Author: Robert Rankin White
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
This definitive documentary history of the Society that made the northern New Mexico town famous as an art colony.
The Taos Society of Artists
Author: Robert Rankin White
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
This definitive documentary history of the Society that made the northern New Mexico town famous as an art colony.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
This definitive documentary history of the Society that made the northern New Mexico town famous as an art colony.
The Taos Society of Artists
Author:
Publisher:
ISBN: 9780935037784
Category : Painters
Languages : en
Pages : 125
Book Description
Publisher:
ISBN: 9780935037784
Category : Painters
Languages : en
Pages : 125
Book Description
Taos Artists and Their Patrons, 1898-1950
Author: Dean A. Porter
Publisher:
ISBN: 9780826321091
Category : Art patronage
Languages : en
Pages : 0
Book Description
A well-illustrated study of the patronage that allowed the fledging art colony in northern New Mexico to flourish.
Publisher:
ISBN: 9780826321091
Category : Art patronage
Languages : en
Pages : 0
Book Description
A well-illustrated study of the patronage that allowed the fledging art colony in northern New Mexico to flourish.
Ernest L. Blumenschein
Author: Robert W. Larson
Publisher: University of Oklahoma Press
ISBN: 0806189010
Category : Biography & Autobiography
Languages : en
Pages : 383
Book Description
Few who appreciate the visual arts or the American Southwest can behold the masterpieces Sangre de Cristo Mountains or Haystack, Taos Valley, 1927 or Bend in the River, 1941 and come away without a vivid image burned into memory. The creator of these and many other depictions of the Southwest and its people was Ernest L. Blumenschein, cofounder of the famous Taos art colony. This insightful, comprehensive biography examines the character and life experiences that made Blumenschein one of the foremost artists of the twentieth century. Robert W. Larson and Carole B. Larson begin their life of “Blumy” with his Ohio childhood and trace his development as an artist from early study in Cincinnati, New York City, and Paris through his first career as a book and magazine illustrator. Blumenschein and artist Bert G. Phillips discovered the budding art community of Taos, New Mexico, in 1898. In 1915 the two along with Joseph Henry Sharp, E. Irving Couse, and other like-minded artists organized the Taos Society of Artists, famous for preferring American subjects over European themes popular at the time. Leaving illustration work behind, Blumenschein sought a distinctive place in his American homeland and in fine-art painting. He moved with his family to Taos in 1919 and began his long career as a figurative and landscape painter, becoming prominent among American artists for his Pueblo Indian figures and stunning southwestern landscapes. Robert Larson calls Blumenschein a “transformational artist,” trained classically but drawing to a limited degree on abstract representation. Placing Blumy’s life in the context of World War I, the Great Depression, and other national and world events, the authors show how an artistic genius turned a fascination with the people, light, and color of New Mexico into a body of work of lasting significance to the international art world.
Publisher: University of Oklahoma Press
ISBN: 0806189010
Category : Biography & Autobiography
Languages : en
Pages : 383
Book Description
Few who appreciate the visual arts or the American Southwest can behold the masterpieces Sangre de Cristo Mountains or Haystack, Taos Valley, 1927 or Bend in the River, 1941 and come away without a vivid image burned into memory. The creator of these and many other depictions of the Southwest and its people was Ernest L. Blumenschein, cofounder of the famous Taos art colony. This insightful, comprehensive biography examines the character and life experiences that made Blumenschein one of the foremost artists of the twentieth century. Robert W. Larson and Carole B. Larson begin their life of “Blumy” with his Ohio childhood and trace his development as an artist from early study in Cincinnati, New York City, and Paris through his first career as a book and magazine illustrator. Blumenschein and artist Bert G. Phillips discovered the budding art community of Taos, New Mexico, in 1898. In 1915 the two along with Joseph Henry Sharp, E. Irving Couse, and other like-minded artists organized the Taos Society of Artists, famous for preferring American subjects over European themes popular at the time. Leaving illustration work behind, Blumenschein sought a distinctive place in his American homeland and in fine-art painting. He moved with his family to Taos in 1919 and began his long career as a figurative and landscape painter, becoming prominent among American artists for his Pueblo Indian figures and stunning southwestern landscapes. Robert Larson calls Blumenschein a “transformational artist,” trained classically but drawing to a limited degree on abstract representation. Placing Blumy’s life in the context of World War I, the Great Depression, and other national and world events, the authors show how an artistic genius turned a fascination with the people, light, and color of New Mexico into a body of work of lasting significance to the international art world.
Taos Moderns
Author: David L. Witt
Publisher: Museum of NM Press/Red Crane Books
ISBN: 9781878610164
Category : Art
Languages : en
Pages : 0
Book Description
Stories of the foreboding beings and presences that exist just outside our consciousness.
Publisher: Museum of NM Press/Red Crane Books
ISBN: 9781878610164
Category : Art
Languages : en
Pages : 0
Book Description
Stories of the foreboding beings and presences that exist just outside our consciousness.
The Couse Collection of Native Beadwork
Author: E. Jane Burns
Publisher:
ISBN: 9780578511658
Category :
Languages : en
Pages :
Book Description
Study of the Native American beadwork collection owned by the painter E.I. Couse
Publisher:
ISBN: 9780578511658
Category :
Languages : en
Pages :
Book Description
Study of the Native American beadwork collection owned by the painter E.I. Couse
In Contemporary Rhythm
Author: Peter H. Hassrick
Publisher: University of Oklahoma Press
ISBN: 9780806139487
Category : Art
Languages : en
Pages : 434
Book Description
The definitive retrospective on Ernest L. Blumenschein (1874-1960), one of the founders of the Taos Society of Artists and perhaps the most accomplished of all the painters associated with that organization. Reproducing masterworks from a new exhibit along with additional works and historical photographs, this volume forms the most comprehensive assemblage of his paintings ever published.
