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Author: Billy Bragg Publisher: Faber & Faber ISBN: 0571327761 Category : Music Languages : en Pages : 357
Book Description
SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZERoots, Radicals & Rockers: How Skiffle Changed the World is the first book to explore this phenomenon in depth - a meticulously researched and joyous account that explains how skiffle sparked a revolution that shaped pop music as we have come to know it. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts. Billy traces how the guitar came to the forefront of music in the UK and led directly to the British Invasion of the US charts in the 1960s.Emerging from the trad-jazz clubs of the early '50s, skiffle was adopted by kids who growing up during the dreary, post-war rationing years. These were Britain's first teenagers, looking for a music of their own in a pop culture dominated by crooners and mediated by a stuffy BBC. Lonnie Donegan hit the charts in 1956 with a version of 'Rock Island Line' and soon sales of guitars rocketed from 5,000 to 250,000 a year. Like punk rock that would flourish two decades later, skiffle was a do-it-yourself music. All you needed were three guitar chords and you could form a group, with mates playing tea-chest bass and washboard as a rhythm section.
Author: Billy Bragg Publisher: Faber & Faber ISBN: 0571327761 Category : Music Languages : en Pages : 357
Book Description
SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZERoots, Radicals & Rockers: How Skiffle Changed the World is the first book to explore this phenomenon in depth - a meticulously researched and joyous account that explains how skiffle sparked a revolution that shaped pop music as we have come to know it. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts. Billy traces how the guitar came to the forefront of music in the UK and led directly to the British Invasion of the US charts in the 1960s.Emerging from the trad-jazz clubs of the early '50s, skiffle was adopted by kids who growing up during the dreary, post-war rationing years. These were Britain's first teenagers, looking for a music of their own in a pop culture dominated by crooners and mediated by a stuffy BBC. Lonnie Donegan hit the charts in 1956 with a version of 'Rock Island Line' and soon sales of guitars rocketed from 5,000 to 250,000 a year. Like punk rock that would flourish two decades later, skiffle was a do-it-yourself music. All you needed were three guitar chords and you could form a group, with mates playing tea-chest bass and washboard as a rhythm section.
Author: Chas McDevitt Publisher: Robson Books Limited ISBN: Category : Music Languages : en Pages : 328
Book Description
The origins of Skiffle lay in the music of the migrant workers of the 1920s and 30s who had left their homes in the southern states of America seeking work in the north and carried their musical heritage with them, whether it was the Mississippi blues, the work song, or the barrelhouse ballad, and a wealth of household 'instruments" including the washboard, gut bucket or the tea chest bass.
Author: John Lennon Publisher: Little Simon ISBN: 153447417X Category : Juvenile Fiction Languages : en Pages : 21
Book Description
Celebrate the love that surrounds us every day with this lyrical board book that beautifully illustrates John Lennon and Paul McCartney’s world-renowned classic song “All You Need Is Love.” All you need is love, all you need is love All you need is love, love, love is all you need In this gorgeously illustrated Classic Board Book, the universally loved song “All You Need Is Love” comes vividly to life showing that if we follow the music, we will see there is indeed love all around us.
Author: George McKay Publisher: Verso ISBN: 9781859848784 Category : Protest movements Languages : en Pages : 322
Book Description
Editor George McKay claims that popular protest today is characterized by a culture of immediacy and direct action. Gathered here is a collection of in-depth and reflective pieces by activists and other key figures in Britain's DiY culture. From the environmentalist to the video activist, the raver to the road protester, the neo-pagan to the anarcho-capitalist, Britain's youth forge a new kind of politics. 16 photos.
Author: Stephen Wade Publisher: University of Illinois Press ISBN: 025209400X Category : Music Languages : en Pages : 505
Book Description
The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread," the fiddle tune "Bonaparte's Retreat," the blues "Another Man Done Gone," and the spiritual "Ain't No Grave Can Hold My Body Down," these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by. Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse." Alongside loving and expert profiles of these performers and their locales and communities, Wade also untangles the histories of these iconic songs and tunes, tracing them through slave songs and spirituals, British and homegrown ballads, fiddle contests, gospel quartets, and labor laments. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts," Wade shows how a single artist can make a difference within a democracy. Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The hardcover edition also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s.
