Author: George Meredith
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
Book Description
The Shaving of Shagpat
The Shaving of Shagpat
The Works of George Meredith
The Shaving of Shagpat ; an Arabian Entertainment, Complete
The Cambridge History of English Literature
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 692
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 692
Book Description
One Grand, Sweet Song
Author: Sam Pickering
Publisher: Texas A&M University Press
ISBN: 1680030965
Category : Literary Collections
Languages : en
Pages : 153
Book Description
One Grand, Sweet Song is a collection of familiar essays in which Sam Pickering explores libraries and woods and fields. He wanders over hills and far away—to Caribbean and Canada—but he always returns to the local, to Connecticut and his memories of a Southern childhood. He ponders writing and aging, joy and lunacy. He celebrates family and Christmas. He laughs and tells terrible lies, and jokes. He runs half-marathons, and on a farm in Nova Scotia, he tries to write his Walden. “O World, I cannot hold thee close enough!” Edna St. Vincent Millay once exclaimed. In these pages Pickering embraces his world with great love, wrapping it in words and pulling it and the reader unforgettably close. Pickering has written 28 books and 100s of articles. The subject matter of the books ranges. Three are scholarly studies, two of which focus on 18th century children’s literature. Four are travel books, three of these describing his family’s meanderings in Australia. One book mulls teaching, and another is a memoir. The rest of Pickering’s books are collections of familiar essays, providing his take or perhaps “untake” on things. “Reading Pickering,” a reviewer wrote in the Smithsonian, “is like taking a walk with your oldest, wittiest friend.”
Publisher: Texas A&M University Press
ISBN: 1680030965
Category : Literary Collections
Languages : en
Pages : 153
Book Description
One Grand, Sweet Song is a collection of familiar essays in which Sam Pickering explores libraries and woods and fields. He wanders over hills and far away—to Caribbean and Canada—but he always returns to the local, to Connecticut and his memories of a Southern childhood. He ponders writing and aging, joy and lunacy. He celebrates family and Christmas. He laughs and tells terrible lies, and jokes. He runs half-marathons, and on a farm in Nova Scotia, he tries to write his Walden. “O World, I cannot hold thee close enough!” Edna St. Vincent Millay once exclaimed. In these pages Pickering embraces his world with great love, wrapping it in words and pulling it and the reader unforgettably close. Pickering has written 28 books and 100s of articles. The subject matter of the books ranges. Three are scholarly studies, two of which focus on 18th century children’s literature. Four are travel books, three of these describing his family’s meanderings in Australia. One book mulls teaching, and another is a memoir. The rest of Pickering’s books are collections of familiar essays, providing his take or perhaps “untake” on things. “Reading Pickering,” a reviewer wrote in the Smithsonian, “is like taking a walk with your oldest, wittiest friend.”
The Writings of George Eliot: Essays and uncollected papers
The Writings of George Eliot ...
Essays and uncollected papers
Ottomania
Author: Roderick Cavaliero
Publisher: Bloomsbury Publishing
ISBN: 0857715402
Category : History
Languages : en
Pages : 272
Book Description
Romanticism had its roots in fantasy and fed on myth'. So Roderick Cavaliero introduces the European Romantic obsession with the Orient.Cavaliero draws on a life-time's research in Romantic literature and introduces a rich cast of leading Romantic writers,artists,musicians and travellers,including Beckford,Byron, Shelley,Walter Scott,Pierre Loti,Thomas Moore,Rossini,Eugene Delacroix,Thackeray and Disraeli,and a host of other Romantics,who were drawn to the Orient in the 18th and 19th centuries.They luxuriate in its exotic sights,sounds,literature and,above all, in the prevailing mythology.Cavaliero analyses the Romantic vision where,as Byron writes, there are 'virgins soft as the roses they twine',but lays bare an underlying vision of cruelty and oppression, and of societies based on domestic or prisoner slavery - anathema to the 19th-century Romantic. The overarching myth was that of the Ottoman Empire,a huge and exotic superpower,an empire to rival Rome,a major threat to Europe, with an invincible military record ruled by a Sultan with absolute, even feckless, power of life and death over his subjects who lived to 'delight his senses'.But to the Romantics,fear of the absolute ruler was overlaid by frissons of oriental luxury. Thus the Ottoman Sultans were the heirs of the iconic Caliphate of Harun ar Rashid in the fabulous Arabian Nights Entertainments.Coleridge's dream of the Orient in Kubla Khan was not of the barbaric grandeur of the global Mongol empire but that of a 'stately pleasure dome in Xanadu' among incense-bearing trees and untroubled forests. Moore's Lalla Rookh was set in his visionary vale of Kashmir and is a love story in 'a land of kingfishers and golden orioles' with the backdrop of the mighty Moghul Empire. Scott was obsessed by the chivalry of the Crusades on both sides and Disraeli was fascinated by the interplay of the Abrahamic faiths and the hopes of peace in the Holy Land. Dualism runs through Romantic writing even when European realpolitik and modern nationalism are involved - as in the Greek revolt against Ottoman rule and the decline of Turkey as a great power. But above all for the Romantics the Orient remained mysterious and inviting. Cavaliero's Ottomania will delight all readers interested in tales of the exotic Orient, and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travellers.
Publisher: Bloomsbury Publishing
ISBN: 0857715402
Category : History
Languages : en
Pages : 272
Book Description
Romanticism had its roots in fantasy and fed on myth'. So Roderick Cavaliero introduces the European Romantic obsession with the Orient.Cavaliero draws on a life-time's research in Romantic literature and introduces a rich cast of leading Romantic writers,artists,musicians and travellers,including Beckford,Byron, Shelley,Walter Scott,Pierre Loti,Thomas Moore,Rossini,Eugene Delacroix,Thackeray and Disraeli,and a host of other Romantics,who were drawn to the Orient in the 18th and 19th centuries.They luxuriate in its exotic sights,sounds,literature and,above all, in the prevailing mythology.Cavaliero analyses the Romantic vision where,as Byron writes, there are 'virgins soft as the roses they twine',but lays bare an underlying vision of cruelty and oppression, and of societies based on domestic or prisoner slavery - anathema to the 19th-century Romantic. The overarching myth was that of the Ottoman Empire,a huge and exotic superpower,an empire to rival Rome,a major threat to Europe, with an invincible military record ruled by a Sultan with absolute, even feckless, power of life and death over his subjects who lived to 'delight his senses'.But to the Romantics,fear of the absolute ruler was overlaid by frissons of oriental luxury. Thus the Ottoman Sultans were the heirs of the iconic Caliphate of Harun ar Rashid in the fabulous Arabian Nights Entertainments.Coleridge's dream of the Orient in Kubla Khan was not of the barbaric grandeur of the global Mongol empire but that of a 'stately pleasure dome in Xanadu' among incense-bearing trees and untroubled forests. Moore's Lalla Rookh was set in his visionary vale of Kashmir and is a love story in 'a land of kingfishers and golden orioles' with the backdrop of the mighty Moghul Empire. Scott was obsessed by the chivalry of the Crusades on both sides and Disraeli was fascinated by the interplay of the Abrahamic faiths and the hopes of peace in the Holy Land. Dualism runs through Romantic writing even when European realpolitik and modern nationalism are involved - as in the Greek revolt against Ottoman rule and the decline of Turkey as a great power. But above all for the Romantics the Orient remained mysterious and inviting. Cavaliero's Ottomania will delight all readers interested in tales of the exotic Orient, and the literature of the Romantic movement - a rich treasure-house of poets, novelists and travellers.