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Author: Ian Garden Publisher: The History Press ISBN: 0752477870 Category : History Languages : en Pages : 516
Book Description
This book exposes the myths surrounding the propaganda films produced during the Third Reich. One, that the Nazis were infallible masters in the use of film propaganda. Two, that everything the Nazis said was a lie. Three, that only the Riefenstahl documentaries are significant to the modern viewer. It reveals the truth, lies, successes and failures of key films designed to arouse hostility against the Nazis’ enemies, including Ohm Krüger - the most anti-British film ever produced; their 1943 anti-capitalist version of Titanic; anti-English films about Ireland and Scotland; and anti-American films like The Emperor of California and The Prodigal Son. Including an objective analysis of all the key films produced by the Nazi regime and a wealth of film stills, Ian C. Garden takes the reader on a journey through the Nazi propaganda machine. In today’s turbulent world the book serves as a poignant reminder of the levels to which powerful regimes will stoop to achieve power and control.
Author: Ian Garden Publisher: The History Press ISBN: 0752477870 Category : History Languages : en Pages : 516
Book Description
This book exposes the myths surrounding the propaganda films produced during the Third Reich. One, that the Nazis were infallible masters in the use of film propaganda. Two, that everything the Nazis said was a lie. Three, that only the Riefenstahl documentaries are significant to the modern viewer. It reveals the truth, lies, successes and failures of key films designed to arouse hostility against the Nazis’ enemies, including Ohm Krüger - the most anti-British film ever produced; their 1943 anti-capitalist version of Titanic; anti-English films about Ireland and Scotland; and anti-American films like The Emperor of California and The Prodigal Son. Including an objective analysis of all the key films produced by the Nazi regime and a wealth of film stills, Ian C. Garden takes the reader on a journey through the Nazi propaganda machine. In today’s turbulent world the book serves as a poignant reminder of the levels to which powerful regimes will stoop to achieve power and control.
Author: Ian Garden Publisher: The History Press ISBN: 0752477870 Category : History Languages : en Pages : 515
Book Description
This book exposes the myths surrounding the propaganda films produced during the Third Reich. One, that the Nazis were infallible masters in the use of film propaganda. Two, that everything the Nazis said was a lie. Three, that only the Riefenstahl documentaries are significant to the modern viewer. It reveals the truth, lies, successes and failures of key films designed to arouse hostility against the Nazis’ enemies, including Ohm Krüger - the most anti-British film ever produced; their 1943 anti-capitalist version of Titanic; anti-English films about Ireland and Scotland; and anti-American films like The Emperor of California and The Prodigal Son. Including an objective analysis of all the key films produced by the Nazi regime and a wealth of film stills, Ian C. Garden takes the reader on a journey through the Nazi propaganda machine. In today’s turbulent world the book serves as a poignant reminder of the levels to which powerful regimes will stoop to achieve power and control.
