The Victorians and the Visual Imagination PDF Download

Author: Kate Flint
Publisher: Cambridge University Press
ISBN: 9780521770262
Category : Art
Languages : en
Pages : 450

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Book Description
Richly illustrated study drawing on art, literature and science to explore Victorian attitudes towards sight.

Author: Carol T. Christ
Publisher: Univ of California Press
ISBN: 0520311167
Category : Literary Criticism
Languages : en
Pages : 402

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Book Description
Nineteenth-century British culture frequently represented the eye as the preeminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to the visual imagination, the role of photography in changing the conception of evidence and truth, the changing partnership between illustrator and novelist, and the ways in which literary texts represent the visual. Together they begin to construct a history of seeing in the Victorian period. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

Author: Professor Peter H Hoffenberg
Publisher: Ashgate Publishing, Ltd.
ISBN: 147240470X
Category : Literary Criticism
Languages : en
Pages : 399

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Book Description
Oceania, or the South Pacific, loomed large in the Victorian popular imagination. It was a world that interested the Victorians for many reasons, all of which suggested to them that everything was possible there. This collection of essays focuses on Oceania’s impact on Victorian culture, most notably travel writing, photography, international exhibitions, literature, and the world of children. Each of these had significant impact. The literature discussed affected mainly the middle and upper classes, while exhibitions and photography reached down into the working classes, as did missionary presentations. The experience of children was central to the Pacific’s effects, as youthful encounters at exhibitions, chapel, home, or school formed lifelong impressions and experience. It would be difficult to fully understand the Victorians as they understood themselves without considering their engagement with Oceania. While the contributions of India and Africa to the nineteenth-century imagination have been well-documented, examinations of the contributions of Oceania have remained on the periphery of Victorian studies. Oceania and the Victorian Imagination contributes significantly to our discussion of the non-peripheral place of Oceania in Victorian culture.

Author: Simon Joyce
Publisher: Ohio University Press
ISBN: 0821417614
Category : Authors, English
Languages : en
Pages : 225

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Book Description
Simon Joyce examines heritage culture, contemporary politics, and the "neo-Dickensian" novel to offer a more affirmative assessment of the Victorian legacy, one that lets us imagine a model of social interconnection and interdependence that has come under threat in today's politics and culture.

Author: Stuart Sillars
Publisher: Cambridge University Press
ISBN: 1107029953
Category : Art
Languages : en
Pages : 337

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Book Description
A fully illustrated study of Shakespeare's awareness of traditions in visual art and their presence in his plays and poems.

Author: Hugh Dunthorne
Publisher: BRILL
ISBN: 9004233792
Category : History
Languages : en
Pages : 291

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Book Description
The 19th century laid the foundations of history, both professional and popular. The authors of this collection compare Britain, the Netherlands, and Belgium, unearthing the ways in which history was conceived and then utilized, usually for nationalistic purposes.

Author: Galia Ofek
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754661610
Category : Literary Criticism
Languages : en
Pages : 288

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Book Description
Examining a wide range of historical, artistic, literary, and theoretical works, Galia Ofek shows how changing patterns of power relations between women and patriarchy are rendered anew when viewed through the lens of Victorian hair codes and imagery during the second half of the nineteenth century. Her innovative study reveals the Victorians' well-developed awareness of fetishism and their cognizance of hair's symbolic resonance and commercial value.

Author: Carol T. Christ
Publisher: Univ of California Press
ISBN: 9780520200227
Category : Literary Criticism
Languages : en
Pages : 410

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Book Description
"Looks freshly at facts that have remained marginal to most critics' sense of the literature--the sheer mechanism of artistic and literary reproductions. These essays make an unusual, various, and interesting collection, with appeal to a great many constituencies."--George Levine, author of Darwin and the Novelists "This is an exciting collection linked by a series of contemporary critical assumptions and Victorian concerns. . . . For all their reconsideration of theory, the essays are written in a lively, jargon-free style that should give them popular as well as scholarly appeal."--Carole Silver, coeditor of Socialism and the Literary Artistry of William Morris

Author: Mark Michael Smith
Publisher: Univ of California Press
ISBN: 9780520254954
Category : History
Languages : en
Pages : 198

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Book Description
"Smith's history of the sensate is destined to precipitate a revolution in our understanding of the sensibilities that underpinned the mentalities of past epochs."--David Howes, author of Sensual Relations: Engaging the Senses in Culture and Social Theory "Mark M. Smith presents a far-ranging essay on the history of the senses that serves simultaneously as a good introduction to the historiography. If one feels in danger of sensory overload from this growing body of scholarship, Smith's piece is a useful preventive."--Leigh E. Schmidt, author of Restless Souls: The Making of American Spirituality "This is a masterful overview. The history of the senses has been a frontier field for a while now. Mark Smith draws together what we know, with an impressive sensory range, and encourages further work. A really exciting survey."--Peter N. Stearns, author of American Fear: The Causes and Consequences of High Anxiety "Who would ever have guessed that a book on the history of the senses--seeing, hearing, touching, tasting, and smelling--could be informative, thought-provoking, and, at the same time, most entertaining? Ranging in both time and locale, Mark Smith's Sensing the Past makes even the philosophy about the senses from ancient times to now both learned and exciting. This work will draw scholars into under-recognized subjects and lay readers into a world we simply but unwisely take for granted."--Bertram Wyatt-Brown, author of Southern Honor: Ethics and Behavior in the Old South "Mark M. Smith has a good record of communicating his research to a broad constituency within and beyond the academy . . . This will be required reading for anyone addressing sensory history."--Penelope Gouk, author of Music, Science and Natural Magic in Seventeenth Century England "This is a fine cultural history of the body, which takes Western and Eastern traditions and their texts quite seriously. Smith views a history of the senses not only from 'below' but places it squarely in the historical imagination. It will be of interest to a wide range of readers."--Sander L. Gilman, author of Difference and Pathology

Author: Rachel Bryant Davies
Publisher: Cambridge University Press
ISBN: 1108135544
Category : History
Languages : en
Pages : 413

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Book Description
Playful, popular visions of Troy and Carthage, backdrops to the Iliad and Aeneid's epic narratives, shine the spotlight on antiquity's starring role in nineteenth-century culture. This is the story of how these ruined cities inspired bold reconstructions of the Trojan War and its aftermath, how archaeological discoveries in the Troad and North Africa sparked dramatic debates, and how their ruins were exploited to conceptualise problematic relationships between past, present and future. Rachel Bryant Davies breaks new ground in the afterlife of classical antiquity by revealing more complex and less constrained interaction with classical knowledge across a broader social spectrum than yet understood, drawing upon methodological developments from disciplines such as history of science and theatre history in order to do so. She also develops a thorough critical framework for understanding classical burlesque and engages in in-depth analysis of a toy-theatre production.