Author: Patricia Harpring
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 204
Book Description
This study follows the stylistic evolution of Bartolo di Fredi, who studied with Niccolo di Ser Sozzo, and was influenced by the giants of the early Trecento: Martini, da Siena, and Pietro and Ambrogio Lorenzetti. Bartolo mined his rich Sienese artistic heritage for its most valuable characteristics, which he transformed into his own unique and appealing style.
The Sienese Trecento Painter Bartolo Di Fredi
A Wider Trecento
Author: Louise Bourdua
Publisher: BRILL
ISBN: 9004210768
Category : History
Languages : en
Pages : 249
Book Description
These studies explore aspects of Julian Gardner’s wide range of interests and approaches, ranging from Parisian metalwork to the Wilton diptych, Franciscan iconography, the tomb of a leading theologian and several studies of the art of Rome and Northern Italy.
Publisher: BRILL
ISBN: 9004210768
Category : History
Languages : en
Pages : 249
Book Description
These studies explore aspects of Julian Gardner’s wide range of interests and approaches, ranging from Parisian metalwork to the Wilton diptych, Franciscan iconography, the tomb of a leading theologian and several studies of the art of Rome and Northern Italy.
The Sienese Painters of the Trecento
Author: Emilio Cecchi
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 450
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 450
Book Description
Painting in Florence and Siena After the Black Death
Author: Millard Meiss
Publisher: Princeton University Press
ISBN: 9780691003122
Category : Art
Languages : en
Pages : 300
Book Description
The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Publisher: Princeton University Press
ISBN: 9780691003122
Category : Art
Languages : en
Pages : 300
Book Description
The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Siena, Florence, and Padua: Case studies
Author: Diana Norman
Publisher: Yale University Press
ISBN: 9780300061277
Category : Art
Languages : en
Pages : 314
Book Description
The eleven papers in this volume present a series of case studies of major works of art either produced in Sien, Florence or Padua or executed by artists associated with the three cities. Contributors include: T Benton (The three cities compared: Urbanism) ; C Cunningham (The design of town halls) ; D Norman (Duccio's `MaestĂ ') ; C Harrison (The Arena Chapel: Patronage and authorship) ; C King (Effigies: Human and Divine) ; T Benton (The design of Siena and Florence Duomos) ; D Norman (The paintings of the Sala dei Nove in the Palazzo Pubblico, Siena) ; D Norman (Change and continuity in Marian altarpieces) ; C King (Women as patrons: Nuns, widows and rulers) . These two volumes together form the basis of an Open University undergraduate course in art history.
Publisher: Yale University Press
ISBN: 9780300061277
Category : Art
Languages : en
Pages : 314
Book Description
The eleven papers in this volume present a series of case studies of major works of art either produced in Sien, Florence or Padua or executed by artists associated with the three cities. Contributors include: T Benton (The three cities compared: Urbanism) ; C Cunningham (The design of town halls) ; D Norman (Duccio's `MaestĂ ') ; C Harrison (The Arena Chapel: Patronage and authorship) ; C King (Effigies: Human and Divine) ; T Benton (The design of Siena and Florence Duomos) ; D Norman (The paintings of the Sala dei Nove in the Palazzo Pubblico, Siena) ; D Norman (Change and continuity in Marian altarpieces) ; C King (Women as patrons: Nuns, widows and rulers) . These two volumes together form the basis of an Open University undergraduate course in art history.
Routledge Revivals: Medieval Italy (2004).
Author: Christopher Kleinhenz
Publisher: Taylor & Francis
ISBN: 1351664468
Category : Italy
Languages : en
Pages : 626
Book Description
Publisher: Taylor & Francis
ISBN: 1351664468
Category : Italy
Languages : en
Pages : 626
Book Description
Medieval Italy
Author: Christopher Kleinhenz
Publisher: Routledge
ISBN: 1135948801
Category : History
Languages : en
Pages : 1321
Book Description
This Encyclopedia gathers together the most recent scholarship on Medieval Italy, while offering a sweeping view of all aspects of life in Italy during the Middle Ages. This two volume, illustrated, A-Z reference is a cross-disciplinary resource for information on literature, history, the arts, science, philosophy, and religion in Italy between A.D. 450 and 1375. For more information including the introduction, a full list of entries and contributors, a generous selection of sample pages, and more, visit the Medieval Italy: An Encyclopedia website.
Publisher: Routledge
ISBN: 1135948801
Category : History
Languages : en
Pages : 1321
Book Description
This Encyclopedia gathers together the most recent scholarship on Medieval Italy, while offering a sweeping view of all aspects of life in Italy during the Middle Ages. This two volume, illustrated, A-Z reference is a cross-disciplinary resource for information on literature, history, the arts, science, philosophy, and religion in Italy between A.D. 450 and 1375. For more information including the introduction, a full list of entries and contributors, a generous selection of sample pages, and more, visit the Medieval Italy: An Encyclopedia website.
