Author:
Publisher: BRILL
ISBN: 9004613412
Category : History
Languages : en
Pages : 283
Book Description
With authorative contributions on the historical, stylistic, and iconographic context of this masterpiece of Carolingian Renaissance by R. McKitterick, K. van der Horst, K. Corrigan, F. Mütherich, and W. Noel, and including the catalogue of the 1996 exhibition on the Utrecht Psalter at the Museum Catharijneconvent, Utrecht.
The Utrecht Psalter in Medieval Art
Author:
Publisher: BRILL
ISBN: 9004613412
Category : History
Languages : en
Pages : 283
Book Description
With authorative contributions on the historical, stylistic, and iconographic context of this masterpiece of Carolingian Renaissance by R. McKitterick, K. van der Horst, K. Corrigan, F. Mütherich, and W. Noel, and including the catalogue of the 1996 exhibition on the Utrecht Psalter at the Museum Catharijneconvent, Utrecht.
Publisher: BRILL
ISBN: 9004613412
Category : History
Languages : en
Pages : 283
Book Description
With authorative contributions on the historical, stylistic, and iconographic context of this masterpiece of Carolingian Renaissance by R. McKitterick, K. van der Horst, K. Corrigan, F. Mütherich, and W. Noel, and including the catalogue of the 1996 exhibition on the Utrecht Psalter at the Museum Catharijneconvent, Utrecht.
The Utrecht Psalter in Medieval Art
Author: Rijksmuseum Het Catharijneconvent
Publisher:
ISBN: 9789061943181
Category : Art, Medieval
Languages : en
Pages : 271
Book Description
Publisher:
ISBN: 9789061943181
Category : Art, Medieval
Languages : en
Pages : 271
Book Description
The Utrecht Psalter in Medieval Art
Author: William Noel
Publisher:
ISBN: 9789091943182
Category :
Languages : en
Pages : 271
Book Description
Publisher:
ISBN: 9789091943182
Category :
Languages : en
Pages : 271
Book Description
The Utrecht Psalter in Medieval Art
Author: Koert van der Horst
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 300
Book Description
The Utrecht Psalter, one of the great survivals of the Carolingian Renaissance, was made about 820-835 at the Benedictine monastery of Hautvilliers and decorated with 166 dynamic, almost impressionistic pen drawings which are masterly interpretation of the Psalter text. In 1996 it was exhibited in Utrecht, alongside related manuscripts such as the Aachen and Ebbo Gospels, the Byzantine Khludov Psalter and the later English Harly and Eadwine Psalters, copied in Canterbury when the Utrecht Psalter was for some centuries in England. Five scholarly essays, designed for a wide-ranging readership, include a discussion of Carolingian cultural achievements; an analysis of the Psalter itself and its place in the history of book production; an overview of medieval Psalter illustration in both Byzantium and the West; and an exa- mination of the English copies of the Utrect Psalter in the later Middle Ages.
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 300
Book Description
The Utrecht Psalter, one of the great survivals of the Carolingian Renaissance, was made about 820-835 at the Benedictine monastery of Hautvilliers and decorated with 166 dynamic, almost impressionistic pen drawings which are masterly interpretation of the Psalter text. In 1996 it was exhibited in Utrecht, alongside related manuscripts such as the Aachen and Ebbo Gospels, the Byzantine Khludov Psalter and the later English Harly and Eadwine Psalters, copied in Canterbury when the Utrecht Psalter was for some centuries in England. Five scholarly essays, designed for a wide-ranging readership, include a discussion of Carolingian cultural achievements; an analysis of the Psalter itself and its place in the history of book production; an overview of medieval Psalter illustration in both Byzantium and the West; and an exa- mination of the English copies of the Utrect Psalter in the later Middle Ages.
The Harley Psalter
Author: William Noel
Publisher: Cambridge University Press
ISBN: 9780521464956
Category : Art
Languages : en
Pages : 260
Book Description
A study of the making of the Harley Psalter at Christ Church Canterbury c.1020-1130.
Publisher: Cambridge University Press
ISBN: 9780521464956
Category : Art
Languages : en
Pages : 260
Book Description
A study of the making of the Harley Psalter at Christ Church Canterbury c.1020-1130.
Studies in the Illustration of the Psalter
Author: Brendan Cassidy
Publisher: Paul Watkins
ISBN:
Category : Architecture
Languages : en
Pages : 168
Book Description
Psalters were editions of the Book of Psalms from the Old Testament which were important both as a prayer book and as a means of learning letters. Due to the latter, and the vivid imagery that the texts created, the initial letter became elaborate and additional miniature illustrations were added to mark important places in the text. These six papers, plus an introduction, are taken from a symposium held at St Andrews in 1997 and present discussions of the historical evolution of psalter illustrations and problems of interpretation. They deal with examples of various date and provenance, although largely focusing on Britain, including the Utrecht Psalter, the Book of Kells and the Corbie Psalter.
