Author: Michigan. Legislature. Joint Legislative Committee on the Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 236
Book Description
The Status of the Arts in Michigan
Author: Michigan. Legislature. Joint Legislative Committee on the Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 236
Book Description
The Status of Arts and Other Specialist Directed Programs in Michigan Public Elementary Schools, 1982-83
Author: Frank Stuart Philip
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 366
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 366
Book Description
The Arts in Michigan
Author: Michigan. Legislature. Joint Legislative Committee on the Arts
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 60
Book Description
Artists in Michigan
Author: Tina S. Beyer
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 52
Book Description
Beyond Text
Author: Jennifer Buckley
Publisher: University of Michigan Press
ISBN: 0472074253
Category : Performing Arts
Languages : en
Pages : 293
Book Description
Taking up the work of prominent theater and performance artists, Beyond Text reveals the audacity and beauty of avant-garde performance in print. With extended analyses of the works of Edward Gordon Craig, German expressionist Lothar Schreyer, the Living Theatre, Carolee Schneemann, and Guillermo Gómez-Peña, the book shows how live performance and print aesthetically revived one another during a period in which both were supposed to be in a state of terminal cultural decline. While the European and American avant-gardes did indeed dismiss the dramatic author, they also adopted print as a theatrical medium, altering the status, form, and function of text and image in ways that continue to impact both the performing arts and the book arts. Beyond Text participates in the ongoing critical effort to unsettle conventional historical and theoretical accounts of text-performance relations, which have too often been figured in binary, chronological (“from page to stage”), or hierarchical terms. Across five case studies spanning twelve decades, Beyond Text demonstrates that print—as noun and verb—has been integral to the practices of modern and contemporary theater and performance artists.
Publisher: University of Michigan Press
ISBN: 0472074253
Category : Performing Arts
Languages : en
Pages : 293
Book Description
Taking up the work of prominent theater and performance artists, Beyond Text reveals the audacity and beauty of avant-garde performance in print. With extended analyses of the works of Edward Gordon Craig, German expressionist Lothar Schreyer, the Living Theatre, Carolee Schneemann, and Guillermo Gómez-Peña, the book shows how live performance and print aesthetically revived one another during a period in which both were supposed to be in a state of terminal cultural decline. While the European and American avant-gardes did indeed dismiss the dramatic author, they also adopted print as a theatrical medium, altering the status, form, and function of text and image in ways that continue to impact both the performing arts and the book arts. Beyond Text participates in the ongoing critical effort to unsettle conventional historical and theoretical accounts of text-performance relations, which have too often been figured in binary, chronological (“from page to stage”), or hierarchical terms. Across five case studies spanning twelve decades, Beyond Text demonstrates that print—as noun and verb—has been integral to the practices of modern and contemporary theater and performance artists.
Vocational Education Bulletin
Author: United States. Division of Vocational Education
Publisher:
ISBN:
Category : Vocational education
Languages : en
Pages : 540
Book Description
Publisher:
ISBN:
Category : Vocational education
Languages : en
Pages : 540
Book Description
From Plantation to Paradise?
Author: David M. Powers
Publisher: Michigan State University Press
ISBN: 9781611861204
Category : History
Languages : en
Pages : 0
Book Description
In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre–French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, décor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of créole texts and white actors/singers à visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States.
Publisher: Michigan State University Press
ISBN: 9781611861204
Category : History
Languages : en
Pages : 0
Book Description
In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre–French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, décor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of créole texts and white actors/singers à visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States.
University of Michigan Official Publication
Author:
Publisher: UM Libraries
ISBN:
Category : Education, Higher
Languages : en
Pages : 430
Book Description
Publisher: UM Libraries
ISBN:
Category : Education, Higher
Languages : en
Pages : 430
Book Description
Field Hearings on the Reauthorization of the National Foundation for the Arts and the Humanities Act and the Museum Services Act
Author: United States. Congress. House. Committee on Education and Labor
Publisher:
ISBN:
Category : Federal aid to museums
Languages : en
Pages : 1166
Book Description
Publisher:
ISBN:
Category : Federal aid to museums
Languages : en
Pages : 1166
Book Description