Author: John Dryden
Publisher: Univ of California Press
ISBN: 0520905296
Category : Literary Criticism
Languages : en
Pages : 672
Book Description
Volume XIII contains three of Dryden's Plays, along with accompanying scholarly appartus: All for Love, Oedipus, and Troilus and Cressida.
The Works of John Dryden, Volume XIII
Author: John Dryden
Publisher: Univ of California Press
ISBN: 0520905296
Category : Literary Criticism
Languages : en
Pages : 672
Book Description
Volume XIII contains three of Dryden's Plays, along with accompanying scholarly appartus: All for Love, Oedipus, and Troilus and Cressida.
Publisher: Univ of California Press
ISBN: 0520905296
Category : Literary Criticism
Languages : en
Pages : 672
Book Description
Volume XIII contains three of Dryden's Plays, along with accompanying scholarly appartus: All for Love, Oedipus, and Troilus and Cressida.
The Works of John Dryden, Volume VII
Author: John Dryden
Publisher: Univ of California Press
ISBN: 0520021231
Category : Language Arts & Disciplines
Languages : en
Pages : 1008
Book Description
This is the final volume in The Works of John Dryden and the last volume of poetry written by Dryden before he died in 1700.
Publisher: Univ of California Press
ISBN: 0520021231
Category : Language Arts & Disciplines
Languages : en
Pages : 1008
Book Description
This is the final volume in The Works of John Dryden and the last volume of poetry written by Dryden before he died in 1700.
The Works of John Dryden: Life
Author: John Dryden
Publisher: Edinburgh, Paterson
ISBN:
Category : English literature
Languages : en
Pages : 480
Book Description
Publisher: Edinburgh, Paterson
ISBN:
Category : English literature
Languages : en
Pages : 480
Book Description
Fables Ancient & Modern
The Works of John Dryden
Author: John Dryden
Publisher: Univ of California Press
ISBN: 9780520051249
Category : English drama
Languages : en
Pages : 682
Book Description
Publisher: Univ of California Press
ISBN: 9780520051249
Category : English drama
Languages : en
Pages : 682
Book Description
Plays 1682–1696: Volume 4, The Plays 1682–1696
Author: Aphra Behn
Publisher: Cambridge University Press
ISBN: 1108899226
Category : Literary Criticism
Languages : en
Pages : 956
Book Description
Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.
Publisher: Cambridge University Press
ISBN: 1108899226
Category : Literary Criticism
Languages : en
Pages : 956
Book Description
Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.
Novel Machines
Author: Joseph Drury
Publisher: Oxford University Press
ISBN: 0192510800
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Eighteenth-century fiction is full of mechanical devices and contrivances: Robinson Crusoe uses his gun and compass to master his island and its inhabitants; Tristram Shandy's conception is interrupted by a question about a clock and he has his nose damaged at birth by a man-midwife's forceps; Ann Radcliffe's gothic heroines play musical instruments to soothe their troubled minds. In Novel Machines, however, Joseph Drury argues that the most important machine in any eighteenth-century novel is the narrative itself. Like other kinds of machine, a narrative is an artificial construction composed of different parts that combine to produce a sequence of causally linked actions. Like other machines, a narrative is designed to produce predictable effects and can therefore be put to certain uses. Such affinities had been apparent to critics since Aristotle, but they began to assume a particular urgency in the eighteenth century as authors sought to organize their narratives according to the new ideas about nature, art, and the human subject that emerged out of the Scientific Revolution. Reading works by Eliza Haywood, Henry Fielding, Laurence Sterne, and Ann Radcliffe, Novel Machines tracks the consequences of the effort to transform the novel into an Enlightenment machine. On the one hand, the rationalization of the novel's narrative machinery helped establish its legitimacy, such that by the end of the century it could be celebrated as a modern 'invention' that provided valuable philosophical knowledge about human nature. On the other hand, conceptualizing the novel as a machine opened up a new line of attack for the period's moralists, whose polemics against the novel were often framed in the same terms used to reflect on the uses and effects of machines in other contexts. Eighteenth-century novelists responded by adapting the novel's narrative machinery, devising in the process some of the period's most characteristic and influential formal innovations.
