Author: Jane Spirit Publisher: Taylor & Francis ISBN: 1040233864 Category : Literary Criticism Languages : en Pages : 414
Book Description
The aesthetic movement dominated the closing decades of the nineteenth century. It was significant for the role women played in it at a time when there were growing opportunities for them, both artistically and professionally. The material in this collection provides a representative selection of essays, fiction, poetry and drama by female authors.
Author: Jane Spirit Publisher: Taylor & Francis ISBN: 1040244793 Category : Literary Criticism Languages : en Pages : 380
Book Description
The aesthetic movement dominated the closing decades of the nineteenth century. It was significant for the role women played in it at a time when there were growing opportunities for them, both artistically and professionally. The material in this collection provides a representative selection of essays, fiction, poetry and drama by female authors.
Author: Jane Spirit Publisher: Taylor & Francis ISBN: 1040250009 Category : Literary Criticism Languages : en Pages : 428
Book Description
The aesthetic movement dominated the closing decades of the nineteenth century. It was significant for the role women played in it at a time when there were growing opportunities for them, both artistically and professionally. The material in this collection provides a representative selection of essays, fiction, poetry and drama by female authors.
Author: Ben Hutchinson Publisher: Oxford University Press ISBN: 0191080330 Category : Literary Criticism Languages : en Pages : 403
Book Description
Modern European literature has traditionally been seen as a series of attempts to assert successive styles of writing as 'new'. In this groundbreaking study, Ben Hutchinson argues that literary modernity can in fact be understood not as that which is new, but as that which is 'late'. Exploring the ways in which European literature repeatedly defines itself through a sense of senescence or epigonality, Hutchinson shows that the shifting manifestations of lateness since romanticism express modernity's continuing quest for legitimacy. With reference to a wide range of authors—from Mary Shelley, Chateaubriand, and Immermann, via Baudelaire, Henry James, and Nietzsche, to Valery, Djuna Barnes, and Adorno— he combines close readings of canonical texts with historical and theoretical comparisons of numerous national contexts. Out of this broad comparative sweep emerges a taxonomy of lateness, of the diverse ways in which modern writers can be understood, in the words of Nietzsche, as 'creatures facing backwards'. Ambitious and original, Lateness and Modern European Literature offers a significant new model for understanding literary modernity.
Author: Clare Rose Publisher: Routledge ISBN: 1000561070 Category : History Languages : en Pages : 336
Book Description
In recent times clothing has come to be seen as a topic worthy of study, yet there has been little source material available. This three-volume edition presents previously unpublished documents which illuminate key developments and issues in clothing in nineteenth-century England.
Author: K. Ledbetter Publisher: Springer ISBN: 0230620183 Category : Literary Criticism Languages : en Pages : 243
Book Description
Ledbetter explores themes and patterns of poetry publication in a variety of women's periodicals published throughout the Victorian era using taste, style and the significance of poetry to advance our understanding of women's lives in the nineteenth century.
Author: Mary Jean Corbett Publisher: Cornell University Press ISBN: 1501752472 Category : Literary Criticism Languages : en Pages : 205
Book Description
Virginia Woolf, throughout her career as a novelist and critic, deliberately framed herself as a modern writer invested in literary tradition but not bound to its conventions; engaged with politics but not a propagandist; a woman of letters but not a "lady novelist." As a result, Woolf ignored or disparaged most of the women writers of her parents' generation, leading feminist critics to position her primarily as a forward-thinking modernist who rejected a stultifying Victorian past. In Behind the Times, Mary Jean Corbett finds that Woolf did not dismiss this history as much as she boldly rewrote it. Exploring the connections between Woolf's immediate and extended family and the broader contexts of late-Victorian literary and political culture, Corbett emphasizes the ongoing significance of the previous generation's concerns and controversies to Woolf's considerable achievements. Behind the Times rereads and revises Woolf's creative works, politics, and criticism in relation to women writers including the New Woman novelist Sarah Grand, the novelist and playwright, Lucy Clifford; the novelist and anti-suffragist, Mary Augusta Ward. It explores Woolf's attitudes to late-Victorian women's philanthropy, the social purity movement, and women's suffrage. Closely tracking the ways in which Woolf both followed and departed from these predecessors, Corbett complicates Woolf's identity as a modernist, her navigation of the literary marketplace, her ambivalence about literary professionalism and the mixing of art and politics, and the emergence of feminism as a persistent concern of her work.
Author: Céline León Publisher: Mercer University Press ISBN: 9780881461039 Category : Philosophy Languages : en Pages : 312
Book Description
Although Kierkegaad provided many a puzzle for his biographers, one would be wrong to assume Kierkegaard invariably lied when he claimed to be telling the truth. Tying Kierkegaard's baffling misogyny, and ultimately his misogamy, to the existence of an inner mysterium, The Neither/Nor of the Second Sex navigates between the Charybdis of an allegedly insurmountable gulf between works and biography and the Scylla of the biographical fallacy, a peril whose threat raised greater alarms in Kierkegaard. Celine Leon draws her conclusions by paying close attention to the texts and by carefully distinguishing between author and pseudonyms. She only brings works and life together when Kierkegaard ambivalently plays with the former in order to impart something of the secret lying at the core of his being, to reverse Sartre's famous formulation, to communicate at the heart of hiddenness. Leon shows how Kierkegaard-a writer whose views on other subjects she holds in high regard-projected his lack onto a particular woman, Regina Olsen, his one time fiancee and lifelong obsession, then onto all women, and ultimately, regarding his own exceptional status as normative, elected to ban the heterosexual relation altogether. This is not, however, the same as saying that-notwithstanding the religious development and the enormous production whose twin onset he ascribed to the rupture with Regina-Kierkegaard did not do so at an egregious personal cost. Book jacket.
Author: Margaret Dickie Publisher: University of Pennsylvania Press ISBN: 1512801666 Category : Literary Criticism Languages : en Pages : 344
Book Description
Thirteen original essays on Gertrude Stein, H. D., Marianne Moore, Edna St. Vincent Millay, Laura (Riding) Jackson, Elizabeth Bishop, Muriel Rukeyser, and Gwendolyn Brooks demonstrate how these women expand the social, textual, and political boundaries of modernism. The collection places these poets in the context of their times, examining the conditions that helped shape their vivid and diverse poetic careers and reconsidering some of the assumptions that have led to their exclusion from the main narratives of modernist poetry. Ultimately, the aim is to enlarge the literary history of the movement—for gendered, modernism extends backward to the first years of the century, and forward to the beginnings of postmodernism in the 1960s.
Author: Jane Spirit
Author: Jane Spirit
Author: Jane Spirit
Author: Adrienne E. Gavin
Author: Ben Hutchinson
Author: Clare Rose
Author: K. Ledbetter
Author: Mary Jean Corbett
Author: Céline León
Author: Margaret Dickie