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Author: William V. Muse Publisher: iUniverse ISBN: 0595528643 Category : Biography & Autobiography Languages : en Pages : 374
Book Description
This a memoir of William V. Muse who grew up in rural Mississippi and Louisiana as the seventh son of a Pentacostal minister. By winning academic scholarships, he was able to earn bachelors, masters, and Ph.D. degrees and advance thru an academic career from assistant professor to president. It is an uplifting story of achievement over great challenges. It also provides one with an inside look at university administration at the highest levels. Muse also describes his passion for baseball, his love of music, his extensive international travel, and his personal spiritual journey. Of special note is his personal experiences working in Afghanistan.
Author: William V. Muse Publisher: iUniverse ISBN: 0595528643 Category : Biography & Autobiography Languages : en Pages : 374
Book Description
This a memoir of William V. Muse who grew up in rural Mississippi and Louisiana as the seventh son of a Pentacostal minister. By winning academic scholarships, he was able to earn bachelors, masters, and Ph.D. degrees and advance thru an academic career from assistant professor to president. It is an uplifting story of achievement over great challenges. It also provides one with an inside look at university administration at the highest levels. Muse also describes his passion for baseball, his love of music, his extensive international travel, and his personal spiritual journey. Of special note is his personal experiences working in Afghanistan.
Author: Dwayne Cox Publisher: University of Alabama Press ISBN: 0817319093 Category : Education Languages : en Pages : 351
Book Description
Long overdue for an institutional history, Auburn University possesses a rich and storied past. Dwayne Cox's The Village on the Plain traces the school's history in authoritative detail from its origins as a private college through its emergence as a complex land-grant university. Originally founded prior to the Civil War with an emphasis on classical education, Auburn became the state's land-grant college after the cessation of hostilities. This infused the school with a vision of the South as a commercial and industrial rival to the North. By the 1880s, instruction in applied science had become Auburn's curricular version of this "New South" creed. Like most southern universities, Auburn never enjoyed financial abundance, creating scarcity that intensified internal debate over whether liberal arts or applied disciplines deserved more of the school's limited resources. Meager state funding for higher education complicated Auburn's rise and became a source of competition with the University of Alabama. This rivalry was perhaps most intense between 1908 and 1948, when the two schools did not meet on the gridiron, but blocked and tackled one another in the legislature over the division of state funds. Like many universities founded in somewhat isolated locations during the antebellum period, Auburn developed an insular culture, which hindered the school's progress in issues related to race. Cox traces how this insularity also found expression in the school's resistance to outside academic regulatory organizations as well as in conflicts over the university's governance. Auburn University's history is that of a small private college that transformed itself in the face of sweeping national events and state politics, not only to survive threats but to emerge more complex and resilient. Offering much to students of higher education and Alabama history, as well as readers affiliated with Auburn University, The Village on the Plain tells the story of this complex and fascinating institution.
Author: Music Teachers National Association Publisher: ISBN: Category : Music Languages : en Pages : 264
Book Description
With the report of the 16th meeting, 1894, was issued "The secretary's official report of the special meeting ... Chicago, 1893," containing a résumé of the reports of meetings from 1876 to 1892.
Author: Laura Marcus Publisher: OUP Oxford ISBN: 0191615412 Category : Literary Criticism Languages : en Pages : 584
Book Description
The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, with its unprecedented powers of movement. In examining the writings of early film critics and commentators in tandem with those of more specifically literary figures, including H.G.Wells and Virginia Woolf, and in bringing literary texts into this field, Laura Marcus provides a new account of relationships between cinema and literature. Intertwining two major strands of research - the exploration of early film criticism and theory and cinema's presence in literary texts - The Tenth Muse shows how issues central to an understanding of cinema (including questions of time, repetition, movement, vision, sound and silence) are threaded through both kinds of writing, and the ways in which discursive and fictional writings overlapped. The movement that defined cinema was also perceived as a more fragile and unstable ephemerality that inhered at every level, from the fleeting nature of the projected images to the vagaries of cinematic exhibition. It was the anxiety over the mutability of the medium and its exhibition which, from the 1920s onwards, led to the establishment of such institutional spaces for cinema as the London-based Film Society, the new film journals, and, in the 1930s, the first film archives. The Tenth Muse explores the continuities between these sites of cinematic culture and the conceptual, literary and philosophical understandings of the filmic medium.
Author: Johannes Ciconia Publisher: U of Nebraska Press ISBN: 9780803214651 Category : Music Languages : en Pages : 546
Book Description
Johannes Ciconia (ca. 1370?1412) is well known today as a composer both of sacred and secular music, but his theoretical works, probably written in Padua during the first decade of the fifteenth century, have until now been available only in manuscript form. This is the first complete edition of both of Ciconia?s theoretical works: the Nova musica, with its attendant De tribus generibus melorum, and the shorter De proportionibus, itself a revision of the third book of the Nova musica. ø The Nova musica is unique as the only only large-scale speculative work of the period known to have been written by an accomplished composer. The purpose of the work, clearly stated by Ciconia in the prologue, is to return to the writings of earlier authors (through the eleventh century) and, with their material as a basis, to redefine the scope of the discipline of music so that is may be classified and may function as one of the literary arts, in addition to its usual standing as a mathematical discipline. ø The first three books consist largely of quotations from earlier authors, covering the topics of consonance (intervals and the scale), species (modes), and proportions. Much of this material parallels large sections of the famous Lucidarium of Marchetto of Padua. ø In the fourth and final book, Ciconia demonstrated how, by means of the material already presented, chants can be classified and declined or parsed according to the principles of grammar. This new view of music can be regarded as a clear indication of the new humanistic approach to the arts. ø Two plates and more than one hundred figures illustrate the edition. The plates provide representative and contrasting examples of the handwriting and format of the illustrations in two of the principal sources.
Author: Stephen Downes Publisher: Routledge ISBN: 1351218360 Category : Music Languages : en Pages : 301
Book Description
The Muse has long been figured as a divine or erotically alluring consort to the virile male artist, who may inspire him or lead him to the edge of madness. This book explores the changing cultural expressions of the relationship between the male artist with a beloved, imagined or desired Muse, to offer new and penetrating perspectives on musical representations and transformations of creative masculine subjectivity, and important aspects of the shift from the styles and aesthetics of Romantic Idealism to Modernist Anxiety in music of the nineteenth and twentieth centuries. Each of the chapters begins with explorations into male artists' relationships with their Muse, and moves to analysis and interpretation which uncovers cultural constructions of masculine artistic inspiration and production, and their association with creatively inspiring and erotically charged relationships with a Muse. New insights are offered into the musical meaning and cultural significance of selected works by Rossini, Beethoven, Chopin, Liszt, Schumann, Wagner, Sibelius, Mahler, Bartók, Scriabin, Szymanowski, Debussy, Berg, Poulenc and Weill.
Author: William V. Muse
Author: William V. Muse
Author: Dwayne Cox
Author: Music Teachers National Association
Author: Music Teachers National Association
Author: Laura Marcus
Author: Johannes Ciconia
Author: Stephen Downes
Author: Rupert Hughes
Author: Rupert Hughes
Author: Music Teachers National Association