The Tragic Art of Ernest Hemingway PDF Download

Author: Wirt Williams
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Jackson J. Benson
Publisher: Duke University Press
ISBN: 0822382342
Category : Literary Criticism
Languages : en
Pages : 530

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With an Overview by Paul Smith and a Checklist to Hemingway Criticism, 1975–1990 New Critical Approaches to the Short Stories of Ernest Hemingway is an all-new sequel to Benson’s highly acclaimed 1975 book, which provided the first comprehensive anthology of criticism of Ernest Hemingway’s masterful short stories. Since that time the availability of Hemingway’s papers, coupled with new critical and theoretical approaches, has enlivened and enlarged the field of American literary studies. This companion volume reflects current scholarship and draws together essays that were either published during the past decade or written for this collection. The contributors interpret a variety of individual stories from a number of different critical points of view—from a Lacanian reading of Hemingway’s “After the Storm” to a semiotic analysis of “A Very Short Story” to an historical-biographical analysis of “Old Man at the Bridge.” In identifying the short story as one of Hemingway’s principal thematic and technical tools, this volume reaffirms a focus on the short story as Hemingway’s best work. An overview essay covers Hemingway criticism published since the last volume, and the bibliographical checklist to Hemingway short fiction criticism, which covers 1975 to mid-1989, has doubled in size. Contributors. Debra A. Moddelmog, Ben Stotzfus, Robert Scholes, Hubert Zapf, Susan F. Beegel, Nina Baym, William Braasch Watson, Kenneth Lynn, Gerry Brenner, Steven K. Hoffman, E. R. Hagemann, Robert W. Lewis, Wayne Kvam, George Monteiro, Scott Donaldson, Bernard Oldsey, Warren Bennett, Kenneth G. Johnston, Richard McCann, Robert P. Weeks, Amberys R. Whittle, Pamela Smiley, Jeffrey Meyers, Robert E. Fleming, David R. Johnson, Howard L. Hannum, Larry Edgerton, William Adair, Alice Hall Petry, Lawrence H. Martin Jr., Paul Smith

Author: Wirt Williams
Publisher:
ISBN: 9780807108840
Category : Fiction
Languages : en
Pages : 240

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 240

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Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1604131470
Category : Authors, American
Languages : en
Pages : 255

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Hemingway's last work published during his lifetime remains one of his most popular and best known. A man's symbolic quest to land the catch of a lifetime engages classic themes of the human struggle against nature as well as explores the intersection of expectation and desire. Features a bibliography and notes on the essay contributors.

Author: Silvio Calabi
Publisher: Rowman & Littlefield
ISBN: 158667160X
Category : Biography & Autobiography
Languages : en
Pages : 285

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Ernest Hemingway is a mythic writer and alpha male. As a hunter and conservationist, he drew greatly from the strong example of Theodore Roosevelt, and he much enjoyed teaching newcomers to shoot and hunt. Including short excerpts from Hemingway's works, these stories of his guns and rifles tell us as much about him as a lifelong, expert hunter and shooter and as a man.

Author: Scott Donaldson
Publisher: Viking
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 392

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An often illuminating and constantly fascinating mosaic of Ernest Hemingways mind and personality. The New York Times Book Review

Author: Carlos Baker
Publisher: Princeton University Press
ISBN: 0691234574
Category : Literary Criticism
Languages : en
Pages : 458

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In this fourth edition of the best-known critical study of Hemingway's work Carlos Baker has completely revised the two opening chapters, which deal with the young Hemingway's career in Paris, and has incorporated material uncovered after the publication of his book Ernest Hemingway: A Life Story. Professor Baker has also written two new chapters in which he discusses Hemingway's two posthumously published books, A Movable Feast and Islands in the Stream. CONTENTS: Introduction. I. The Slopes of Montparnasse. II. The Making of Americans. III. The Way It Was. IV. The Wastelanders. V. The Mountain and the Plain. VI. The First Forty-Five Stories. VII. The Spanish Earth. VIII. The Green Hills of Africa. IX. Depression at Key West. X. The Spanish Tragedy. XI. The River and the Trees. XII. The Ancient Mariner. XIII. The Death of the Lion. XIV. Looking Backward. XV. Islands in the Stream.

