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Author: David Griffiths Publisher: Routledge ISBN: 1317972023 Category : Performing Arts Languages : en Pages : 97
Book Description
First Published in 1998. This is the second volume of Mask: A Release if Acting Resources, and David Griffiths provides a detailed and sensitive view of the Japanese Noh theatre: historically, philosophically (with an evaluation of Zeami's treatises) and in respect of the rigorous practicalities of Noh training. The latter is given particular authority and insight because of the access Griffiths had to Noh actors in training and performance. Greatly enhanced with the author's illustrations, this volume gives one of the most accessible introductions to Noh that is available in English. Appended to the descriptive and analytic material is a short play, The Dove, written by Griffiths (and subsequently professionally performed) described as 'unashamedly' acknowledging its Noh influence. This one-woman price is a sensitive and evocative drama with subtle references to its cultural source. Is potential as an exercise in mask work is excellent.
Author: David Griffiths Publisher: Routledge ISBN: 1317972023 Category : Performing Arts Languages : en Pages : 97
Book Description
First Published in 1998. This is the second volume of Mask: A Release if Acting Resources, and David Griffiths provides a detailed and sensitive view of the Japanese Noh theatre: historically, philosophically (with an evaluation of Zeami's treatises) and in respect of the rigorous practicalities of Noh training. The latter is given particular authority and insight because of the access Griffiths had to Noh actors in training and performance. Greatly enhanced with the author's illustrations, this volume gives one of the most accessible introductions to Noh that is available in English. Appended to the descriptive and analytic material is a short play, The Dove, written by Griffiths (and subsequently professionally performed) described as 'unashamedly' acknowledging its Noh influence. This one-woman price is a sensitive and evocative drama with subtle references to its cultural source. Is potential as an exercise in mask work is excellent.
Author: Publisher: Routledge ISBN: 9783718657155 Category : Performing Arts Languages : en Pages : 82
Book Description
In "The Training of Noh Actors and The Dove", the second volume of his Mask: A Release of Acting Resources, David Griffiths provides a detailed view of the Japanese Noh theatre: historically, philosophically (with an evaluation of Zeami's treatises) and in respect of the rigorous practicalities of Noh training. The latter is given particular authority and insight because of the access Griffiths had to Noh actors in training and performance. Enhanced by the author's illustrations, this volume gives one of the most accessible introductions to Noh that is available in English. Appended to the descriptive and analytic material is a short play, The Dove, written by Griffiths (and subsequently professionally performed), described as "unashamedly" acknowledging its Noh influence. This one-woman piece is a drama with references to its cultural source.
Author: Shelley Fenno Quinn Publisher: University of Hawaii Press ISBN: 9780824829681 Category : Performing Arts Languages : en Pages : 502
Book Description
The great noh actor, theorist, and playwright Zeami Motokiyo (ca. 1363-1443) is one of the major figures of world drama. His critical treatises have attracted international attention ever since their publication in the early 1900s. His corpus of work and ideas continues to offer a wealth of insights on issues ranging from the nature of dramatic illusion and audience interest to tactics for composing successful plays to issues of somaticity and bodily training. Shelley Fenno Quinn’s impressive interpretive examination of Zeami’s treatises addresses all of these areas as it outlines the development of the playwright’s ideas on how best to cultivate attunement between performer and audience. Quinn begins by tracing Zeami’s transformation of the largely mimetic stage art of his father’s troupe into a theater of poiesis in which the playwright and actors aim for performances wherein dance and chant are re-keyed to the evocative power of literary memory. Synthesizing this remembered language of stories, poems, phrases, and their prosodies and associated auras with the flow of dance and chant led to the creation of a dramatic prototype that engaged and depended on the audience as never before. Later chapters examine a performance configuration created by Zeami (the nikyoku santai) as articulated in his mature theories on the training of the performer. Drawing on possible reference points from Buddhist and Daoist thought, the author argues that Zeami came to treat the nikyoku santai as a set of guidelines for bracketing the subjectivity of the novice actor, thereby allowing the actor to reach a certain skill level or threshold from which his freedom as an artist might begin.
Author: Shelley Fenno Quinn Publisher: University of Hawaii Press ISBN: 9780824818272 Category : Performing Arts Languages : en Pages : 524
Book Description
The great noh actor, theorist, and playwright Zeami Motokiyo (ca. 1363-1443) is one of the major figures of world drama. His critical treatises have attracted international attention ever since their publication in the early 1900s. His corpus of work and ideas continues to offer a wealth of insights on issues ranging from the nature of dramatic illusion and audience interest to tactics for composing successful plays to issues of somaticity and bodily training. Shelley Fenno Quinn's impressive interpretive examination of Zeami's treatises addresses all of these areas as it outlines the development of the playwright's ideas on how best to cultivate attunement between performer and audience. Quinn begins by tracing Zeami's transformation of the largely mimetic stage art of his father's troupe into a theater of poiesis in which the playwright and actors aim for performances wherein dance and chant are re-keyed to the evocative power of literary memory. prosodies and associated auras with the flow of dance and chant led to the creation of a dramatic prototype that engaged and depended on the audience as never before.Later chapters examine a performance configuration created by Zeami (the nikyoku santal) as articulated in his mature theories on the training of the performer. Drawing on possible reference points from Buddhist and Daoist thought, the author argues that Zeami came to treat the nikyoku santai as a set of guidelines for bracketing the subjectivity of the novice actor, thereby allowing the actor to reach a certain skill level or threshold from which his freedom as an artist might begin.
Author: Yoshi Oida Publisher: Bloomsbury Publishing ISBN: 1350148288 Category : Drama Languages : en Pages : 123
Book Description
The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.
Author: Masaru Sekine Publisher: Colin Smythe ISBN: Category : Drama Languages : en Pages : 208
Book Description
A useful introduction to the classical dance-drama of Japan, this covers the history of Noh; the various groups of Noh plays; training, acting, and writing a play; various competitions; and trades of acting. Quotes from Ze-Ami's essays are also inclu
Author: Zeami Motokiyo Publisher: Volume Edizioni srl ISBN: 8897747108 Category : Drama Languages : en Pages : 37
Book Description
The japanese Noh drama by the Master Zeami Motokiyo about the Buddhist priest Rensei and the warrior of the Taira Clan Atsumori. The story of redention of the warrior Kumagai Jiro Naozane that killed the young Atsumori. One of the most popular and touching Zeami's Noh drama inspired by "The Tales of Heike". Contents: Preface by Massimo Cimarelli Atsumori by Zeami Motokiyo Pearson Part I Interlude Part II Glossary Notes
Author: Mark Evans Publisher: Routledge ISBN: 1351180347 Category : Performing Arts Languages : en Pages : 265
Book Description
Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at: age/aging and children in the training context how training impacts over a lifetime the duration of training and the impact of training regimes over time concepts of timing and the ‘right’ time how time is viewed from a range of international training perspectives collectives, ensembles and fashions in training, their decay or endurance Through focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces and in folk or amateur practices. Ideal for both instructors and students, each section of this well-illustrated book follows a thematic structure and includes full-length chapters alongside shorter provocations. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance. Chapter 16 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons (CC-BY) 4.0 license.
Author: David Griffiths
Author: David Griffiths
Author: 
Author: 
Author: David Griffiths (auteur dramatique.)
Author: Shelley Fenno Quinn
Author: Shelley Fenno Quinn
Author: Yoshi Oida
Author: Masaru Sekine
Author: Zeami Motokiyo
Author: Mark Evans