Author: Richard A. Etlin Publisher: University of Chicago Press ISBN: 0226220877 Category : Art Languages : en Pages : 406
Book Description
Art, Culture, and Media Under the Third Reich explores the ways in which the Nazis used art and media to portray their country as the champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda, this volume contributes to Holocaust studies by revealing how multiple domains of cultural activity served to conceptually dehumanize Jews and other groups. Contributors address nearly every facet of the arts and mass media under the Third Reich—efforts to define degenerate music and art; the promotion of race hatred through film and public assemblies; views of the racially ideal garden and landscape; race as portrayed in popular literature; the reception of art and culture abroad; the treatment of exiled artists; and issues of territory, conquest, and appeasement. Familiar subjects such as the Munich Accord, Nuremberg Party Rally Grounds, and Lebensraum (Living Space) are considered from a new perspective. Anyone studying the history of Nazi Germany or the role of the arts in nationalist projects will benefit from this book. Contributors: Ruth Ben-Ghiat David Culbert Albrecht Dümling Richard A. Etlin Karen A. Fiss Keith Holz Kathleen James-Chakraborty Paul B. Jaskot Karen Koehler Mary-Elizabeth O'Brien Jonathan Petropoulos Robert Jan van Pelt Joachim Wolschke-Bulmahn and Gert Gröning
Author: Leslie Epstein Publisher: University of New Mexico Press ISBN: 0826362605 Category : Fiction Languages : en Pages : 442
Book Description
The film Casablanca opens with the words, “With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas.” Leslie Epstein’s Hill of Beans is the story of how one nation, one industry, and in particular one man responded to that desperate hope. That man is Jack Warner. His impossible goal is to make world events—most importantly, the invasion of North Africa by British and American forces in 1942—coincide with the release of his new film about a group of refugees marooned in Morocco. Arrayed against him are Stalin and Hitler, as well as Josef Goebbels, Franklin Roosevelt, a powerful gossip columnist, and above all a beautiful young woman with a terrible secret. His only weapons are his hutzpah and his heroism as he struggles to bring cinema and city, conflict and conference together in an epic command performance. Hill of Beans is the novel that Leslie Epstein—the son and nephew of Philip and Julius Epstein, the screenwriters of Casablanca—was born to write.
Author: Richard J. Evans Publisher: Penguin ISBN: 1101022302 Category : History Languages : en Pages : 964
Book Description
An absorbing, revelatory, and definitive account of one of the greatest tragedies in human history, by the author of The Coming of the Third Reich, The Third Reich in Power, and Hitler's People “This is history in the grand style, the kind of large-scale narrative that few historians dare to write these days. It is difficult to imagine how it could be improved upon, let alone surpassed." —The Washington Post "This superb book is not simply a military history; it is a comprehensive portrait of a society at war...A masterpiece of historical research and analysis...Likely to remain the best study of the Third Reich at war for many years to come." —The Christian Science Monitor Adroitly blending narrative, description, and analysis, Richard J. Evans portrays a society rushing headlong to self-destruction and taking much of Europe with it. Interweaving a broad narrative of the war's progress from a wide range of people, Evans reveals the dynamics of a society plunged into war at every level. The great battles and events of the conflict are here, but just as telling is Evans's re- creation of the daily experience of ordinary Germans in wartime. At the center of the book is the Nazi extermination of the Jews. The Third Reich at War lays bare the most momentous and tragic years of the Nazi regime.
Author: George A. Gonzalez Publisher: Rowman & Littlefield ISBN: 1498589782 Category : Social Science Languages : en Pages : 131
Book Description
This volume settles the debate between analytic and continental philosophy. It turns to art, more specifically popular culture, to demonstrate the validity of continental philosophy. Drawing on the philosophy of Georg Hegel (perhaps the most important of continental philosophers), James Kreines holds that reason in the world metaphysically exists. Reasons of the world are reasons of the Hegelian Absolute. Thus, similar to the fact that gravity is curves in the space-time continuum along which matter moves – reasons are the grooves in the Absolute along which human decision-making occurs. Art allows us to conceptualize, understand, speculate about the grooves (reasons) of the Absolute. Two key points can be drawn from Kreines’s position: first, normative values are embedded in reality. Thus, in complete contradistinction to analytic philosophy, there is no bifurcation between the empirical and the normative – to exist is to have normative value. Secondly, the role of social science is to cogitate, explore, identify the reasons of the world that shape social, political norms. Such an approach would decisively move the social sciences away from an emphasis on statistically significant patterns of human behavior (e.g., voting studies) and toward an approach that seeks to analyze the reasons of the world that motivate/shape social and political decisions. Art (particularly popular culture) becomes an important source in identifying the way that people reason about the world and how they perceive political elites reasoning in the world. To adjudicate between continental and analytic philosophy this book on relies on the broadcast iterations of Star Trek, as well as Nazi cinema. With regard to contemporary American politics, in addition to Star Trek, it draws on the television series Game of Thrones, Veep, House of Cards, and The Man in the High Castle. Popular culture is germane to philosophy and contemporary politics because television/movie creators frequently try to attract viewers by conveying authentic philosophical and political motifs. Conversely, viewers seek out authentic movies and television shows. This is in contrast to opinion surveys (for instance), as the formation of the data begins with the surveyor seeking to directly solicit an opinion – however impromptu or shallow.
