Author: Geneviève Souchal
Publisher: Metropolitan Museum of Art
ISBN: 0870990861
Category : Gobelin tapestry
Languages : en
Pages : 224
Book Description
The present exhibition is one of a series of five worked out in the partnership [between the Metropolitan Museum and the Réunion des Musées Nationaux of France]. The others are: Nineteenth-Century French Drawings from The Metropolitan Museum of Art, which closed at the Louvre last month and is now on view here; Italian Renaissance Drawings from the Louvre, to be shown at the Metropolitan in October; Impressionism, which will include some forty-five of the greatest paintings in the style and will be seen at the Louvre in September and here in December; and finally, French Painting from David to Delacroix, which is planned to open in Paris in the winter of 1974, followed by showings at the Detroit Institute of Art in the spring of 1975 and the Metropolitan in the summer.Following its appearance at the Grand Palais in Paris, Masterpieces of Tapestry is presented in New York in association with and under the patronage of the National Endowment for the Humanities, and the National Endowment for the Arts, and under the sponsorship of Mr. and Mrs. Ben Heller of New York City. Without the extraordinary aid of the two Endowments and the enlightened generosity of these two art-loving private patrons the exhibition simply would not have been possible here.
Masterpieces of Tapestry from the Fourteenth to the Sixteenth Century
Author: Geneviève Souchal
Publisher: Metropolitan Museum of Art
ISBN: 0870990861
Category : Gobelin tapestry
Languages : en
Pages : 224
Book Description
The present exhibition is one of a series of five worked out in the partnership [between the Metropolitan Museum and the Réunion des Musées Nationaux of France]. The others are: Nineteenth-Century French Drawings from The Metropolitan Museum of Art, which closed at the Louvre last month and is now on view here; Italian Renaissance Drawings from the Louvre, to be shown at the Metropolitan in October; Impressionism, which will include some forty-five of the greatest paintings in the style and will be seen at the Louvre in September and here in December; and finally, French Painting from David to Delacroix, which is planned to open in Paris in the winter of 1974, followed by showings at the Detroit Institute of Art in the spring of 1975 and the Metropolitan in the summer.Following its appearance at the Grand Palais in Paris, Masterpieces of Tapestry is presented in New York in association with and under the patronage of the National Endowment for the Humanities, and the National Endowment for the Arts, and under the sponsorship of Mr. and Mrs. Ben Heller of New York City. Without the extraordinary aid of the two Endowments and the enlightened generosity of these two art-loving private patrons the exhibition simply would not have been possible here.
Publisher: Metropolitan Museum of Art
ISBN: 0870990861
Category : Gobelin tapestry
Languages : en
Pages : 224
Book Description
The present exhibition is one of a series of five worked out in the partnership [between the Metropolitan Museum and the Réunion des Musées Nationaux of France]. The others are: Nineteenth-Century French Drawings from The Metropolitan Museum of Art, which closed at the Louvre last month and is now on view here; Italian Renaissance Drawings from the Louvre, to be shown at the Metropolitan in October; Impressionism, which will include some forty-five of the greatest paintings in the style and will be seen at the Louvre in September and here in December; and finally, French Painting from David to Delacroix, which is planned to open in Paris in the winter of 1974, followed by showings at the Detroit Institute of Art in the spring of 1975 and the Metropolitan in the summer.Following its appearance at the Grand Palais in Paris, Masterpieces of Tapestry is presented in New York in association with and under the patronage of the National Endowment for the Humanities, and the National Endowment for the Arts, and under the sponsorship of Mr. and Mrs. Ben Heller of New York City. Without the extraordinary aid of the two Endowments and the enlightened generosity of these two art-loving private patrons the exhibition simply would not have been possible here.
Tapestry in the Renaissance
Author: Thomas P. Campbell
Publisher: Metropolitan Museum of Art
ISBN: 1588390225
Category : Tapestry, Renaissance
Languages : en
Pages : 606
Book Description
Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
Publisher: Metropolitan Museum of Art
ISBN: 1588390225
Category : Tapestry, Renaissance
Languages : en
Pages : 606
Book Description
Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
Medieval Tapestries in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870996444
Category : Tapestry
Languages : en
Pages : 689
Book Description
A study of the condition, subject, design, manufacture, ownership, and exhibitions for each tapestry or set of tapestries in the Museum's medieval tapestry collection. -- Metropolitan Museum of Art.
Publisher: Metropolitan Museum of Art
ISBN: 0870996444
Category : Tapestry
Languages : en
Pages : 689
Book Description
A study of the condition, subject, design, manufacture, ownership, and exhibitions for each tapestry or set of tapestries in the Museum's medieval tapestry collection. -- Metropolitan Museum of Art.
Tapestries, Their Origin, History and Renaissance
Author: George Leland Hunter
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 458
Book Description
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 458
Book Description
Tapestries
Author: George Leland Hunter
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
Book Description
Flemish Tapestry from the 15th to the 18th Century
Author: Guy Delmarcel
Publisher: Lannoo Uitgeverij
ISBN: 9789020938869
Category : Crafts & Hobbies
Languages : en
Pages : 392
Book Description
Publisher: Lannoo Uitgeverij
ISBN: 9789020938869
Category : Crafts & Hobbies
Languages : en
Pages : 392
Book Description
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
The Lost Tapestries of the City of Ladies
Author: Susan G. Bell
Publisher: Univ of California Press
ISBN: 0520234103
Category : Art
Languages : en
Pages : 286
Book Description
Susan Bell recounts her thirty-year search for tapestries based on Christine de Pizan's City of Ladies (1405) that were listed as possessions of 16th C. European rulers, mostly women.
Publisher: Univ of California Press
ISBN: 0520234103
Category : Art
Languages : en
Pages : 286
Book Description
Susan Bell recounts her thirty-year search for tapestries based on Christine de Pizan's City of Ladies (1405) that were listed as possessions of 16th C. European rulers, mostly women.
Valois Tapestries
Author: F A Yates
Publisher: Routledge
ISBN: 1136353402
Category : History
Languages : en
Pages : 246
Book Description
This is Volume I of ten of the selected works of Frances A. Yates, it looks at eight famous Valois Tapestries with new photographs and those from the Florentine Galleries Uffizi.
Publisher: Routledge
ISBN: 1136353402
Category : History
Languages : en
Pages : 246
Book Description
This is Volume I of ten of the selected works of Frances A. Yates, it looks at eight famous Valois Tapestries with new photographs and those from the Florentine Galleries Uffizi.
Henry VIII and the Art of Majesty
Author: Thomas P. Campbell
Publisher: Paul Mellon Centre
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 448
Book Description
"Campbell sheds light on Tudor political and artistic culture and the court's response to Renaissance aesthetic ideals. He challenges the predominantly text-driven histories of the period and offers a fresh perspective on the life of Henry VIII"--OCLC
Publisher: Paul Mellon Centre
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 448
Book Description
"Campbell sheds light on Tudor political and artistic culture and the court's response to Renaissance aesthetic ideals. He challenges the predominantly text-driven histories of the period and offers a fresh perspective on the life of Henry VIII"--OCLC