The Diary of a Superfluous Man

The Diary of a Superfluous Man PDF Author: Ivan Sergeevich Turgenev
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544046211
Category :
Languages : en
Pages : 126

Book Description
Instead of memorizing vocabulary words, work your way through an actual well-written novel. Even novices can follow along as each individual English paragraph is paired with the corresponding Russian paragraph. It won't be an easy project, but you'll learn a lot

The Diary Of A Superfluous Man and Other Stories

The Diary Of A Superfluous Man and Other Stories PDF Author: Ivan Turgenev
Publisher: JA
ISBN: 2291017586
Category : Fiction
Languages : en
Pages : 207

Book Description
Includes: The Diary of a Superfluous Man, A Tour in the Forest, Yakov Pasinkov, Andrei Kolosov, and A Correspendence. The Diary of a Superfluous Man is an 1850 novella by Russian author Ivan Turgenev. It is written in the first person in the form of a diary by a man who has a few days left to live as he recounts incidents of his life. The story has become the archetype for the Russian literary concept of the superfluous man.

The Superfluous Man in Russian Letters

The Superfluous Man in Russian Letters PDF Author: Jesse V. Clardy
Publisher:
ISBN: 9780819110398
Category : Characters and characteristics in literature
Languages : en
Pages : 179

Book Description


A Hero of Our Time (Illustrated)

A Hero of Our Time (Illustrated) PDF Author: Mikhail I︠U︡rʹevich Lermontov
Publisher: The Planet
ISBN: 1908478527
Category : Fiction
Languages : en
Pages : 187

Book Description


The Superfluous Man in Russian Letters

The Superfluous Man in Russian Letters PDF Author: Jesse V. Clardy
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200

Book Description


Rudin

Rudin PDF Author: Ivan Sergeevich Turgenev
Publisher:
ISBN:
Category : Russia
Languages : en
Pages : 0

Book Description


Absurdistan

Absurdistan PDF Author: Gary Shteyngart
Publisher: Random House Trade Paperbacks
ISBN: 0812971671
Category : Fiction
Languages : en
Pages : 354

Book Description
“Absurdistan is not just a hilarious novel, but a record of a particular peak in the history of human folly. No one is more capable of dealing with the transition from the hell of socialism to the hell of capitalism in Eastern Europe than Shteyngart, the great-great grandson of one Nikolai Gogol and the funniest foreigner alive.” –Aleksandar Hemon From the critically acclaimed, bestselling author of The Russian Debutante’s Handbook comes the uproarious and poignant story of one very fat man and one very small country Meet Misha Vainberg, aka Snack Daddy, a 325-pound disaster of a human being, son of the 1,238th-richest man in Russia, proud holder of a degree in multicultural studies from Accidental College, USA (don’t even ask), and patriot of no country save the great City of New York. Poor Misha just wants to live in the South Bronx with his hot Latina girlfriend, but after his gangster father murders an Oklahoma businessman in Russia, all hopes of a U.S. visa are lost. Salvation lies in the tiny, oil-rich nation of Absurdistan, where a crooked consular officer will sell Misha a Belgian passport. But after a civil war breaks out between two competing ethnic groups and a local warlord installs hapless Misha as minister of multicultural affairs, our hero soon finds himself covered in oil, fighting for his life, falling in love, and trying to figure out if a normal life is still possible in the twenty-first century. With the enormous success of The Russian Debutante’s Handbook, Gary Shteyngart established himself as a central figure in today’s literary world—“one of the most talented and entertaining writers of his generation,” according to The New York Observer. In Absurdistan, he delivers an even funnier and wiser literary performance. Misha Vainberg is a hero for the new century, a glimmer of humanity in a world of dashed hopes.

The Positive Hero in Russian Literature

The Positive Hero in Russian Literature PDF Author: Rufus W. Mathewson
Publisher: Northwestern University Press
ISBN: 9780810117167
Category : Literary Criticism
Languages : en
Pages : 396

Book Description
"The positive hero was defined by the Soviets as one who set an example for the reader's behavior. As early as 1860, the merits of this ideal model were a central issue in the war between literary imagination and ideological criticism that raged in Russia for a hundred years." "In The Positive Hero in Russian Literature, Rufus W. Mathewson, Jr., brings a period of Russian literature to life and demonstrates how the battles over the positive hero reappeared with dramatic clarity in the dissident literary movement that developed after Stalin's death. Mathewson argues that the true continuity between nineteenth- and twentieth-century Russian prose was to be found in this persistent conflict between contrary views of the real nature and proper uses of literature. This new edition of a widely acclaimed work, first published in 1958 and covering literary developments through 1946, includes chapters on Belinsky, Pasternak, Solzhenitsyn, and Sinyavsky." --Book Jacket.

Exile

Exile PDF Author: David Patterson
Publisher: University Press of Kentucky
ISBN: 0813193699
Category : Literary Criticism
Languages : en
Pages : 278

Book Description
The life of a human community rests on common experience. Yet in modem life there is an experience common to all that threatens the very basis of community—the experience of exile. No one in the modem world has been spared the encounter with homelessness. Refugees and fugitives, the disillusioned and disenfranchised grow in number every day. Why does it happen? What does it mean? And how are we implicated? David Patterson responds to these and related questions by examining exile, a primary motif in Russian thought over the last century and a half. By "exile" he means not only a form of punishment but an existential condition. Drawing on texts by such familiar figures as Dostoevsky, Tolstoy, Solzhenitsyn, and Brodsky, as well as less thoroughly examined figures, including Florensky, Shestov, Tertz, and Gendelev, Patterson moves beyond the political and geographical fact of exile to explore its spiritual, metaphysical, and linguistic aspects. Thus he pursues the connections between exile and identity, identity and meaning, meaning and language. Patterson shows that the problem of meaning in human life is a problem of homelessness, that the effort to return from exile is an effort to return meaning to the word, and that the exile of the word is an exile of the human being. By making heard voices from the Russian wilderness, Patterson makes visible the wilderness of the world.

Picturing Russia’s Men

Picturing Russia’s Men PDF Author: Allison Leigh
Publisher: Bloomsbury Publishing USA
ISBN: 1501341804
Category : Art
Languages : en
Pages : 435

Book Description
Winner of the Heldt Prize for Best Book in Slavic, East European, and Eurasian Women's and Gender Studies 2021 There was a discontent among Russian men in the nineteenth century that sometimes did not stem from poverty, loss, or the threat of war, but instead arose from trying to negotiate the paradoxical prescriptions for masculinity which characterized the era. Picturing Russia's Men takes a vital new approach to this topic within masculinity and art historical studies by investigating the dissatisfaction that developed from the breakdown in prevailing conceptions of manhood outside of the usual Western European and American contexts. By exploring how Russian painters depicted gender norms as they were evolving over the course of the century, each chapter shows how artworks provide unique insight into not only those qualities that were supposed to predominate, but actually did in lived practice. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, the book explores the deep structures of masculinity to reveal the conflicting desires and aspirations of men in the period. In so doing, readers are introduced to Russian artists such as Karl Briullov, Pavel Fedotov, Alexander Ivanov, Ivan Kramskoi, and Ilia Repin, all of whom produced masterpieces of realist art in dialogue with paintings made in Western European artistic centers. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art.