The Works of Aphra Behn; In Six Volumes, Abdelazer, The Young King, The City Heiress, The Feign’d Curtezans PDF Download
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Author: Aphra Behn Publisher: BoD – Books on Demand ISBN: 3387322666 Category : Fiction Languages : en Pages : 693
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Aphra Behn Publisher: BoD – Books on Demand ISBN: 3387322666 Category : Fiction Languages : en Pages : 693
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Aphra Behn Publisher: Digireads.com Publishing ISBN: 9781420937756 Category : Drama Languages : en Pages : 300
Book Description
Aphra Behn (1640-1689) is historically recognized as the first woman to make a living through writing; her plays, novels, poems and pamphlets have met with fresh notoriety since the 20th century. Her work was particularly significant to a group of contemporary writers known as The Female Wits, as well as to later feminist writers like Virginia Woolf. Stories of comedy and intrigue, complete with masks, mistaken identities, visual deceptions, and complicated love triangles which reflect Behn's remarkable life experiences: her conservative upbringing, her political support of the Tories, her recruitment as a political spy for Charles II, and later speculation of her bisexuality. Behn once wrote that she had led a "life dedicated to pleasure and poetry." This second volume of Behn's collected works includes "Abdelazer," "The Young King," "The City Heiress," "The Feign'd Curtezans," and critical and explanatory notes for the reader.
Author: Ralph P. Locke Publisher: Cambridge University Press ISBN: 1316298205 Category : Music Languages : en Pages : 473
Book Description
During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.
Author: Aphra Behn Publisher: ISBN: Category : Languages : en Pages : 104
Book Description
Sil. Why-I would have thee do-I know not what- Still to be with me-yet that will not satisfie; To let me-look upon thee-still that's not enough. I dare not say to kiss thee, and imbrace thee; That were to make me wish-I dare not tell thee what.Lo. Dear Alonzo! I shall love a Church the better this Month for giving me a sight of thee, whom I so little expected in this part of the World, and less in so sanctifi'd a Place. What Affair could be powerful enough to draw thee from the kind obliging Ladies of Brabant?Alon. First the sudden Orders of my Prince Don John, and next a fair Lady. Lo. A Lady! Can any of this Country relish with a Man that has been us'd to the Freedom of those of Bruxels, from whence I suppose you are now arriv'd?Alon. This morning I landed, from such a Storm, as set us all to making Vows of Conversion, (upon good Conditions) and that indeed brought me to Church.Lo. In that very Storm I landed too, but with less Sense of Danger than you, being diverted with a pleasant Fellow that came along with me, and who is design'd to marry a Sister of mine against my Will- And now I think of him, Gload, where hast thou left this Master of thine?Glo. At the Inn, Sir, in as lamentable a Pickle, as if he were still in the Storm; recruiting his emptyed Stomach with Brandy, and railing against all Women-kind for your Sister's sake, who has made him undertake this Voyage. Lo. Well, I'll come to him, go home before. [Ex. Gload.Alon. Prithee what thing is this?Lo. Why, 'tis the Cashier to this Squire I spoke of, a Man of Business, and as wise as his Master, but the graver Coxcomb of the two. But this Lady, Alonzo, who is this Lady thou speak'st of? shall not I know her? We were wont to divide the Spoils of Beauty, as well as those of War between us.Alon. O but this is no such Prize, thou wouldst hardly share this with the Danger, there's Matrimony in the Case.Lo. Nay, then keep her to thy self, only let me know who 'tis that can debauch thee to that scandalous way of Life; is she fair? will she recompense the Folly?Alon. Faith, I know not, I never saw her yet, but 'tis the Sister of Marcel, whom we both knew last Summer in Flanders, and where he and I contracted such a Friendship, that without other Consideration he promis'd me Hippolyta, for that's his Sister's Name.Lo. But wo't thou really marry her?Alon. I consider my Advantage in being allied to so considerable a Man as Ambrosio, her Father; I being now so unhappy as not to know my Birth or Parents.Lo. I have often heard of some such thing, but durst not ask the Truth of it.
Author: Katherine M. Quinsey Publisher: University Press of Kentucky ISBN: 0813159997 Category : Drama Languages : en Pages : 357
Book Description
This volume of twelve original essays is the first comprehensive study of feminist issues in Restoration drama. The late seventeenth century marks a pivotal era in the history of feminism, when Renaissance assumptions about gender and patriarchy were being directly challenged. For the first time, women appeared onstage as actresses, made their presence felt as spectators and patrons, and wrote a number of the plays produced in theaters. In an unusually direct and probing way, drama of the Restoration period raised radical questions about the place of women in the family and in society, and about the essential nature of men and women. The essays examine feminist issues from a variety of historical and theoretical approaches across a spectrum of plays—comedies, tragedies, tragicomedies, and heroic drama. By addressing the acute questions of gender raised in the drama, Broken Boundaries presents a vivid portrait of the uncertainties and changing perceptions in all areas of intellectual, political, and social life during the last decades of the seventeenth century.
Author: Aphra Behn
Author: Aphra Behn
Author: Aphra Behn
Author: Aphra Behn
Author: Aphra Behn
Author: Ralph P. Locke
Author: Frederick M. Link
Author: Aphra Behn
Author: Aphra Behn
Author: Aphra Behn
Author: Katherine M. Quinsey