The Shadow of the Crescent PDF Download

Author: Robert Schwoebel
Publisher: New York : St. Martin's Press
ISBN:
Category : Turkey
Languages : en
Pages : 304

View

Book Description

Author: Marios Philippides
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409410645
Category : History
Languages : en
Pages : 824

View

Book Description
A major study and an essential reference work, this book presents a critical evaluation of the sources on the fall of Constantinople to the Ottoman Turks in 1453. In Part I: The Pen, drawing upon manuscript and printed sources, and looking at the contrasting interpretations in secondary works, the authors reassess the written evidence concerning the event. In Part II, The Sword, the investigation results in new conclusions concerning the layout of the Theodosian Walls, the offensive and defensive strategies of the Byzantines and Turks, including land and sea operations, and an analysis of some of the major engagements.

Author: Charlotte Colding Smith
Publisher: Routledge
ISBN: 1317319621
Category : History
Languages : en
Pages : 349

View

Book Description
Using evidence from contemporary printed images, Smith examines the attitudes of Christian Europe to the Ottoman Empire and to Islam. She also considers the relationship between text and image, placing it in the cultural context of the Reformation and beyond.

Author: JamesG. Harper
Publisher: Routledge
ISBN: 1351539868
Category : Art
Languages : en
Pages : 342

View

Book Description
Unprecedented in its range - extending from Venice to the New World and from the Holy Roman Empire to the Ottoman Empire - this collection probes the place that the Ottoman Turks occupied in the Western imaginaire, and the ways in which this occupation expressed itself in the visual arts. Individual essays in this volume examine specific images or groups of images, problematizing the 'truths' they present and analyzing the contexts that shape the presentation of Ottoman or Islamic subject matter in European art. The contributors trace the transmission of early modern images and representations across national boundaries and across centuries to show how, through processes of translation that often involved multiple stages, the figure of the Turk (and by extension that of the Muslim) underwent a multiplicity of interpretations that reflect and reveal Western needs, anxieties and agendas. The essays reveal how anachronisms and inaccuracies mingled with careful detail to produce a "Turk," a figure which became a presence to reckon with in painting, sculpture, tapestry and printmaking.

Author: Jitka Malečková
Publisher: BRILL
ISBN: 9004440798
Category : Literary Criticism
Languages : en
Pages : 250

View

Book Description
In “The Turk” in the Czech Imagination (1870s-1923), Jitka Malečková describes Czechs’ views of the Turks in the last half century of the existence of the Ottoman Empire and how they were influenced by ideas and trends in other countries, including the European fascination with the Orient, images of “the Turk,” contemporary scholarship, and racial theories. The Czechs were not free from colonial ambitions either, as their attitude to Bosnia-Herzegovina demonstrates, but their viewpoint was different from that found in imperial states and among the peoples who had experienced Ottoman rule. The book convincingly shows that the Czechs mainly viewed the Turks through the lenses of nationalism and Pan-Slavism – in solidarity with the Slavs fighting against Ottoman rule.

Author: Jerry Toner
Publisher: Harvard University Press
ISBN: 0674076338
Category : History
Languages : en
Pages : 248

View

Book Description
A seventeenth-century English traveler to the Eastern Mediterranean would have faced a problem in writing about this unfamiliar place: how to describe its inhabitants in a way his countrymen would understand? In an age when a European education meant mastering the Classical literature of Greece and Rome, he would naturally turn to touchstones like the Iliad to explain the exotic customs of Ottoman lands. His Turk would have been Homer’s Turk. An account of epic sweep, spanning the Crusades, the Indian Raj, and the postwar decline of the British Empire, Homer’s Turk illuminates how English writers of all eras have relied on the Classics to help them understand the world once called “the Orient.” Ancient Greek and Roman authors, Jerry Toner shows, served as a conceptual frame of reference over long periods in which trade, religious missions, and imperial interests shaped English encounters with the East. Rivaling the Bible as a widespread, flexible vehicle of Western thought, the Classics provided a ready model for portrayal and understanding of the Oriental Other. Such image-making, Toner argues, persists today in some of the ways the West frames its relationship with the Islamic world and the rising powers of India and China. Discussing examples that range from Jacobean travelogues to Hollywood blockbusters, Homer’s Turk proves that there is no permanent version of either the ancient past or the East in English writing—the two have been continually reinvented alongside each other.

Author: Jan Glete
Publisher: Routledge
ISBN: 1351915649
Category : History
Languages : en
Pages : 571

View

Book Description
In recent decades historians have studied several new aspects of early modern naval history and placed it in a wider context than traditional studies of naval warfare. This volume brings together 23 studies on naval technology, policy-making and administration, tactics, strategy, operations and warfare on trade. They provide new insights and new ideas for further studies.

Author: Har-El
Publisher: BRILL
ISBN: 9004660860
Category : Architecture
Languages : en
Pages : 259

View

Book Description
This original study of pre-modern Middle East history, provides fascinating new information about the conflict relations between the two great Muslim empires, the Ottomans and the Mamluks, and military confrontations between Eastern medieval armies.

Author: Martin Jacobs
Publisher: University of Pennsylvania Press
ISBN: 0812290011
Category : Literary Criticism
Languages : en
Pages : 346

View

Book Description
Reorienting the East explores the Islamic world as it was encountered, envisioned, and elaborated by Jewish travelers from the Middle Ages to the early modern period. The first comprehensive investigation of Jewish travel writing from this era, this study engages with questions raised by postcolonial studies and contributes to the debate over the nature and history of Orientalism as defined by Edward Said. Examining two dozen Hebrew and Judeo-Arabic travel accounts from the mid-twelfth to the early sixteenth centuries, Martin Jacobs asks whether Jewish travelers shared Western perceptions of the Islamic world with their Christian counterparts. Most Jews who detailed their journeys during this period hailed from Christian lands and many sailed to the Eastern Mediterranean aboard Christian-owned vessels. Yet Jacobs finds that their descriptions of the Near East subvert or reorient a decidedly Christian vision of the region. The accounts from the crusader era, in particular, are often critical of the Christian church and present glowing portraits of Muslim-Jewish relations. By contrast, some of the later travelers discussed in the book express condescending attitudes toward Islam, Muslims, and Near Eastern Jews. Placing shifting perspectives on the Muslim world in their historical, social, and literary contexts, Jacobs interprets these texts as mirrors of changing Jewish self-perceptions. As he argues, the travel accounts echo the various ways in which premodern Jews negotiated their mingled identities, which were neither exclusively Western nor entirely Eastern.

Author: Marianna D. Birnbaum
Publisher: Central European University Press
ISBN: 9633861888
Category : Art
Languages : en
Pages : 242

View

Book Description
The essays in this book provide interesting contributions to the ongoing debate concerning the representation of differing cultures, i.e., the “image of the Other” in the early modern period . They deal with images, projections, and perceptions, based on various experiences of coexistence. Although the individual contributions contain sources and references of iconography, this is not just another volume of art history or visual studies. As examples of practices in diverse historical contexts, the book includes a variety of textual material, such as literary productions, rhetorical exercises, dramatic applications, chronicles, epistles, and diary-like historical accounts that express ethnographic sensitivities. Thus, supported by a thorough research apparatus, these studies propose a new cultural history of the early modern coexistence of various communities, as identified in current research by young scholars. Another novel feature of the volume is the deliberate digression of traditional scholars’ focus and the investigation of rarely examined regions and practices. This approach allows the contributors to spotlight their special areas of research and to share a fresh new look at “the Renaissance.”