Author: Frank McDonough Publisher: St. Martin's Press ISBN: 125027513X Category : History Languages : en Pages : 496
Book Description
The Second Volume of a new chronicle of the Third Reich under Hitler's hand, ending with his death and Germany's disastrous defeat. In The Hitler Years: Disaster 1940-1945, Frank McDonough completes his brilliant two-volume history of Germany under Hitler’s Third Reich. At the beginning of 1940, Germany was at the pinnacle of its power. By May 1945, Hitler was dead and Germany had suffered a disastrous defeat. Hitler had failed to achieve his aim of making Germany a super power and had left her people to cope with the endless shame of the Holocaust. Despite Hitler's grand ambitions and the successful early stages of the Third Reich's advances into Europe, Frank McDonough convincingly argues that Germany was only ever a middle-ranking power and never truly stood a chance against the combined forces of the Allies. In this second volume of The Hitler Years, Professor Frank McDonough charts the dramatic change of fortune for the Third Reich and Germany's ultimate defeat.
Author: Ornella Rovetta Publisher: Berghahn Books ISBN: 1800732627 Category : History Languages : en Pages : 264
Book Description
Over the course of the long and violent twentieth century, only a minority of international crime perpetrators ever stood trial, and a central challenge of this era was the effort to ensure that not all these crimes remained unpunished. This required not only establishing a legal record but also courage, determination, and inventiveness in realizing justice. Defeating Impunity moves from the little-known trials of the 1920s to the Yugoslavia tribunal in the 2000s, from Belgium in 1914 to Ukraine in 1943, and to Stuttgart and Düsseldorf in 1975. It illustrates the extent to which the language of law drew an international horizon of justice.
Author: Roel Vande Winkel Publisher: Springer ISBN: 0230289320 Category : History Languages : en Pages : 385
Book Description
This is the first publication to bring together comparative research on the international expansion of Third Reich cinema. This volume investigates various attempts to infiltrate - economically, politically and culturally - the film industries of 20 countries and regions either occupied by, friendly with or neutral towards Nazi Germany.
Author: Nicholas J. O'Shaughnessy Publisher: Hurst & Company ISBN: 1849043523 Category : History Languages : en Pages : 360
Book Description
Hitler was one of the few politicians who understood that persuasion was everything, deployed to anchor an entire regime in the confections of imagery, rhetoric and dramaturgy. The Nazis pursued propaganda not just as a tool, an instrument of government, but also as the totality, the raison d'être, the medium through which power itself was exercised. Moreover, Nicholas O'Shaughnessy argues, Hitler, not Goebbels, was the prime mover in the propaganda regime of the Third Reich - its editor and first author. Under the Reich everything was a propaganda medium, a building-block of public consciousness, from typography to communiqués, to architecture, to weapons design. There were groups to initiate rumours and groups to spread graffiti. Everything could be interrogated for its propaganda potential, every surface inscribed with polemical meaning, whether an enemy city's name, an historical epic or the poster on a neighbourhood wall. But Hitler was in no sense an innovator - his ideas were always second-hand. Rather his expertise was as a packager, fashioning from the accumulated mass of icons and ideas, the historic debris, the labyrinths and byways of the German mind, a modern and brilliant political show articulated through deftly managed symbols and rituals. The Reich would have been unthinkable without propaganda - it would not have been the Reich.
Author: Ian Garden
Author: Ian Garden
Author: Ian Garden
Author: Richard A. Etlin
Author: Leslie Epstein
Author: Richard J. Evans
Author: George A. Gonzalez
Author: Frank McDonough
Author: Ornella Rovetta
Author: Roel Vande Winkel
Author: Nicholas J. O'Shaughnessy