Author: George P. Upton Publisher: Forgotten Books ISBN: 9781330592854 Category : Music Languages : en Pages : 635
Book Description
Excerpt from The Standard Concert Guide a Handbook of the Standard Symphonies, Oratorios, Cantatas, and Symphonic Poems for the Concert Goer It is not the purpose of the author of "The Standard Concert Guide" to substitute it for the "Standard Oratorios," "Standard Symphonies," and "Standard Cantatas" which have been so long at the service of musical students and music lovers, but rather to combine these works in a single volume for more convenient use and thus make it of value both for concert and library purposes. To this end the analytical text of the older works has been condensed sufficiently to admit of its presentation in one convenient volume, and some new matter has been added to bring it down to date, including notices of works by Bruckner, Cowen, Dvorak, Elgar, Franck, Mackenzie, Parker, Parry, Sinding, Richard Strauss, and Tchaikovsky. The new volume is also enriched with portraits of the composers whose works are described in it. In brief, the author has sought to present a compact and handy concert guide to the public through the realm of the symphony, symphonic poem, oratorio, and cantata. The text has been made as untechnical as possible, so as to be intelligible to those unacquainted with the science of music, and the work is offered to the public with the hope that it may prove useful for general reference and satisfactory as a "Standard Concert Guide." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.