Publisher: University of Oklahoma Press
ISBN: 9780806139487
Category : Art
Languages : en
Pages : 434
Book Description
The definitive retrospective on Ernest L. Blumenschein (1874-1960), one of the founders of the Taos Society of Artists and perhaps the most accomplished of all the painters associated with that organization. Reproducing masterworks from a new exhibit along with additional works and historical photographs, this volume forms the most comprehensive assemblage of his paintings ever published.
Bert Geer Phillips and the Taos Art Colony
Author: Julie Schimmel
Publisher: University of New Mexico Press
ISBN:
Category : Art
Languages : en
Pages : 388
Book Description
The only book-length study of the initiator of the Taos art colony.
Publisher: University of New Mexico Press
ISBN:
Category : Art
Languages : en
Pages : 388
Book Description
The only book-length study of the initiator of the Taos art colony.
Eanger Irving Couse
Author: Virginia Couse Leavitt
Publisher: University of Oklahoma Press
ISBN: 0806164433
Category : Art
Languages : en
Pages : 401
Book Description
Eanger Irving Couse (1866–1936) showed remarkable promise as a young art student. His lifelong interest in Native American cultures also started at an early age, inspired by encounters with Chippewa Indians living near his hometown, Saginaw, Michigan. After studying in Europe, Couse began spending summers in New Mexico, where in 1915 he helped found the famous Taos Society of Artists, serving as its first president and playing a major role in its success. This richly illustrated volume, featuring full-color reproductions of his artwork, is the first scholarly exploration of Couse’s noteworthy life and artistic achievements. Drawing on extensive research, Virginia Couse Leavitt gives an intimate account of Couse’s experiences, including his early struggles as an art student in the United States and abroad, his study of Native Americans, his winter home and studio in New York City, and his life in New Mexico after he relocated to Taos. In examining Couse’s role as one of the original six founders of the Taos Society of Artists, the author provides new information about the art colony’s early meetings, original members, and first exhibitions. As a scholar of art history, Leavitt has spent decades researching her subject, who also happens to be her grandfather. Her unique access to the Couse family archives has allowed her to mine correspondence, photographs, sketchbooks, and memorabilia, all of which add fresh insight into the American art scene in the early 1900s. Of particular interest is the correspondence of Couse’s wife, Virginia Walker, an art student in Paris when the couple first met. Her letters home to her family in Washington State offer a vivid picture of her husband’s student life in Paris, where Couse studied under the famous painter William Bouguereau at the Académie Julian. Whereas many artists of the early twentieth century pursued a radically modern style, Couse held true to his formal academic training throughout his career. He gained renown for his paintings of southwestern landscapes and his respectful portraits of Native peoples. Through his depictions of the domestic and spiritual lives of Pueblo Indians, Couse helped mitigate the prejudices toward Native Americans that persisted during this era.
Publisher: University of Oklahoma Press
ISBN: 0806164433
Category : Art
Languages : en
Pages : 401
Book Description
Eanger Irving Couse (1866–1936) showed remarkable promise as a young art student. His lifelong interest in Native American cultures also started at an early age, inspired by encounters with Chippewa Indians living near his hometown, Saginaw, Michigan. After studying in Europe, Couse began spending summers in New Mexico, where in 1915 he helped found the famous Taos Society of Artists, serving as its first president and playing a major role in its success. This richly illustrated volume, featuring full-color reproductions of his artwork, is the first scholarly exploration of Couse’s noteworthy life and artistic achievements. Drawing on extensive research, Virginia Couse Leavitt gives an intimate account of Couse’s experiences, including his early struggles as an art student in the United States and abroad, his study of Native Americans, his winter home and studio in New York City, and his life in New Mexico after he relocated to Taos. In examining Couse’s role as one of the original six founders of the Taos Society of Artists, the author provides new information about the art colony’s early meetings, original members, and first exhibitions. As a scholar of art history, Leavitt has spent decades researching her subject, who also happens to be her grandfather. Her unique access to the Couse family archives has allowed her to mine correspondence, photographs, sketchbooks, and memorabilia, all of which add fresh insight into the American art scene in the early 1900s. Of particular interest is the correspondence of Couse’s wife, Virginia Walker, an art student in Paris when the couple first met. Her letters home to her family in Washington State offer a vivid picture of her husband’s student life in Paris, where Couse studied under the famous painter William Bouguereau at the Académie Julian. Whereas many artists of the early twentieth century pursued a radically modern style, Couse held true to his formal academic training throughout his career. He gained renown for his paintings of southwestern landscapes and his respectful portraits of Native peoples. Through his depictions of the domestic and spiritual lives of Pueblo Indians, Couse helped mitigate the prejudices toward Native Americans that persisted during this era.
Modernists in Taos
Author: David L. Witt
Publisher: Museum of NM Press/Red Crane Books
ISBN:
Category : Art
Languages : en
Pages : 300
Book Description
They served the war effort in various capacities and many experienced combat."--Jacket.
Publisher: Museum of NM Press/Red Crane Books
ISBN:
Category : Art
Languages : en
Pages : 300
Book Description
They served the war effort in various capacities and many experienced combat."--Jacket.