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Author: Robert Morris Publisher: University Rochester Press ISBN: 1580463495 Category : Music Languages : en Pages : 446
Book Description
A collection of essays on new music, composers, and issues in American music criticism and aestheticson by composer and music theorist Robert Morris. The Whistling Blackbird: Essays and Talks on New Music is the long-awaited book of essays from Robert Morris, the greatly admired composer and music theorist. In these essays, Morris presents a new and multifaceted view ofrecent developments in American music. His views on music, as well as his many compositions, defy easy classification, favoring instead a holistic, creative, and critical approach. The Whistling Blackbird contains fourteen essays and talks, divided into three parts, preceded by an "Overture" that portrays what it means to compose music in the United States today. Part 1 presents essays on American composers John Cage, Milton Babbitt, Richard Swift, and Stefan Wolpe. Part 2 comprises talks on Morris's music that illustrate his ideas and creative approaches over forty years of music composition, including his outdoor compositions, an ongoing project that began in 1999. Part 3 includes four essays in music criticism: on the relation of composition to ethnomusicology; on phenomenology and attention; on music theory at the millennium; and on issues in musical time. Threaded throughout this collection of essays are Morris's diverse and seemingly disparate interests and influences. English romantic poetry, mathematical combinatorics, group and set theory, hiking, Buddhist philosophy, Chinese and Japanese poetry and painting, jazz and nonwestern music, chaos theory, linguistics, and the American transcendental movement exist side by side in a fascinating and eclectic portrait of American musical composition at the dawn of the new millennium. Robert Morris is Professor of Music Composition at the Eastman School of Music, University of Rochester.
Author: Robert Morris Publisher: University Rochester Press ISBN: 1580463495 Category : Music Languages : en Pages : 446
Book Description
A collection of essays on new music, composers, and issues in American music criticism and aestheticson by composer and music theorist Robert Morris. The Whistling Blackbird: Essays and Talks on New Music is the long-awaited book of essays from Robert Morris, the greatly admired composer and music theorist. In these essays, Morris presents a new and multifaceted view ofrecent developments in American music. His views on music, as well as his many compositions, defy easy classification, favoring instead a holistic, creative, and critical approach. The Whistling Blackbird contains fourteen essays and talks, divided into three parts, preceded by an "Overture" that portrays what it means to compose music in the United States today. Part 1 presents essays on American composers John Cage, Milton Babbitt, Richard Swift, and Stefan Wolpe. Part 2 comprises talks on Morris's music that illustrate his ideas and creative approaches over forty years of music composition, including his outdoor compositions, an ongoing project that began in 1999. Part 3 includes four essays in music criticism: on the relation of composition to ethnomusicology; on phenomenology and attention; on music theory at the millennium; and on issues in musical time. Threaded throughout this collection of essays are Morris's diverse and seemingly disparate interests and influences. English romantic poetry, mathematical combinatorics, group and set theory, hiking, Buddhist philosophy, Chinese and Japanese poetry and painting, jazz and nonwestern music, chaos theory, linguistics, and the American transcendental movement exist side by side in a fascinating and eclectic portrait of American musical composition at the dawn of the new millennium. Robert Morris is Professor of Music Composition at the Eastman School of Music, University of Rochester.
Author: Wallace Stevens Publisher: Stephen F. Austin University Press ISBN: 9781936205820 Category : Art Languages : en Pages : 0
Book Description
??Wallace Stevens? ?Thirteen Ways of Looking at a Blackbird? appeared originally in 1917 and was subsequently published in his first book, Harmonium, in 1923. In a letter, Stevens once wrote that ?this group of poems is not meant to be a collection of epigrams or of ideas, but of sensations.? If this is indeed the poet?s intent, the poem provides readers with no fewer than thirteen perspectives or observances about blackbirds, but in those ?thirteen ways? is the immeasurable culmination of sensations. Just as the poet?s imagination invites readers to discover the infinite mysteries of the world and how these unify us in unexpected ways, Corinne Jones? new visual interpretation of Stevens? poem invites us, again, to re-explore the multiplicity of observation and subsequent knowledge.????This new trade edition, a 10x10 reprint of the original fine arts book, juxtaposes Jones?s beautiful and sensual prints of blackbirds against Stevens?s poetic text. The result is that the life and power inherent in each artwork is increased wonderfully and vibrantly when taken as a whole.??.
Author: Mario Ortiz-Robles Publisher: Routledge ISBN: 113474062X Category : Literary Criticism Languages : en Pages : 189
Book Description
Why do animals talk in literature? In this provocative book, Mario Ortiz Robles tracks the presence of animals across an expansive literary archive to argue that literature cannot be understood as a human endeavor apart from its capacity to represent animals. Focusing on the literary representation of familiar animals, including horses, dogs, cats, and songbirds, Ortiz Robles examines the various tropes literature has historically employed to give meaning to our fraught relations with other animals. Beyond allowing us to imagine the lives of non-humans, literature can make a lasting contribution to Animal Studies, an emerging discipline within the humanities, by showing us that there is something fictional about our relation to animals. Literature and Animal Studies combines a broad mapping of literary animals with detailed readings of key animal texts to offer a new way of organizing literary history that emphasizes genera over genres and a new way of classifying animals that is premised on tropes rather than taxa. The book makes us see animals and our relation to them with fresh eyes and, in doing so, prompts us to review the role of literature in a culture that considers it an endangered art form.
Author: Robert Morris
Author: Robert Morris
Author: James Hepworth
Author: Martha Ronk
Author: Wallace Stevens
Author: 
Author: Mario Ortiz-Robles
Author: Thomas Caverhill Jerdon
Author: Charles Alexander Johns
Author: Bernardin de Saint-Pierre
Author: Jacques Henri Bernardin de SAINT PIERRE