Author: Ed Ward Publisher: Flatiron Books ISBN: 1250169976 Category : Music Languages : en Pages : 238
Book Description
From rock and roll historian Ed Ward comes a comprehensive, authoritative, and enthralling cultural history of one of rock's most exciting eras. It's February 1964 and The Beatles just landed in New York City, where the NYPD, swarms of fans, and a crowd of two hundred journalists await their first American press conference. It begins with the question on everyone's mind: "Are you going to get a haircut in America?" and ends with a reporter tugging Paul McCartney's hair in an attempt to remove his nonexistent wig. This is where The History of Rock & Roll, Volume 2 kicks off. Chronicling the years 1964 through the mid-1970s, this latest volume covers one of the most exciting eras of rock history, which saw a massive outpouring of popular and cutting-edge music. Ward weaves together an unputdownable narrative told through colorful anecdotes and shares the behind-the-scenes stories of the megastars, the trailblazers, DJs, record executives, concert promoters, and producers who were at the forefront of this incredible period in music history. From Bob Dylan to Bill Graham, Jimi Hendrix, Janis Joplin, The Byrds, Aretha Franklin, The Rolling Stones, and more, everyone's favorite musicians of the era make an appearance in this sweeping history that reveals how the different players, sounds, and trends came together to create the music we all know and love today.
Author: Yoko Ono Publisher: Simon and Schuster ISBN: 1681885891 Category : Biography & Autobiography Languages : en Pages : 7
Book Description
A definitive, in-depth, revelatory exploration of John Lennon's intensely personal first major solo album after the breakup of the Beatles. Described by Lennon as "the best thing I've ever done," and widely regarded as his best solo album, John Lennon/Plastic Ono Band was released on 11 December 1970. With first-hand commentary by Lennon, Ono, and other members of the band, and packed with previously unseen photographs by those who documented their lives, this incisive volume offers new insights into the raw emotions and open mindset of Lennon after marriage to Ono and the breakup of the Beatles, to the making of the album and revealing interview with Jann Wenner in December 1970. Primal therapy had a huge impact on Lennon's songwriting, resulting in the creation of intensely personal, soul-baring tracks. This book takes his lyrics as a starting point and explores Lennon's life, career, and self-perception, from "performing flea" with the Beatles to authenticity as a solo artist.
Author: David Bedford Publisher: ISBN: 9781838306212 Category : Biography & Autobiography Languages : en Pages : 408
Book Description
In the 1960s, Liverpool had the biggest country and western scene in Europe. Country music was part of the fabric of Liverpool; as ingrained as the Irish influence and a bowl of Scouse. Country music influenced every group. Follow the story of one of the top groups: Phil Brady and the Ranchers. When John Lennon started his group, The Quarrymen, their musical influences were skiffle (which has its roots in country music), country and western and rock 'n' roll (which has country roots too). Their musical heroes had their roots in country music and shaped The Beatles sound. ● Why were Liverpool lads obsessed with cowboys? ● Which Beatles album did John call their "Country and Western Album"? ● How many country-influenced songs did they record, both during and after The Beatles? The roots of the beat music scene of the 1960s began with Lonnie Donegan's "Rock Island Line", which was issued in 1956, beginning the skiffle craze. However, examining the skiffle music scene shows that the roots of skiffle were in country; the roots of John Lennon's Quarrymen were in country and western, which was reflected in the songs of The Beatles. Liverpool groups were playing a mixture of country, rock 'n' roll, rhythm and blues, rockabilly and whatever else it discovered. Groups had to decide which route to take. However country music wasn't completely new to Liverpool because of skiffle. Hank Walters formed his first group around 1947, while still at school. There was a country scene in Liverpool in the 1940s, when Liverpool sailors brought records back from America. They brought jazz, country, R & B and everything else that was for sale in the record stores of New York and Boston. When radio brought those American hits to the ears of British people, another music revolution was taking place. Liverpool, the last Western frontier of England, would find it had more in common with Nashville than London. So in 1962, Phil Brady decided to act on the influence of country music in his life and start his first band, going on to become the #1 country artist in Britain, receiving an award from Roy Orbison at the first British Country Music Awards. Phil, from the Dingle, met and toured with some of the biggest names in country music, like Slim Whitman, Willie Nelson, Buck Owens, Hank Snow and, when he visited Nashville in 1968, met up with Chet Atkins and George Hamilton IV, and spent the day at Willie Nelson's ranch. He recorded several albums and singles, including the very first 45rpm single for the new Cavern Sound Ltd. Phil had a fan club, run by Frank Nash, who saved many of his photos, flyers and newspaper cuttings, which are reproduced here for an insight into the musical career of one of Britain's greatest ever country music stars. Yes, some of the photos are blurred, crooked and low quality, but that makes them even more authentic and special.
