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Author: H. Rider Haggard Publisher: ISBN: 9781093241204 Category : Languages : en Pages : 231
Book Description
The Witch's Head is the second novel by H. Rider Haggard, which he wrote just prior to King Solomon's MinesHaggard wrote the novel following his debut effort Dawn. He was unable to find any magazine that would serialise the story, but it was accepted for publication by the firm that had put out Dawn. Haggard later wrote that "although, except for the African part, it is not in my opinion so good a story as Dawn, it was extremely well recei ved and within certain limits very successful
Author: H. Rider Haggard Publisher: ISBN: 9781093241204 Category : Languages : en Pages : 231
Book Description
The Witch's Head is the second novel by H. Rider Haggard, which he wrote just prior to King Solomon's MinesHaggard wrote the novel following his debut effort Dawn. He was unable to find any magazine that would serialise the story, but it was accepted for publication by the firm that had put out Dawn. Haggard later wrote that "although, except for the African part, it is not in my opinion so good a story as Dawn, it was extremely well recei ved and within certain limits very successful
Author: H. Rider Haggard Publisher: Modern Library ISBN: 0307808025 Category : Fiction Languages : en Pages : 370
Book Description
A runaway bestseller on its publication in 1887, H. Rider Haggard’s She is a Victorian thrill ride of a novel, featuring a lost African kingdom ruled by a mysterious, implacable queen; ferocious wildlife and yawning abysses; and an eerie love story that spans two thousand years. She has bewitched readers from Freud and Jung to C. S. Lewis and J.R.R. Tolkien; in her Introduction to this Modern Library Paperback Classic—which includes period illustrations by Maurice Greiffenhagen and Charles H. M. Kerr—Margaret Atwood asserts that the awe-inspiring Ayesha, “She-who-must-be-obeyed,” is “a permanent feature of the human imagination.”
Author: Patrick Brantlinger Publisher: Cornell University Press ISBN: 0801467020 Category : Literary Criticism Languages : en Pages : 326
Book Description
A major contribution to the cultural and literary history of the Victorian age, Rule of Darkness maps the complex relationship between Victorian literary forms, genres, and theories and imperialist, racist ideology. Critics and cultural historians have usually regarded the Empire as being of marginal importance to early and mid-Victorian writers. Patrick Brantlinger asserts that the Empire was central to British culture as a source of ideological and artistic energy, both supported by and lending support to widespread belief in racial superiority, the need to transform "savagery" into "civilization," and the urgency of promoting emigration. Rule of Darkness brings together material from public records, memoirs, popular culture, and canonical literature. Brantlinger explores the influence of the novels of Captain Frederick Marryat, pioneer of British adolescent adventure fiction, and shows the importance of William Makepeace Thackeray's experience of India to his novels. He treats a number of Victorian best sellers previously ignored by literary historians, including the Anglo-Indian writer Philip Meadows Taylor's Confessions of a Thug and Seeta. Brantlinger situates explorers' narratives and travelogues by such famous author-adventurers as David Livingstone and Sir Richard Burton in relation to other forms of Victorian and Edwardian prose. Through readings of works by Arthur Conan Doyle, Joseph Conrad, H. Rider Haggard, Rudyard Kipling, John Hobson, and many others, he considers representations of Africa, India, and other non-British parts of the world in both fiction and nonfiction. The most comprehensive study yet of literature and imperialism in the early and mid-Victorian years, Rule of Darkness offers, in addition, a revisionary interpretation of imperialism as a significant factor in later British cultural history, from the 1880s to World War I. It is essential reading for anyone concerned with Victorian culture and society and, more generally, with the relationship between Victorian writers and imperialism, 'and between racist ideology and patterns of domination in modern history.
Author: H. Rider Haggard Publisher: Modern Library ISBN: 0307431347 Category : Fiction Languages : en Pages : 301
Book Description
Touted by its 1885 publisher as “the most amazing story ever written,” King Solomon’s Mines was one of the bestselling novels of the nineteenth century. H. Rider Haggard’s thrilling saga of elephant hunter Allan Quatermain and his search for fabled treasure is more than just an adventure story, though: As Alexandra Fuller explains in her Introduction, in its vivid portrayal of the alliances and battles of white colonials and African tribesmen, King Solomon’s Mines “brings us the world of extremes, of the absurdly tall tales and of the illogical loyalty between disparate people that still informs this part of the world.”
Author: Henry Rider Haggard Publisher: Indiana University Press ISBN: 9780253320728 Category : Fiction Languages : en Pages : 292
Book Description
When it appeared in 1887, H. Rider Haggard's She caused a sensation and became one of the best-selling novels of the nineteenth century. The idea of a powerful woman endowed with immortal beauty and penetrating intellect ruling a savage people among the ruins of a vanished civilization in the heart of Africa captivated Victorian readers. Freud recommended the book to his patients. Jung equated its imaginative power with Dante's Inferno and Wagner's Ring. Continuing to fascinate later twentieth-century readers, the book has never been out of print and has won new audiences through numerous film versions. This is the first annotated edition of She. Locating the novel within the context of late-Victorian fiction and British imperialism, Norman Etherington provides biographical information regarding Haggard and elucidates references in the text of this archaeological romance.
Author: Neil Hultgren Publisher: Ohio University Press ISBN: 0821444832 Category : Literary Criticism Languages : en Pages : 273
Book Description
Melodrama is often seen as a blunt aesthetic tool tainted by its reliance on improbable situations, moral binaries, and overwhelming emotion, features that made it a likely ingredient of British imperial propaganda during the late nineteenth century. Yet, through its impact on many late-Victorian genres outside of the theater, melodrama developed a complicated relationship with British imperial discourse. Melodramatic Imperial Writing positions melodrama as a vital aspect of works that underscored the contradictions and injustices of British imperialism. Beyond proving useful for authors constructing imperialist fantasies or supporting unjust policies, the melodramatic mode enabled writers to upset narratives of British imperial destiny and racial superiority. Neil Hultgren explores a range of texts, from Dickens’s writing about the 1857 Sepoy Rebellion to W. E. Henley’s imperialist poetry and Olive Schreiner’s experimental fiction, in order to trace a new and complex history of British imperialism and the melodramatic mode in late-Victorian writing.
Author: Fred Botting Publisher: Taylor & Francis ISBN: 9780415251143 Category : Literary Criticism Languages : en Pages : 400
Book Description
This collection brings together key writings which convey the breadth of what is understood to be Gothic, and the ways in which it has produced, reinforced, and undermined received ideas about literature and culture. In addition to its interests in the late eighteenth-century origins of the form, this collection anthologizes path-breaking essays on most aspects of gothic production, including some of its nineteenth, twentieth and twenty-first century manifestations across a broad range of cultural media.
Author: H. Rider Haggard
Author: H. Rider Haggard
Author: H. Rider Haggard
Author: Patrick Brantlinger
Author: H. Rider Haggard
Author: Victor Plarr
Author: Henry Rider Haggard
Author: Neil Hultgren
Author: Frederick George Aflalo
Author: Fred Botting
Author: Wilfred Partington