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Author: Glenn Frankel Publisher: Bloomsbury Publishing USA ISBN: 1620409488 Category : History Languages : en Pages : 417
Book Description
From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.
Author: Glenn Frankel Publisher: Bloomsbury Publishing USA ISBN: 1620409488 Category : History Languages : en Pages : 417
Book Description
From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.
Author: Chuck Lewis Publisher: iUniverse ISBN: 0595776124 Category : Performing Arts Languages : en Pages : 256
Book Description
With this collection of reviews, fans of western movies can enjoy taking another special look at some of our favorites with western author Chuck Lewis as he offers us insight and a unique view of the films we like or even those we don't like. We might remember some of them with a nostalgia that doesn't match up with what the movie was all about. We think we know the stories, or what a good job of acting our heroes did, or perhaps gave no thought to the symbolism of the roles they played, but maybe Chuck can suggest something different. The storylines of these movies are told here in detail and interspersed with appropriate and interesting observations. You will definitely learn while being entertained. Most of these reviews are written with Chuck's subtle sense of humor, but all are informative and surprising at times. They offer interesting facts that never occurred to us when we first saw the movie, but all are honestly assessed with a bite that only Chuck Lewis can give us. -Movies reviewed in Volume One- Shane-Winchester '73-Red River-Conagher-Will Penny-Monte Walsh-The Naked Spur-High Noon-River of No Return-The Unforgiven-The Big Country-Cowboy-Stagecoach-The Wonderful Country-My Darling Clementine-Monte Walsh (TV)-Jeremiah Johnson-The Magnificent Seven-The Wild Bunch-Tombstone-Blood on the Moon-The Searchers-Colorado Territory-The Bravados.
Author: Brian Garfield Publisher: ISBN: 9780306803338 Category : Performing Arts Languages : en Pages : 386
Book Description
An encyclopedia of more than 2000 western feature films shown in the United States since the advent of the talkies, from Abilene Town to Zandy's Bride. It lists not only the credits, but also ranks the great figures who shaped this influential genre, such as John Ford, Clint Eastwood, John Wayne and Howard Hawkes.
Author: Michael R. Pitts Publisher: McFarland ISBN: 0786463724 Category : Performing Arts Languages : en Pages : 485
Book Description
This revised and greatly expanded edition of a well-established reference book presents 5105 feature length (four reels or more) Western films, from the early silent era to the present. More than 900 new entries are in this edition. Each entry has film title, release company and year, running time, color indication, cast listing, plot synopsis, and a brief critical review and other details. Not only are Hollywood productions included, but the volume also looks at Westerns made abroad as well as frontier epics, north woods adventures and nature related productions. Many of the films combine genres, such as horror and science fiction Westerns. The volume includes a list of cowboys and their horses and a screen names cross reference. There are more than 100 photographs.
Author: Julie Garwood Publisher: Simon and Schuster ISBN: 067187098X Category : Fiction Languages : en Pages : 580
Book Description
In 1860s New York, an abandoned baby girl is found by four boys and they adopt her. In time, the boys start a ranch in Montana and she grows up to be a beautiful woman. One day there arrives at the ranch a handsome Scottish lawyer, looking for an English lord's daughter kidnaped two decades earlier. By the author of Prince Charming.
Author: Elmore Leonard Publisher: Harper Collins ISBN: 0061832898 Category : Fiction Languages : en Pages : 207
Book Description
“Although known for his mysteries, Elmore Leonard has penned some of the best western fiction ever.” —USA Today Grand Master Elmore Leonard is justifiably acknowledged as one of the very best crime fiction writers ever, alongside other all-time greats like John D. MacDonald, Dashiell Hammett, James M. Cain, and Robert Parker. But he has also many acclaimed masterworks of American western fiction to his credit—including Hombre, the basis for the classic Hollywood motion picture starring Paul Newman. Set in Arizona mining country, Hombre is the tale of a white man raised by Indians, who must come to the aid of people who hate him when their stagecoach is attacked by outlaws. As thrilling as his contemporary novels of crime, double-cross, and murder in Detroit and Miami, Hombre is Elmore Leonard at his riveting best—no less than one would expect from the creator of U.S. Marshal Raylan Givens (Justified).
Author: David Lusted Publisher: Routledge ISBN: 1317874919 Category : Performing Arts Languages : en Pages : 337
Book Description
The Western introduces the novice to the pleasures and the meanings of the Western film, shares the excitement of the genre with the fan, addresses the suspicions of the cynic and develops the knowledge of the student. The Western is about the changing times of the Western, and about how it has been understood in film criticism. Until the 1980s, more Westerns were made than any other type of film. For fifty of those years, the genre was central to Hollywood's popularity and profitability. The Western explores the reasons for its success and its latter-day decline among film-makers and audiences alike. Part I charts the history of the Western film and its role in film studies. Part II traces the origins of the Western in nineteenth-century America, and in its literary, theatrical and visual imagining. This sets the scene to explore the many evolving forms in successive chapters on early silent Westerns, the series Western, the epic, the romance, the dystopian, the elegiac and, finally, the revisionist Western. The Western concludes with an extensive bibliography, filmography and select further reading. Over 200 Westerns are discussed, among them close accounts of classics such as Duel in the Sun, The Wild Bunch and Unforgiven, formative titles like John Ford's epic The Iron Horse, and early cowboy star William S. Hart's The Silent One together with less familiar titles that deserve wider recognition, including Comanche Station, Pursued and Ulzana's Raid.
Author: Michael R. Pitts Publisher: McFarland ISBN: Category : Performing Arts Languages : en Pages : 488
Book Description
"This volume covers 30 western film series produced from the mid-1930s to the early 1950s. Included are such long-running series as Hopalong Cassidy, The Durango Kid and The Three Mesquiteers as well as those that had moderate or brief runs. The book contains a plot synopsis and an analysis of each series' place in cinema history"--Provided by publisher.
Author: Glenn Frankel
Author: Glenn Frankel
Author: Chuck Lewis
Author: Brian Garfield
Author: Michael R. Pitts
Author: Scott Simmon
Author: Julie Garwood
Author: Elmore Leonard
Author: David Lusted
Author: Michael R. Pitts
Author: Fern Turnley