Author: George Horne (bp. of Norwich.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
Book Description
The works of ... George Horne; to which are prefixed memoirs of his life, studies, and writings, by W. Jones
Author: George Horne (bp. of Norwich.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
Book Description
The Works of G. H. ... To which are Prefixed Memoirs of His Life, Studies, and Writings, by W. Jones
Author: George HORNE (Bishop of Norwich.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
Book Description
The works of ... George Horne; to which are prefixed memoirs of his life, studies, and writings, by W. Jones
Author: George Horne (bp. of Norwich.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 574
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 574
Book Description
The Works of the Right Reverend George Horne ...
Author: George Horne
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 570
Book Description
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 570
Book Description
A Catalogue of Works in All Departments of English Literature, Classified
Author: Longman (Firm)
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 180
Book Description
The First Fleet Piano: Volume One
Author: Geoffrey Lancaster
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
The Last of the Prince Bishops
Author: Elizabeth A. Varley
Publisher: Cambridge University Press
ISBN: 9780521892315
Category : Religion
Languages : en
Pages : 284
Book Description
Examines the influential High Church 'Hackney Phalanx' and opens up a little-explored area of Anglican history.
Publisher: Cambridge University Press
ISBN: 9780521892315
Category : Religion
Languages : en
Pages : 284
Book Description
Examines the influential High Church 'Hackney Phalanx' and opens up a little-explored area of Anglican history.
A catalogue of works in all departments of English literature
Author: Longmans, Green and co
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description