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Author: Luke Mancuso Publisher: Camden House ISBN: 9781571131256 Category : History Languages : en Pages : 180
Book Description
Analysis of Whitman's reflection of civil rights legislation in his work, 1865-1876. Walt Whitman's prolific Reconstruction project has remained the most uncultivated decade in Whitman studies for over a century. This first book-length analysis seeks to point the way for a needed recovery of Whitman's 1865-1876 publications by embedding them in the legislative discourse of black emancipation and its stormy aftermath. The supposed absence of race relations in Whitman's post-war texts has recently become a source of curiosity and denunciation. However, from 1865 to 1876, the Congressional 'workshop' was seeking to forge interracial civil rights legislation through surveillance of the implementation of such egalitarianism, as manifested in the Civil War Amendments, the Enforcement Acts of 1870-71, and the Civil Rights Act of 1875. The analysis of the hegemonic shift in Whitman's implementation of his democratic poetics constitutes the innovative contribution in these pages. By welcoming ex-slaves into the Union, as well as ex-Rebel states, Whitman's Reconstruction texts enlisted his representations in the federalizing rhetoric of civil rights protection that would lapse for almost a century, before recovery in the Second Reconstruction of the 1950s and 1960s.
Author: Allen C. Guelzo Publisher: Oxford University Press ISBN: 0199939365 Category : History Languages : en Pages : 587
Book Description
The Civil War is the greatest trauma ever experienced by the American nation, a four-year paroxysm of violence that left in its wake more than 600,000 dead, more than 2 million refugees, and the destruction (in modern dollars) of more than $700 billion in property. The war also sparked some of the most heroic moments in American history and enshrined a galaxy of American heroes. Above all, it permanently ended the practice of slavery and proved, in an age of resurgent monarchies, that a liberal democracy could survive the most frightful of challenges. In Fateful Lightning, two-time Lincoln Prize-winning historian Allen C. Guelzo offers a marvelous portrait of the Civil War and its era, covering not only the major figures and epic battles, but also politics, religion, gender, race, diplomacy, and technology. And unlike other surveys of the Civil War era, it extends the reader's vista to include the postwar Reconstruction period and discusses the modern-day legacy of the Civil War in American literature and popular culture. Guelzo also puts the conflict in a global perspective, underscoring Americans' acute sense of the vulnerability of their republic in a world of monarchies. He examines the strategy, the tactics, and especially the logistics of the Civil War and brings the most recent historical thinking to bear on emancipation, the presidency and the war powers, the blockade and international law, and the role of intellectuals, North and South. Written by a leading authority on our nation's most searing crisis, Fateful Lightning offers a vivid and original account of an event whose echoes continue with Americans to this day.
Author: Linda Wagner-Martin Publisher: Springer Nature ISBN: 3030776654 Category : Literary Criticism Languages : en Pages : 219
Book Description
Walt Whitman: A Literary Life highlights two major influences on Whitman’s poetry and life: the American Civil War and his economic condition. Linda Wagner-Martin performs a close reading of many of Whitman’s poems, particularly his Civil War work (in Drum-Taps) and those poems written during the last twenty years of his life. Wagner-Martin’s study also emphasizes the near-poverty that Whitman experienced. Starting with his early career as a printer and journalist, the book moves to the publication of Leaves of Grass, and his cultivation of the persona of the “working-class” writer. In addition to establishing Whitman’s attention to the Civil War through journalism and memoirs, the book takes the approach of following Whitman’s life through his poems. Utilizing contemporary perspectives on class, Wagner-Martin provides a new reading of Whitman’s economic situation. This is an accessibly written synthesis of Whitman’s publication history bringing attention to under-studied aspects of his writing.
Author: David S. Reynolds Publisher: Oxford University Press ISBN: 019992399X Category : Biography & Autobiography Languages : en Pages : 172
Book Description
From the great events of the day to the patient workings of a spider, few poets responded to the life around them as powerfully as Walt Whitman. Now, in this brief but bountiful volume, David S. Reynolds offers a wealth of insight into the life and work of Whitman, examining the author through the lens of nineteenth-century America. Reynolds shows how Whitman responded to contemporary theater, music, painting, photography, science, religion, and sex. But perhaps nothing influenced Whitman more than the political events of his lifetime, as the struggle over slavery threatened to rip apart the national fabric. America, he believed, desperately needed a poet to hold together a society that was on the verge of unraveling. He created his powerful, all-absorbing poetic "I" to heal a fragmented nation that, he hoped, would find in his poetry new possibilities for inspiration and togetherness. Reynolds also examines the influence of theater, describing how Whitman's favorite actor, the tragedian Junius Brutus Booth--"one of the grandest revelations of my life"--developed a powerfully emotive stage style that influenced Leaves of Grass, which took passionate poetic expression to new heights. Readers will also discover how from the new medium of photography Whitman learned democratic realism and offered in his poetry "photographs" of common people engaged in everyday activities. Reynolds concludes with an appraisal of Whitman's impact on American letters, an influence that remains strong today. Solidly grounded in historical and biographical facts, and exceptionally wide-ranging in the themes it treats, Walt Whitman packs a dazzling amount of insight into a compact volume.
