deaf Culture relates deaf people's search for a voice of their own, and their proud self-discovery and self-description as a flourishing culture. Padden and Humphries show how the nineteenth-century schools for the deaf, with their denigration of sign language and their insistence on oralist teaching, shaped the lives of deaf people for generations to come. They describe how deaf culture and art thrived in mid-twentieth century deaf clubs and deaf theatre, and profile controversial contemporary technologies." Cf. Publisher's description.
Author: Richard L. Kagan Publisher: U of Nebraska Press ISBN: 1496207726 Category : History Languages : en Pages : 640
Book Description
The Spanish Craze is the compelling story of the centuries-long U.S. fascination with the history, literature, art, culture, and architecture of Spain. Richard L. Kagan offers a stunningly revisionist understanding of the origins of hispanidad in America, tracing its origins from the early republic to the New Deal. As Spanish power and influence waned in the Atlantic World by the eighteenth century, her rivals created the “Black Legend,” which promoted an image of Spain as a dead and lost civilization rife with innate cruelty and cultural and religious backwardness. The Black Legend and its ambivalences influenced Americans throughout the nineteenth century, reaching a high pitch in the Spanish-American War of 1898. However, the Black Legend retreated soon thereafter, and Spanish culture and heritage became attractive to Americans for its perceived authenticity and antimodernism. Although the Spanish craze infected regions where the Spanish New World presence was most felt—California, the American Southwest, Texas, and Florida—there were also early, quite serious flare-ups of the craze in Chicago, New York, and New England. Kagan revisits early interest in Hispanism among elites such as the Boston book dealer Obadiah Rich, a specialist in the early history of the Americas, and the writers Washington Irving and Henry Wadsworth Longfellow. He also considers later enthusiasts such as Angeleno Charles Lummis and the many writers, artists, and architects of the modern Spanish Colonial Revival in the United States in the late nineteenth and early twentieth centuries. Spain’s political and cultural elites understood that the promotion of Spanish culture in the United States and the Western Hemisphere in general would help overcome imperial defeats while uniting Spaniards and those of Spanish descent into a singular raza whose shared characteristics and interests transcended national boundaries. With elegant prose and verve, The Spanish Craze spans centuries and provides a captivating glimpse into distinct facets of Hispanism in monuments, buildings, and private homes; the visual, performing, and cinematic arts; and the literature, travel journals, and letters of its enthusiasts in the United States.
Author: Don E. Walicek Publisher: Springer ISBN: 3319622684 Category : Literary Criticism Languages : en Pages : 321
Book Description
This book explores the humanities as an insightful platform for understanding and responding to the military prison at Guantánamo Bay, other manifestations of “Guantánamo,” and the contested place of freedom in American Empire. It presents the work of scholars and writers based in Cuba’s Guantánamo Province and various parts of the US. Its essays, short stories, poetry, and other texts engage the far-reaching meaning and significance of Gitmo by bringing together what happens on the U.S. side of the fence—or “la cerca,” as it is called in Cuba—with perspectives from the outside world. Chapters include critiques of artistic renderings of the Guantánamo region; historical narratives contemplating the significance of freedom; analyses of the ways the base and region inform the Cuban imaginary; and fiction and poetry published for the first time in English. Not simply a critique of imperialism, this volume presents politically engaged commentary that suggests a way forward for a site of global contact and conflict.
Author: Greg Giesekam Publisher: Bloomsbury Publishing ISBN: 1137090995 Category : Performing Arts Languages : en Pages : 296
Book Description
The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work
Author: Peter Burke Publisher: John Wiley & Sons ISBN: 0745659616 Category : History Languages : en Pages : 389
Book Description
Peter Burke follows up his magisterial Social History of Knowledge, picking up where the first volume left off around 1750 at the publication of the French Encyclopédie and following the story through to Wikipedia. Like the previous volume, it offers a social history (or a retrospective sociology of knowledge) in the sense that it focuses not on individuals but on groups, institutions, collective practices and general trends. The book is divided into 3 parts. The first argues that activities which appear to be timeless - gathering knowledge, analysing, disseminating and employing it - are in fact time-bound and take different forms in different periods and places. The second part tries to counter the tendency to write a triumphalist history of the 'growth' of knowledge by discussing losses of knowledge and the price of specialization. The third part offers geographical, sociological and chronological overviews, contrasting the experience of centres and peripheries and arguing that each of the main trends of the period - professionalization, secularization, nationalization, democratization, etc, coexisted and interacted with its opposite. As ever, Peter Burke presents a breath-taking range of scholarship in prose of exemplary clarity and accessibility. This highly anticipated second volume will be essential reading across the humanities and social sciences.
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Author: 
Author: Henry Polkinhorn
Author: Washington Theater (Organization : Washington, D.C.)
Author: Marilyn G. Miller
Author: Carol PADDEN
Author: Richard L. Kagan
Author: John Harbison
Author: Don E. Walicek
Author: Greg Giesekam
Author: Peter Burke