Author: Brandon Sanderson
Publisher: Dragonsteel, LLC
ISBN: 1938570154
Category : Fiction
Languages : en
Pages : 98
Book Description
Snapshot
Author: Brandon Sanderson
Publisher: Dragonsteel, LLC
ISBN: 1938570154
Category : Fiction
Languages : en
Pages : 98
Book Description
Publisher: Dragonsteel, LLC
ISBN: 1938570154
Category : Fiction
Languages : en
Pages : 98
Book Description
Snapshot Photography
Author: Catherine Zuromskis
Publisher: MIT Press
ISBN: 0262544113
Category : Photography
Languages : en
Pages : 369
Book Description
An examination of the contradictions within a form of expression that is both public and private, specific and abstract, conventional and countercultural. Snapshots capture everyday occasions. Taken by amateur photographers with simple point-and-shoot cameras, snapshots often commemorate something that is private and personal; yet they also reflect widely held cultural conventions. The poses may be formulaic, but a photograph of loved ones can evoke a deep affective response. In Snapshot Photography, Catherine Zuromskis examines the development of a form of visual expression that is both public and private. Scholars of art and culture tend to discount snapshot photography; it is too ubiquitous, too unremarkable, too personal. Zuromskis argues for its significance. Snapshot photographers, she contends, are not so much creating spontaneous records of their lives as they are participating in a prescriptive cultural ritual. A snapshot is not only a record of interpersonal intimacy but also a means of linking private symbols of domestic harmony to public ideas of social conformity. Through a series of case studies, Zuromskis explores the social life of snapshot photography in the United States in the latter half of the twentieth century. She examines the treatment of snapshot photography in the 2002 film One Hour Photo and in the television crime drama Law and Order: Special Victims Unit; the growing interest of collectors and museum curators in “vintage” snapshots; and the “snapshot aesthetic” of Andy Warhol and Nan Goldin. She finds that Warhol’s photographs of the Factory community and Goldin’s intense and intimate photographs of friends and family use the conventions of the snapshot to celebrate an alternate version of “family values.” In today’s digital age, snapshot photography has become even more ubiquitous and ephemeral—and, significantly, more public. But buried within snapshot photography’s mythic construction, Zuromskis argues, is a site of democratic possibility.
Publisher: MIT Press
ISBN: 0262544113
Category : Photography
Languages : en
Pages : 369
Book Description
An examination of the contradictions within a form of expression that is both public and private, specific and abstract, conventional and countercultural. Snapshots capture everyday occasions. Taken by amateur photographers with simple point-and-shoot cameras, snapshots often commemorate something that is private and personal; yet they also reflect widely held cultural conventions. The poses may be formulaic, but a photograph of loved ones can evoke a deep affective response. In Snapshot Photography, Catherine Zuromskis examines the development of a form of visual expression that is both public and private. Scholars of art and culture tend to discount snapshot photography; it is too ubiquitous, too unremarkable, too personal. Zuromskis argues for its significance. Snapshot photographers, she contends, are not so much creating spontaneous records of their lives as they are participating in a prescriptive cultural ritual. A snapshot is not only a record of interpersonal intimacy but also a means of linking private symbols of domestic harmony to public ideas of social conformity. Through a series of case studies, Zuromskis explores the social life of snapshot photography in the United States in the latter half of the twentieth century. She examines the treatment of snapshot photography in the 2002 film One Hour Photo and in the television crime drama Law and Order: Special Victims Unit; the growing interest of collectors and museum curators in “vintage” snapshots; and the “snapshot aesthetic” of Andy Warhol and Nan Goldin. She finds that Warhol’s photographs of the Factory community and Goldin’s intense and intimate photographs of friends and family use the conventions of the snapshot to celebrate an alternate version of “family values.” In today’s digital age, snapshot photography has become even more ubiquitous and ephemeral—and, significantly, more public. But buried within snapshot photography’s mythic construction, Zuromskis argues, is a site of democratic possibility.
Snapshot
Author: Dan Korem
Publisher:
ISBN: 9780989335812
Category : Characters and characteristics
Languages : en
Pages : 0
Book Description
Snapshot is the real story of how to profile anyone so you can treat people right the first time.
Publisher:
ISBN: 9780989335812
Category : Characters and characteristics
Languages : en
Pages : 0
Book Description
Snapshot is the real story of how to profile anyone so you can treat people right the first time.
Who We Were
Author: Michael F. Williams
Publisher:
ISBN:
Category : History
Languages : en
Pages : 246
Book Description
From the sod houses of South Dakota to the skyscrapers of New York City, these personal photographs form the first people's photo history of America.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 246
Book Description
From the sod houses of South Dakota to the skyscrapers of New York City, these personal photographs form the first people's photo history of America.
Snapshot Chronicles
Author: Barbara Levine
Publisher: Princeton Architectural Press
ISBN: 1568985576
Category : Photography
Languages : en
Pages : 200
Book Description
'Snapshot Chronicles' is a visual exploration of the creative outpouring made possible by the camera.
Publisher: Princeton Architectural Press
ISBN: 1568985576
Category : Photography
Languages : en
Pages : 200
Book Description
'Snapshot Chronicles' is a visual exploration of the creative outpouring made possible by the camera.
The Snap-shot
Author: Jonathan Green
Publisher: Mitchell Beazley
ISBN:
Category : Photography
Languages : en
Pages : 140
Book Description
Publisher: Mitchell Beazley
ISBN:
Category : Photography
Languages : en
Pages : 140
Book Description
Landscape Photography
Author: Rob Sheppard
Publisher: Peachpit Press
ISBN: 032182377X
Category : Computers
Languages : en
Pages : 265
Book Description
A guide to landscape photography using a DSLR camera covers such topics as light, composition, perspective, lenses, black-and-white images, and HDR.