Publisher: Oxford University Press
ISBN: 0192510800
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Eighteenth-century fiction is full of mechanical devices and contrivances: Robinson Crusoe uses his gun and compass to master his island and its inhabitants; Tristram Shandy's conception is interrupted by a question about a clock and he has his nose damaged at birth by a man-midwife's forceps; Ann Radcliffe's gothic heroines play musical instruments to soothe their troubled minds. In Novel Machines, however, Joseph Drury argues that the most important machine in any eighteenth-century novel is the narrative itself. Like other kinds of machine, a narrative is an artificial construction composed of different parts that combine to produce a sequence of causally linked actions. Like other machines, a narrative is designed to produce predictable effects and can therefore be put to certain uses. Such affinities had been apparent to critics since Aristotle, but they began to assume a particular urgency in the eighteenth century as authors sought to organize their narratives according to the new ideas about nature, art, and the human subject that emerged out of the Scientific Revolution. Reading works by Eliza Haywood, Henry Fielding, Laurence Sterne, and Ann Radcliffe, Novel Machines tracks the consequences of the effort to transform the novel into an Enlightenment machine. On the one hand, the rationalization of the novel's narrative machinery helped establish its legitimacy, such that by the end of the century it could be celebrated as a modern 'invention' that provided valuable philosophical knowledge about human nature. On the other hand, conceptualizing the novel as a machine opened up a new line of attack for the period's moralists, whose polemics against the novel were often framed in the same terms used to reflect on the uses and effects of machines in other contexts. Eighteenth-century novelists responded by adapting the novel's narrative machinery, devising in the process some of the period's most characteristic and influential formal innovations.
The Works of John Dryden
The Works of John Dryden, Volume VI
Author: John Dryden
Publisher: Univ of California Press
ISBN: 0520905261
Category : Literary Criticism
Languages : en
Pages : 654
Book Description
Volumes V and VI concern Dryden's most involved labor: the complete translation of Virgil into English. Volume VI contains books 7-12 of The Aeneid, as well as commentary and textual notes to the full works of Virgil translated in these two volumes.
Publisher: Univ of California Press
ISBN: 0520905261
Category : Literary Criticism
Languages : en
Pages : 654
Book Description
Volumes V and VI concern Dryden's most involved labor: the complete translation of Virgil into English. Volume VI contains books 7-12 of The Aeneid, as well as commentary and textual notes to the full works of Virgil translated in these two volumes.
White People in Shakespeare
Author: Arthur L. Little, Jr.
Publisher: Bloomsbury Publishing
ISBN: 1350283665
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
What part did Shakespeare play in the construction of a 'white people' and how has his work been enlisted to define and bolster a white cultural and racial identity? Since the court of Queen Elizabeth I, through the early modern English theatre to the storming of the United States Capitol on 6 January 2021, white people have used Shakespeare to define their cultural and racial identity and authority. White People in Shakespeare unravels this complex cultural history to examine just how crucial Shakespeare's work was to the early modern development of whiteness as an embodied identity, as well as the institutional dissemination of a white Shakespeare in contemporary theatres, politics, classrooms and other key sites of culture. Featuring contributors from a wide range of disciplines, the collection moves across Shakespeare's plays and poetry and between the early modern and our own time to interrogate these relationships. Split into two parts, 'Shakespeare's White People' and 'White People's Shakespeare', it explores a variety of topics, ranging from the education of the white self in Hamlet, or affective piety and racial violence in Measure for Measure, to Shakespearean education and the civil rights era, and interpretations of whiteness in more contemporary work such as American Moor and Desdemona.
Publisher: Bloomsbury Publishing
ISBN: 1350283665
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
What part did Shakespeare play in the construction of a 'white people' and how has his work been enlisted to define and bolster a white cultural and racial identity? Since the court of Queen Elizabeth I, through the early modern English theatre to the storming of the United States Capitol on 6 January 2021, white people have used Shakespeare to define their cultural and racial identity and authority. White People in Shakespeare unravels this complex cultural history to examine just how crucial Shakespeare's work was to the early modern development of whiteness as an embodied identity, as well as the institutional dissemination of a white Shakespeare in contemporary theatres, politics, classrooms and other key sites of culture. Featuring contributors from a wide range of disciplines, the collection moves across Shakespeare's plays and poetry and between the early modern and our own time to interrogate these relationships. Split into two parts, 'Shakespeare's White People' and 'White People's Shakespeare', it explores a variety of topics, ranging from the education of the white self in Hamlet, or affective piety and racial violence in Measure for Measure, to Shakespearean education and the civil rights era, and interpretations of whiteness in more contemporary work such as American Moor and Desdemona.