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Author: Chad E. Seales Publisher: Oxford University Press, USA ISBN: 0199860289 Category : History Languages : en Pages : 253
Book Description
Using ethnographic and archival sources, Chad E. Seales argues in The Secular Spectacle that white Protestants in Siler ritually engaged material cultures of racial segregation and southern industrialization that had been forged in the early twentieth century in order to reclaim public space following the arrival of Latino Catholics.
Author: Chad E. Seales Publisher: Oxford University Press, USA ISBN: 0199860289 Category : History Languages : en Pages : 253
Book Description
Using ethnographic and archival sources, Chad E. Seales argues in The Secular Spectacle that white Protestants in Siler ritually engaged material cultures of racial segregation and southern industrialization that had been forged in the early twentieth century in order to reclaim public space following the arrival of Latino Catholics.
Author: Joseph Blankholm Publisher: NYU Press ISBN: 1479809497 Category : Religion Languages : en Pages : 312
Book Description
"Secular people are strangely ambiguous. They feel a tension between what they don't share and what they have in common-between avoiding religion and embracing something like it. An event as ordinary as a wedding can be uncomfortable if it feels too religious, and even for those who are indifferent to religion, a passing reference to God can be cringeworthy. And yet, religion is tough to avoid completely without living in its remainder. The Secular Paradox explains why. Relying on several years of ethnographic research among secular activists and organized nonbelievers in the United States, Blankholm shows how secular people are both absolutely not religious and part of a religion-like tradition, which includes beliefs and institutions, as well embodied practices. Recovering this tradition makes legible what secular people share with one another and explains why the secular movement in the United States remains predominately white and male. Humanistic Jews, Hispanic Freethinkers, Ex-Muslims, and black nonbelievers are secular misfits whose stories reveal the contours of the secular most clearly by proving to be more and less than what remains when Christianity is removed. The Secular Paradox offers a radically new way of understanding secularism and secular people by explaining the origins of their inherent contradiction and its awkward effects on their lives. This new understanding matters for anyone who has ever avoided something because it felt too religious, everyone who considers themselves secular, and all those who want to understand them better"--
Author: L. Benjamin Rolsky Publisher: Columbia University Press ISBN: 0231550421 Category : Religion Languages : en Pages : 316
Book Description
For decades now, Americans have believed that their country is deeply divided by “culture wars” waged between religious conservatives and secular liberals. In most instances, Protestant conservatives have been cast as the instigators of such warfare, while religious liberals have been largely ignored. In this book, L. Benjamin Rolsky examines the ways in which American liberalism has helped shape cultural conflict since the 1970s through the story of how television writer and producer Norman Lear galvanized the religious left into action. The creator of comedies such as All in the Family and Maude, Lear was spurred to found the liberal advocacy group People for the American Way in response to the rise of the religious right. Rolsky offers engaged readings of Lear’s iconic sitcoms and published writings, considering them as an expression of what he calls the spiritual politics of the religious left. He shows how prime-time television became a focus of political dispute and demonstrates how Lear’s emergence as an interfaith activist catalyzed ecumenical Protestants, Catholics, and Jews who were determined to push back against conservatism’s ascent. Rolsky concludes that Lear’s political involvement exemplified religious liberals’ commitment to engaging politics on explicitly moral grounds in defense of what they saw as the public interest. An interdisciplinary analysis of the definitive cultural clashes of our fractious times, The Rise and Fall of the Religious Left foregrounds the foundational roles played by popular culture, television, and media in America’s religious history.
Author: Herta Nagl-Docekal Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3111247872 Category : Philosophy Languages : en Pages : 386
Book Description
What does it mean to be religious believers for people whose living conditions are defined by an increasingly secularized environment? Is the common distinction between faith and knowledge valid? The 21 essays cover approaches from various fields of the humanities. Some explore post-Kantian thoughts, discussing, i.a., American Pragmatism, M. Buber, M. Horkheimer, H. Putnam, J. Habermas, Ch. Taylor and variants of deconstruction, while other essays focus on ways in which the conflict between agnostics and seekers is addressed in US literary works, as in Fl. O’Connor, W. Percy, N. Hawthorne, J. Updike and in novels dealing with pandemics, for instance by L. Wright, E. M. Wiseman and R. Cook. Historical studies examine the intermingling of the sacred and the secular in the American South and neo-scholastic objections to modernity. Theological issues are being re-framed in essays discussing the relevance of pluralism, the relation of religious conviction and public opinion, the situation of scientists who believe and the thoughts of N. Frye and M. McLuhan. Finally, essays pay attention to religious aspects in works of art, e.g. in Ukrainian poetry, G. Mahler’s symphonies and in a TV show presenting new “American Gods” of globalization.
Author: Brian M. Lowe Publisher: Springer ISBN: 113750241X Category : Social Science Languages : en Pages : 341
Book Description
This volume considers the rise of a new mode of creating, spreading, and encountering moral claims and ideas as they are expressed within spectacles. Brian M. Lowe explains how spectacles emerge when we are saturated with mediated representations—including pictures, texts, and videos—and exposed to television and movies and the myriad stories they tell us. The question of which moral issues gain our attention and which are neglected increasingly relates to how societal concerns are supported—or obscured—by spectacles. This project explores how this new form of moral understanding came to be. Through a series of case studies, including the use of radio and comic books; the crafting of Russian national identity through art; television and film; the evolution of human rights law through film and journalism; and the promotion of animal rights campaigns, this book unveils some of the ways in which our spectacular environment shapes moral understanding, and is in turn shaped by spectacle.
Author: Markus Balkenhol Publisher: Springer Nature ISBN: 3030380505 Category : Social Science Languages : en Pages : 295
Book Description
How do religious emotions and national sentiment become entangled across the world? In exploring this theme, The Secular Sacred focuses on diverse topics such as the dynamic roles of Carnival in Brazil, the public contestation of ritual in Northern Nigeria, and the culturalization of secular tolerance in the Netherlands. The contributions focus on the ways in which sacrality and secularity mutually inform, enforce, and spill over into each other. The case studies offer a bottom-up, practice-oriented approach in which the authors are wary to use categories of religion and secular as neutral descriptive terms. The Secular Sacred will be of interest to sociologists, anthropologists, ethnographers, political scientists, and social psychologists, as well as students and scholars of cultural studies and semiotics. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: Amy Louise Wood Publisher: Univ of North Carolina Press ISBN: 0807878111 Category : History Languages : en Pages : 366
Book Description
Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled the momentum of the antilynching movement and the decline of the practice. Using a wide range of sources, including photos, newspaper reports, pro- and antilynching pamphlets, early films, and local city and church records, Wood reconfigures our understanding of lynching's relationship to modern life. Wood expounds on the critical role lynching spectacles played in establishing and affirming white supremacy at the turn of the century, particularly in towns and cities experiencing great social instability and change. She also shows how the national dissemination of lynching images fueled the momentum of the antilynching movement and ultimately led to the decline of lynching. By examining lynching spectacles alongside both traditional and modern practices and within both local and national contexts, Wood reconfigures our understanding of lynching's relationship to modern life.
Author: Chad E. Seales
Author: Chad E. Seales
Author: Joseph Blankholm
Author: L. Benjamin Rolsky
Author: Herta Nagl-Docekal
Author: Brian M. Lowe
Author: Markus Balkenhol
Author: Amy Louise Wood
Author: Edward Jewitt Wheeler
Author: 
Author: Edward Jewitt Wheeler