Author: David Wyatt
Publisher: Cambridge University Press
ISBN: 1316453723
Category : Literary Criticism
Languages : en
Pages : 281

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In Hemingway, Style, and the Art of Emotion, David Wyatt shows that the work of Ernest Hemingway is marked more by vulnerability and deep feeling than by the stoic composure and ironic remove for which it is widely known. This major reassessment of the shape of Hemingway's career recovers the soul of the author's work, revealing him as a multifaceted writer rather than a cold, static icon. Wyatt claims that Hemingway's famous early style does not embrace emotional reticence but works instead to measure the cost of keeping thoughts and feelings under the surface. By the early 1930s Hemingway also turned away from the art of 'the omitted' and began to develop a vision and style more accommodating of the awkwardness and embarrassments of everyday life. Relying on a thorough knowledge of the vast archive Hemingway left behind at his death, this book shows Hemingway as a thoroughly complex and transmutable figure.

Author: John Beall
Publisher: LSU Press
ISBN: 0807182249
Category : Literary Criticism
Languages : en
Pages : 310

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"In Hemingway's Art of Revision: The Making of the Short Fiction, John Beall examines in close detail two of the author's vignettes from the first version of In Our Time and ten of his short stories, with an extensive focus on manuscripts and typescripts, as part of a broader examination of how Ernest Hemingway crafted his distinctive prose through a rigorous process of revision. The first three chapters discuss the influence of Hemingway's three most important modernist mentors: Ezra Pound, James Joyce, and Gertrude Stein. The first chapter focuses on Pound's influence as the editor of the Inquest Series, of which Hemingway's in our time was the final publication. The second chapter examines the affinities between Joyce's "The Sisters" and Hemingway's "Indian Camp." In particular, Beall develops the case for Joyce's influence on Hemingway's decision to revise the story to maintain the reader's focus on young Nick Adams's point of view in his first encounter with death. Chapter three explores Hemingway's revisions of "Cat in the Rain" as reflecting the influence of Stein's novellas and sketches, as well as that of Joyce's stories and novels. The remaining chapters delve into the artistry of Hemingway's extensive revisions in later masterpieces from "Big Two-Hearted River" to "Fathers and Sons." Beall's discussion of "Big Two-Hearted River" shows that Hemingway's revisions were not simply cuts and omissions, but included several paragraphs that he added to slow down the narrative and represent Nick Adams's careful observations of a kingfisher and trout as he watched their shadows on the river. The chapter on "The Battler" and "The Killers" explores the extent to which Hemingway's revisions brought racial conflicts to the forefront of each story and portrayed Bugs and Sam as guides for Nick Adams. A subsequent reading of the story "Now I Lay Me" shows that, in rewriting the story, Hemingway developed his portrait of Nick Adams as a writer making up imaginary rivers to cope with the traumas of childhood and war. A chapter on "A Way You'll Never Be" focuses on how Hemingway's revisions developed crucial story elements-including Nick's interior monologues, manic lecture about grasshoppers, and wacky sense of humor-that showed the character restoring a sense of emotional balance despite his memories of being wounded in World War I. Subsequent chapters on "Fathers and Sons," "Indian Camp," "Hills Like White Elephants," "The Gambler, the Nun, and the Radio," and the concluding chapter, in part focused on drafts of "The Snows of Kilimanjaro," offer new discussions of the author's process of revision based on his manuscripts and typescripts published in the Hemingway Library Edition. In the end, by drawing attention to the meticulous edits, additions, and deletions that helped shape these texts, Beall reveals how extensively and richly Hemingway revised his drafts while composing some of his most powerful short fiction. Hemingway's Art of Revision gives a detailed view of a great prose stylist at work"--