Author: Ivy Wilson Publisher: University of Iowa Press ISBN: 1609382366 Category : Literary Criticism Languages : en Pages : 233
Book Description
"Explores the meaning of blacks and blackness in Whitman's imagination and, equally significant, also illuminates the aura of Whitman in African American letters from Langston Hughes to June Jordan, Margaret Walker to Yusef Komunyakaa. The essay, which feature academic scholars and poets alike, address questions of literary history, the textual interplay between author and narrator, and race and poetic influence."--Page [4] of cover.
Author: Kirsten Harris Publisher: Routledge ISBN: 1317634810 Category : Literary Criticism Languages : en Pages : 230
Book Description
This is the first sustained examination of Walt Whitman’s influence on British socialism. Harris combines a contextual historical study of Whitman’s reception with focused close readings of a variety of poems, books, articles, letters and speeches. She calls attention to Whitman’s own demand for the reader to ‘himself or herself construct indeed the poem, argument, history, metaphysical essay’, linking Whitman’s general comments about active reading to specific cases of his fin de siècle British socialist readership. These include the editorial aims behind the Whitman selections published by William Michael Rossetti, Ernest Rhys, and W. T. Stead and the ways that Whitman was interpreted and appropriated in a wide range of grassroots texts produced by individuals or groups who responded to Whitman and his poetry publicly in socialist circles. Harris makes full use of material from the C. F. Sixsmith and J. W. Wallace and the Bolton Whitman Fellowship collections at John Rylands, the Edward Carpenter collection in the Sheffield Archives, and the Archives of Swan Sonnenschein & Co. at the University of Reading. Much of this archive material – little of which is currently available in digital form – is discussed here in full for the first time. Accordingly, this study will appeal to those with interest in the archival history of nineteenth-century literary culture, as well as the connections to be made between literary and political culture of this era more generally.
Author: John E. Seery Publisher: University Press of Kentucky ISBN: 081312655X Category : Political Science Languages : en Pages : 385
Book Description
The works of Walt Whitman have been described as masculine, feminine, postcolonial, homoerotic, urban, organic, unique, and democratic, yet arguments about the extent to which Whitman could or should be considered a political poet have yet to be fully confronted. Some scholars disregard Whitman's understanding of democracy, insisting on separating his personal works from his political works. A Political Companion to Walt Whitman is the first full-length exploration of Whitman's works through the lens of political theory. Editor John E. Seery and a collection of prominent theorists and philosophers uncover the political awareness of Whitman's poetry and prose, analyzing his faith in the potential of individuals, his call for a revolution in literature and political culture, and his belief in the possibility of combining heroic individualism with democratic justice. A Political Companion to Walt Whitman reaches beyond literature into political theory, revealing the ideology behind Whitman's call for the emergence of American poets of democracy.
Author: Christine Gerhardt Publisher: University of Iowa Press ISBN: 1609382714 Category : Literary Criticism Languages : en Pages : 286
Book Description
Emily Dickinson and Walt Whitman are widely acknowledged as two of America’s foremost nature poets, primarily due to their explorations of natural phenomena as evocative symbols for cultural developments, individual experiences, and poetry itself. Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation. A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.
Author: Ivy G. Wilson Publisher: Oxford University Press ISBN: 0195337379 Category : History Languages : en Pages : 251
Book Description
Specters of Democracy examines how figurations of blackness were used to illuminate the fraught relationship between citizenship, equality, and democracy in the antebellum U.S. Through close readings of Frederick Douglass, William Wells Brown, Frances Ellen Watkins Harper, and Walt Whitman (on aurality), and Herman Melville, William J. Wilson, and a host of genre painters (on visuality), the book reveals how the difficult tasks of representing African Americans-both enslaved and free-in imaginative expression was part of a larger dilemma concerning representative democracy itself.
Author: Nadia Nurhussein Publisher: Princeton University Press ISBN: 0691234620 Category : Social Science Languages : en Pages : 280
Book Description
The first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuries As the only African nation, with the exception of Liberia, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americans. In Black Land, Nadia Nurhussein delves into nineteenth- and twentieth-century African American artistic and journalistic depictions of Ethiopia, illuminating the increasing tensions and ironies behind cultural celebrations of an African country asserting itself as an imperial power. Nurhussein navigates texts by Walt Whitman, Paul Laurence Dunbar, Pauline Hopkins, Harry Dean, Langston Hughes, Claude McKay, George Schuyler, and others, alongside images and performances that show the intersection of African America with Ethiopia during historic political shifts. From a description of a notorious 1920 Star Order of Ethiopia flag-burning demonstration in Chicago to a discussion of the Ethiopian emperor Haile Selassie as Time magazine’s Man of the Year for 1935, Nurhussein illuminates the growing complications that modern Ethiopia posed for American writers and activists. American media coverage of the African nation exposed a clear contrast between the Pan-African ideal and the modern reality of Ethiopia as an antidemocratic imperialist state: Did Ethiopia represent the black nation of the future, or one of an inert and static past? Revising current understandings of black transnationalism, Black Land presents a well-rounded exploration of an era when Ethiopia’s presence in African American culture was at its height.
Author: Luke Mancuso
Author: Allen C. Guelzo
Author: Linda Wagner-Martin
Author: Walt Whitman
Author: David S. Reynolds
Author: Ivy Wilson
Author: Kirsten Harris
Author: John E. Seery
Author: Christine Gerhardt
Author: Ivy G. Wilson
Author: Nadia Nurhussein