Siena and the Virgin
Author: Diana Norman
Publisher: Yale University Press
ISBN: 0300080069
Category : Art
Languages : en
Pages : 276
Book Description
Celebrating the Virgin Mary as both an object of religious affection and a focus of civic pride, artists of fourteenth-century Siena established for their city a vibrant tradition that continued into the early decades of the next century. Such celebratory portraits of the Virgin were also common in Siena's extensive subject territories, the contado. This richly illustrated book explores late medieval Sienese art--how it was created, commissioned, and understood by the citizens of Siena. Examining political, economic, and cultural relations between Siena and the contado, Diana Norman offers a new understanding of Marian art and its political function as an expression of civic ideology. Drawing on extensive unpublished archives, Norman reconstructs the circumstances surrounding the commission of Marian art in the three most prestigious locations of fourteenth-century Siena: the cathedral, the Palazzo Pubblico, and the hospital of Santa Maria della Scala. She analyzes similarly important commissions in the contado towns of Massa Marittima, Montalcino, and Montepulciano. Casting new light on such topics as the original site for the reliquary tomb of Saint Cerbone, patron saint of Massa Marittima, and the identity of the patrons of the Marian frescoes in the rural hermitage of San Leonardo al Lago, the author deepens our insight into the origins and meanings of Sienese art production of the late medieval period.
Publisher: Yale University Press
ISBN: 0300080069
Category : Art
Languages : en
Pages : 276
Book Description
Celebrating the Virgin Mary as both an object of religious affection and a focus of civic pride, artists of fourteenth-century Siena established for their city a vibrant tradition that continued into the early decades of the next century. Such celebratory portraits of the Virgin were also common in Siena's extensive subject territories, the contado. This richly illustrated book explores late medieval Sienese art--how it was created, commissioned, and understood by the citizens of Siena. Examining political, economic, and cultural relations between Siena and the contado, Diana Norman offers a new understanding of Marian art and its political function as an expression of civic ideology. Drawing on extensive unpublished archives, Norman reconstructs the circumstances surrounding the commission of Marian art in the three most prestigious locations of fourteenth-century Siena: the cathedral, the Palazzo Pubblico, and the hospital of Santa Maria della Scala. She analyzes similarly important commissions in the contado towns of Massa Marittima, Montalcino, and Montepulciano. Casting new light on such topics as the original site for the reliquary tomb of Saint Cerbone, patron saint of Massa Marittima, and the identity of the patrons of the Marian frescoes in the rural hermitage of San Leonardo al Lago, the author deepens our insight into the origins and meanings of Sienese art production of the late medieval period.
Sienese Painting After the Black Death
Author: Judith Steinhoff
Publisher: Cambridge University Press
ISBN: 0521846641
Category : Art
Languages : en
Pages : 0
Book Description
This book provides a new perspective on Sienese painting after the Black Death, asking how social, religious, and cultural change effect visual imagery and style. Judith Steinhoff demonstrates that Siena's artistic culture of the mid- and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She shows that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change.
Publisher: Cambridge University Press
ISBN: 0521846641
Category : Art
Languages : en
Pages : 0
Book Description
This book provides a new perspective on Sienese painting after the Black Death, asking how social, religious, and cultural change effect visual imagery and style. Judith Steinhoff demonstrates that Siena's artistic culture of the mid- and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She shows that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change.
Siena, Florence, and Padua: Interpretative essays
Author: Diana Norman
Publisher: Yale University Press
ISBN: 0300061242
Category : Art
Languages : en
Pages : 284
Book Description
Siena, Florence and Padua were all major centres for the flowering of early Italian Renaissance art and civic culture. The three communities shared a common concern for the embelishment of their cities by means of painting, sculpture and architecture. The eleven papers in this volume re-examine and re-assess the artistic legacy of the three cities during the 14th century amd locate the various works of art considered within their broader cultural, social and religious contexts. Contributors include: D Norman (Patrons, politics and art) ; C Harrison (Giotto and the `rise of painting') ; C King (The arts of carving and casting) ; T Benton (The building trades and design methods) ; D Norman (Art and religion after the Black Death) ; C King (The trecento: New ideas, new evidence) .
Publisher: Yale University Press
ISBN: 0300061242
Category : Art
Languages : en
Pages : 284
Book Description
Siena, Florence and Padua were all major centres for the flowering of early Italian Renaissance art and civic culture. The three communities shared a common concern for the embelishment of their cities by means of painting, sculpture and architecture. The eleven papers in this volume re-examine and re-assess the artistic legacy of the three cities during the 14th century amd locate the various works of art considered within their broader cultural, social and religious contexts. Contributors include: D Norman (Patrons, politics and art) ; C Harrison (Giotto and the `rise of painting') ; C King (The arts of carving and casting) ; T Benton (The building trades and design methods) ; D Norman (Art and religion after the Black Death) ; C King (The trecento: New ideas, new evidence) .