Publisher: Peachpit Press
ISBN: 032182377X
Category : Computers
Languages : en
Pages : 265
Book Description
A guide to landscape photography using a DSLR camera covers such topics as light, composition, perspective, lenses, black-and-white images, and HDR.
Snapshot
Author: Andy Diggle
Publisher: Image Comics
ISBN: 1607069520
Category : Comics & Graphic Novels
Languages : en
Pages : 124
Book Description
When Jake Dobson finds a lost cell phone, he's horrified to discover it's full of snapshots of a murder victim. Suddenly he finds himself hunted by a ruthless hit-man who will stop at nothing to recover his "proof of kill" photos - and silence Jake forever! Collects SNAPSHOT #1-4
Publisher: Image Comics
ISBN: 1607069520
Category : Comics & Graphic Novels
Languages : en
Pages : 124
Book Description
When Jake Dobson finds a lost cell phone, he's horrified to discover it's full of snapshots of a murder victim. Suddenly he finds himself hunted by a ruthless hit-man who will stop at nothing to recover his "proof of kill" photos - and silence Jake forever! Collects SNAPSHOT #1-4
A Snapshot of Murder
Author: Frances Brody
Publisher: Crooked Lane Books
ISBN: 1643850970
Category : Fiction
Languages : en
Pages : 346
Book Description
Critically acclaimed author Frances Brody is back with the tenth installment in her Kate Shackleton series, perfect for fans of Jacqueline Winspear and Nicola Upson. Seven keen amateur photographers gather for the most popular openings of the decade. Only six will return. Yorkshire, 1928. Indomitable sleuth Kate Shackleton is taking a well-deserved break from her detective work and indulging in her other passion: photography. When her local Photographic Society proposes an outing to the opening of the Bronte Museum, Kate jumps at the chance to visit the setting of Wuthering Heights. But the setting proves to be even more sinister than the dreary classic when a member of their party is found murdered. The event is one of the most popular of the decade, and each of the seven photographers were there to capture the perfect shot of a lifetime. But Tobias, the deceased, was known for being loud-mouthed and didn’t care to curb his demeanor. Kate deduces that he must have had several enemies. But soon, she begins to suspect that perhaps the murderer is amongst them. And before they shrink to just a group of five, Kate must pick back up her magnifying glass and sleuthing cap to crack the case in A Snapshot of Murder, Frances Brody’s tenth brilliant Kate Shackleton mystery.
Publisher: Crooked Lane Books
ISBN: 1643850970
Category : Fiction
Languages : en
Pages : 346
Book Description
Critically acclaimed author Frances Brody is back with the tenth installment in her Kate Shackleton series, perfect for fans of Jacqueline Winspear and Nicola Upson. Seven keen amateur photographers gather for the most popular openings of the decade. Only six will return. Yorkshire, 1928. Indomitable sleuth Kate Shackleton is taking a well-deserved break from her detective work and indulging in her other passion: photography. When her local Photographic Society proposes an outing to the opening of the Bronte Museum, Kate jumps at the chance to visit the setting of Wuthering Heights. But the setting proves to be even more sinister than the dreary classic when a member of their party is found murdered. The event is one of the most popular of the decade, and each of the seven photographers were there to capture the perfect shot of a lifetime. But Tobias, the deceased, was known for being loud-mouthed and didn’t care to curb his demeanor. Kate deduces that he must have had several enemies. But soon, she begins to suspect that perhaps the murderer is amongst them. And before they shrink to just a group of five, Kate must pick back up her magnifying glass and sleuthing cap to crack the case in A Snapshot of Murder, Frances Brody’s tenth brilliant Kate Shackleton mystery.
Snapshot Versions of Life
Author: Richard Chalfen
Publisher: Popular Press
ISBN:
Category : Photography
Languages : en
Pages : 232
Book Description
Snapshot Versions of Life is an important foray into the culture of photography and home life from an anthropologist's perspective. Examining what he calls "Home Mode" photography, Richard Chalfen explores snapshots, slide shows, family albums, home movies, and home videos, uncovering what people do with their photos as well as what their personal photos do for them. Chalfen's "Polaroid People" are recognizable--if ironically viewed--relatives, uncles, aunts, and All-American kids. As members of "Kodak Culture" they watch home movies, take pictures of newborn babies, and even, in their darker moments, scratch out the faces of disliked relatives in group photographs. He examines who shoots these photos and why, as well as how they think (or don't) of planning, editing, and exhibiting their shots. Chalfen's analysis reveals the culturally structured behavior underlying seemingly spontaneous photographic activities.
Publisher: Popular Press
ISBN:
Category : Photography
Languages : en
Pages : 232
Book Description
Snapshot Versions of Life is an important foray into the culture of photography and home life from an anthropologist's perspective. Examining what he calls "Home Mode" photography, Richard Chalfen explores snapshots, slide shows, family albums, home movies, and home videos, uncovering what people do with their photos as well as what their personal photos do for them. Chalfen's "Polaroid People" are recognizable--if ironically viewed--relatives, uncles, aunts, and All-American kids. As members of "Kodak Culture" they watch home movies, take pictures of newborn babies, and even, in their darker moments, scratch out the faces of disliked relatives in group photographs. He examines who shoots these photos and why, as well as how they think (or don't) of planning, editing, and exhibiting their shots. Chalfen's analysis reveals the culturally structured behavior underlying seemingly spontaneous photographic activities.