Publisher: Paul Watkins
ISBN:
Category : Architecture
Languages : en
Pages : 168
Book Description
Psalters were editions of the Book of Psalms from the Old Testament which were important both as a prayer book and as a means of learning letters. Due to the latter, and the vivid imagery that the texts created, the initial letter became elaborate and additional miniature illustrations were added to mark important places in the text. These six papers, plus an introduction, are taken from a symposium held at St Andrews in 1997 and present discussions of the historical evolution of psalter illustrations and problems of interpretation. They deal with examples of various date and provenance, although largely focusing on Britain, including the Utrecht Psalter, the Book of Kells and the Corbie Psalter.
Pen and Parchment
Author: Melanie Holcomb
Publisher: Metropolitan Museum of Art
ISBN: 1588393186
Category : Drawing, Medieval
Languages : en
Pages : 204
Book Description
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
Publisher: Metropolitan Museum of Art
ISBN: 1588393186
Category : Drawing, Medieval
Languages : en
Pages : 204
Book Description
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
Passion Relics and the Medieval Imagination
Author: Cynthia Hahn
Publisher: University of California Press
ISBN: 0520305264
Category : Art
Languages : en
Pages : 175
Book Description
Although objects associated with the Passion and suffering of Christ are among the most important and sacred relics venerated by the Catholic Church, this is the first study that considers how they were presented to the faithful. Cynthia Hahn adopts an accessible, informative, and holistic approach to the important history of Passion relics—first the True Cross, and then the collective group of Passion relics—examining their display in reliquaries, their presentation in church environments, their purposeful collection as centerpieces in royal and imperial collections, and finally their veneration in pictorial form as Arma Christi. Tracing the ways that Passion relics appear and disappear in response to Christian devotion and to historical phenomena, ranging from pilgrimage and the Crusades to the promotion of imperial power, this groundbreaking investigation presents a compelling picture of a very important aspect of late medieval and early modern devotion.
Publisher: University of California Press
ISBN: 0520305264
Category : Art
Languages : en
Pages : 175
Book Description
Although objects associated with the Passion and suffering of Christ are among the most important and sacred relics venerated by the Catholic Church, this is the first study that considers how they were presented to the faithful. Cynthia Hahn adopts an accessible, informative, and holistic approach to the important history of Passion relics—first the True Cross, and then the collective group of Passion relics—examining their display in reliquaries, their presentation in church environments, their purposeful collection as centerpieces in royal and imperial collections, and finally their veneration in pictorial form as Arma Christi. Tracing the ways that Passion relics appear and disappear in response to Christian devotion and to historical phenomena, ranging from pilgrimage and the Crusades to the promotion of imperial power, this groundbreaking investigation presents a compelling picture of a very important aspect of late medieval and early modern devotion.
Medieval Illuminators and Their Methods of Work
Author: Jonathan James Graham Alexander
Publisher: Yale University Press
ISBN: 9780300060737
Category : Art
Languages : en
Pages : 230
Book Description
Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity ofmedieval illumination. His book will be a standard reference for years to come.
Publisher: Yale University Press
ISBN: 9780300060737
Category : Art
Languages : en
Pages : 230
Book Description
Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity ofmedieval illumination. His book will be a standard reference for years to come.
Experiencing Medieval Art
Author: Herbert L. Kessler
Publisher:
ISBN: 9781442600751
Category : Art, Medieval
Languages : en
Pages : 376
Book Description
"Experiencing Medieval Art is an extensive revision and expansion of the author's Seeing Medieval Art, originally published in 2004. Renowned art historian Herbert L. Kessler considers often-strange objects and the materials of which they are made, circumstances of production, the conflictual relationship between art objects and notions of an ineffable deity, the context surrounding medieval art, the playfulness of art and the formal movements it engaged, as well as questions of apprehension, aesthetics, and modern presentation. Kessler introduces the exciting discoveries and revelations that have revolutionized the understanding of medieval art and identifies the vexing challenges that still remain. Examining such well-known monuments as the stained glass in Chartres cathedral, mosaics in San Marco Venice, and Utrecht Psalter, as well as newly discovered works--including the frescoes in Rome's "aula gotica" and a twelfth-century aquamanile in Hildesheim--Kessler makes the complex history of medieval art accessible for students of art history, teachers in the field, and scholars of medieval history, theology, and literature."--
Publisher:
ISBN: 9781442600751
Category : Art, Medieval
Languages : en
Pages : 376
Book Description
"Experiencing Medieval Art is an extensive revision and expansion of the author's Seeing Medieval Art, originally published in 2004. Renowned art historian Herbert L. Kessler considers often-strange objects and the materials of which they are made, circumstances of production, the conflictual relationship between art objects and notions of an ineffable deity, the context surrounding medieval art, the playfulness of art and the formal movements it engaged, as well as questions of apprehension, aesthetics, and modern presentation. Kessler introduces the exciting discoveries and revelations that have revolutionized the understanding of medieval art and identifies the vexing challenges that still remain. Examining such well-known monuments as the stained glass in Chartres cathedral, mosaics in San Marco Venice, and Utrecht Psalter, as well as newly discovered works--including the frescoes in Rome's "aula gotica" and a twelfth-century aquamanile in Hildesheim--Kessler makes the complex history of medieval art accessible for students of art history, teachers in the field, and scholars of medieval history, theology, and literature."--