Author: Kathleen M. (ed.) VernonPublisher:
ISBN:
Category :
Languages : en
Pages : 147
Book Description
The Spanish Civil War and the Visual Arts, Edited by Kathleen M. Vernon
Author: Kathleen M. (ed.) VernonPublisher:
ISBN:
Category :
Languages : en
Pages : 147
Book Description
The Spanish Civil War and the Visual Arts
Author: Kathleen VernonThe Spanish Civil War and the Visual Arts
Author: Kathleen (Ed) VernonThe Spanish Civil War and the Arts
Author: Kathleen M. VernonPublisher:
ISBN:
Category : Spain
Languages : en
Pages : 149
Book Description
The Spanish Civil War and the Visual Arts
Author: Kathleen M. VernonPublisher: Cornell University Press
ISBN:
Category : History
Languages : en
Pages : 162
Book Description
The Spanish Civil War in Literature, Film, and Art
Author: Peter MonteathPublisher: Bloomsbury Publishing USA
ISBN: 0313388040
Category : Literary Criticism
Languages : en
Pages : 161
Book Description
This bibliography is the first attempt to establish a comprehensive list of secondary material relating to the Spanish Civil War in literature, film, and art. It includes books, articles, and chapters in a wide range of languages, including Spanish, English, Russian, French, German, and Italian. Monteath begins the work with an introductory essay surveying the breadth of the scholarship on the cultural manifestations of the war, which he places in its broader cultural-historical context. The bibliography is organized alphabetically within sections devoted to literature, film, and art, and a general subject index completes the work. Anyone interested in the fiction of Hemingway, the film of Ivens, the art of Picasso, and many of the key figures in Western culture of the 1930s will find this work of value.
"Visual Propaganda, Exhibitions, and the Spanish Civil War "
Author: MiriamM. BasilioPublisher: Routledge
ISBN: 1351537423
Category : Art
Languages : en
Pages : 369
Book Description
Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circulated widely and were encountered daily by Spaniards on city walls, in print, and in exhibitions. Tangible elements of the nation?s past?monuments, cultural property, and art-historical icons?were displayed in temporary exhibitions and museums, as well as reproduced on posters and in print media, to rally the population, define national identity, and reinvent distant and recent history. Artists, political-party propagandists, and government administrators believed that images on the street, in print, and in exhibitions would create a community of viewers, brought together during the staging of public exhibitions to understand their own roles as Spaniards. This book draws on extensive archival research, brings to light unpublished documents, and examines visual propaganda, exhibitions, and texts unavailable in English. It engages with questions of national self-definition and historical memory at their intersections with the fine arts, visual culture, exhibition history, tourism, and propaganda during the Spanish Civil War and immediate post-war period, as well as contemporary responses to the contested legacy of the Spanish Civil War. It will be of interest to scholars in art history, visual and cultural history, history, and museum studies.
"!No Pasarán!"
Author: Stephen M. HartPublisher: Tamesis
ISBN: 9780729302869
Category : Art
Languages : en
Pages : 136
Book Description
The six essays collected in this volume are a selection from a number of papers which were given at a one-day colloquium on 'Art, Literature and the Spanish Civil War' which was held in Westfield College on 18 July 1986, precisely fifty years to the day after Franco's military coup in the Canary Islands, which was destined to have such a decisive effect on the course of Spanish history. Though this date subsequently became a Francoist celebration - the so-called 'Dia del Alzamiento' (Day of the Uprising) - the papers collected here do not demonstrate a Francoist bias. The overall approach is intertextual and interdisciplinary, thereby stressing the international nature of the artistic response to the war. For the benefit of the English reader, all foreign quotations are followed by an English translation.
Refiguring Spain
Author: Marsha KinderPublisher: Duke University Press
ISBN: 9780822319382
Category : History
Languages : en
Pages : 388
Book Description
In Refiguring Spain, Marsha Kinder has gathered a collection of new essays that explore the central role played by film, television, newspapers, and art museums in redefining Spain's national/cultural identity and its position in the world economy during the post-Franco era. By emphasizing issues of historical recuperation, gender and sexuality, and the marketing of Spain's peaceful political transformation, the contributors demonstrate that Spanish cinema and other forms of Spanish media culture created new national stereotypes and strengthened the nation's place in the global market and on the global stage. These essays consider a diverse array of texts, ranging from recent films by Almodóvar, Saura, Erice, Miró, Bigas Luna, Gutiérrez Aragón, and Eloy de la Iglesia to media coverage of the 1993 elections. Francoist cinema and other popular media are examined in light of strategies used to redefine Spain's cultural identity. The importance of the documentary, the appropriation of Hollywood film, and the significance of gender and sexuality in Spanish cinema are also discussed, as is the discourse of the Spanish media star--whether involving film celebrities like Rita Hayworth and Antonio Banderas or historical figures such as Cervantes. The volume concludes with an investigation of larger issues of government policy in relation to film and media, including a discussion of the financing of Spanish cinema and an exploration of the political dynamics of regional television and art museums. Drawing on a wide range of critical discourses, including feminist, postcolonial, and queer theory, political economy, cultural history, and museum studies, Refiguring Spain is the first comprehensive anthology on Spanish cinema in the English language. Contributors. Peter Besas, Marvin D'Lugo, Selma Reuben Holo, Dona M. Kercher, Marsha Kinder, Jaume Martí-Olivella, Richard Maxwell, Hilary L. Neroni, Paul Julian Smith, Roland B. Tolentino, Stephen Tropiano, Kathleen M. Vernon, Iñaki Zabaleta
A Companion to Pedro Almodóvar
Author: Marvin D'LugoPublisher: John Wiley & Sons
ISBN: 1405195827
Category : Performing Arts
Languages : en
Pages : 586
Book Description
A Companion to Pedro Almodóvar “Marvin D’Lugo and Kathleen M. Vernon give us the ideal companion to Pedro Almodóvar’s films. Established and emerging writers offer a rainbow of insights for fans as well as academics.” Jerry W. Carlson, Professor of Film Studies, The City College & Graduate Center CUNY “Rarely has a contemporary film artist been treated to the kind of broad, rich discussion of their work that can be found in A Companion to Pedro Almodóvar.” Richard Peña, Professor of Film Studies, Columbia University Once the enfant terrible of Spain’s youth culture explosion, the Movida, Pedro Almodóvar’s distinctive film style and career longevity have made him one of the most successful and internationally known filmmakers of his generation. Offering a state-of-the-art appraisal of Almodóvar’s cinema, this original collection is a searching analysis of his technique and cultural significance that includes work by leading authorities on Almodóvar as well as talented young scholars. Crucially included here are contributions by film historians from Almodóvar’s native Spain, where he has been undervalued by the academic and critical establishment. With a balance between textual and contextual approaches, the book expands the scope of previous work on the director to explore his fruitful collaborations with fellow professionals in the areas of art design, fashion, and music as well as the growing reach of a global Almodóvar brand beyond Europe and the United States to Latin America and Asia. It also proposes a reevaluation of the political meanings and engagement of his cinema from the perspective of the profound cultural and historical upheavals that have transformed Spain since the 1970s.