Author: Stephen Tow Publisher: Rowman & Littlefield ISBN: 1538127180 Category : Music Languages : en Pages : 225
Book Description
It all started in London. More than fifty years ago, a generation of teens created something that would change the face of music forever. London, Reign Over Me immerses us in the backroom clubs, basement record shops, and late-night faint radio signals of 1960s Britain, where young hopefuls like Peter Frampton, Dave Davies, and Mick Jagger built off American blues and jazz to form a whole new sound. Author Stephen Tow weaves together original interviews with over ninety musicians and movers-and-shakers of the time to uncover the uniquely British story of classic rock’s birth. Capturing the stark contrast of bursting artistic energy with the blitzkrieg landscape leftover from World War II, London, Reign Over Me reveals why classic rock ‘n’ roll could only have been born in London. A new sound from a new generation, this music helped spark the most important cultural transformation of the twentieth century. Key interviews include: •Jon Anderson (Yes) •Ian Anderson (Jethro Tull) •Rod Argent (The Zombies) •Chris Barber (Chris Barber Jazz Band) •Joe Boyd (Producer/manager) •Arthur Brown (Crazy World of Arthur Brown) •David Cousins (The Strawbs) •Dave Davies (The Kinks) •Spencer Davis (Spencer Davis Group) •Judy Dyble (Fairport Convention) •Ramblin’ Jack Elliott (Solo folk/blues artist) •Peter Frampton (Humble Pie, solo artist) •Roger Glover (Deep Purple) •Steve Howe (Yes) •Neil Innes (Bonzo Dog Band; Monty Python) •Kenney Jones (The Small Faces; The Who) •Greg Lake (King Crimson; Emerson, Lake & Palmer) •Manfred Mann (Manfred Mann) •Terry Marshall (Marshall Amplification) •Dave Mason (Traffic) •Phil May (The Pretty Things) •John Mayall (The Bluesbreakers) •Jim McCarty (The Yardbirds) •Ian McLagan (The Small Faces) •Jacqui McShee (The Pentangle) •Peter Noone (Herman’s Hermits) •Carl Palmer (Atomic Rooster; Emerson, Lake & Palmer) •Jan Roberts (Eel Pie Island Documentary Project) •Paul Rodgers (Free) •Peggy Seeger (Solo folk artist) •Hylda Sims (Club owner) •Keith Skues (DJ: Radio Caroline, Radio London, Radio One) •Jeremy Spencer (Fleetwood Mac) •John Steel (The Animals) •Al Stewart (Solo folk artist) •Dick Taylor (The Pretty Things) •Ray Thomas (The Moody Blues) •Richard Thompson (Fairport Convention) •Rick Wakeman (The Strawbs, Yes) •Barrie Wentzell (Photographer: Melody Maker)
Author: Billy Bragg
Author: Billy Bragg
Author: Chas McDevitt
Author: Michael Dewe
Author: John Lennon
Author: George McKay
Author: Stephen Wade
Author: Ed Ward
Author: Yoko Ono
Author: David Bedford
Author: Stephen Tow