Lady Chatterley's lover PDF Download

Author: David Herbert Lawrence
Publisher: Taylor & Francis
ISBN: 9788809020825
Category : Fiction
Languages : en
Pages : 308

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Author: D. H. Lawrence
Publisher: Viking Press
ISBN: 9780140182002
Category : Fiction
Languages : en
Pages : 376

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Author: D. H. Lawrence
Publisher: Penguin Books Limited
ISBN: 9780140182057
Category : Adultery
Languages : en
Pages : 253

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Author: David Herbert Lawrence
Publisher: Alma Classics
ISBN:
Category : Fiction
Languages : en
Pages : 392

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Author: D. H. Lawrence
Publisher: Cambridge University Press
ISBN: 9780521007153
Category : Fiction
Languages : en
Pages : 738

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This 1999 book contains a critical edition of the two early versions of Lady Chatterley's Lover.

Author: Elisabeth Ladenson
Publisher: Cornell University Press
ISBN: 0801460379
Category : Literary Criticism
Languages : en
Pages : 299

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In Dirt for Art's Sake, Elisabeth Ladenson recounts the most visible of modern obscenity trials involving scandalous books and their authors. What, she asks, do these often-colorful legal histories have to tell us about the works themselves and about a changing cultural climate that first treated them as filth and later celebrated them as masterpieces? Ladenson's narrative starts with Madame Bovary (Flaubert was tried in France in 1857) and finishes with Fanny Hill (written in the eighteenth century, put on trial in the United States in 1966); she considers, along the way, Les Fleurs du Mal, Ulysses, The Well of Loneliness, Lady Chatterley's Lover, Tropic of Cancer, Lolita, and the works of the Marquis de Sade. Over the course of roughly a century, Ladenson finds, two ideas that had been circulating in the form of avant-garde heresy gradually became accepted as truisms, and eventually as grounds for legal defense. The first is captured in the formula "art for art's sake"-the notion that a work of art exists in a realm independent of conventional morality. The second is realism, vilified by its critics as "dirt for dirt's sake." In Ladenson's view, the truth of the matter is closer to -dirt for art's sake-"the idea that the work of art may legitimately include the representation of all aspects of life, including the unpleasant and the sordid. Ladenson also considers cinematic adaptations of these novels, among them Vincente Minnelli's Madame Bovary, Stanley Kubrick's Lolita and the 1997 remake directed by Adrian Lyne, and various attempts to translate de Sade's works and life into film, which faced similar censorship travails. Written with a keen awareness of ongoing debates about free speech, Dirt for Art's Sake traces the legal and social acceptance of controversial works with critical acumen and delightful wit.

Author: Christopher Hilliard
Publisher: Princeton University Press
ISBN: 0691226105
Category : History
Languages : en
Pages : 336

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A comprehensive history of censorship in modern Britain For Victorian lawmakers and judges, the question of whether a book should be allowed to circulate freely depended on whether it was sold to readers whose mental and moral capacities were in doubt, by which they meant the increasingly literate and enfranchised working classes. The law stayed this way even as society evolved. In 1960, in the obscenity trial over D. H. Lawrence's Lady Chatterley's Lover, the prosecutor asked the jury, "Is it a book that you would even wish your wife or your servants to read?" Christopher Hilliard traces the history of British censorship from the Victorians to Margaret Thatcher, exposing the tensions between obscenity law and a changing British society. Hilliard goes behind the scenes of major obscenity trials and uncovers the routines of everyday censorship, shedding new light on the British reception of literary modernism and popular entertainments such as the cinema and American-style pulp fiction and comic books. He reveals the thinking of lawyers and the police, authors and publishers, and politicians and ordinary citizens as they wrestled with questions of freedom and morality. He describes how supporters and opponents of censorship alike tried to remake the law as they reckoned with changes in sexuality and culture that began in the 1960s. Based on extensive archival research, this incisive and multifaceted book reveals how the issue of censorship challenged British society to confront issues ranging from mass literacy and democratization to feminism, gay rights, and multiculturalism.

Author: D. H. Lawrence
Publisher:
ISBN:
Category :
Languages : en
Pages : 666

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Widely regarded as D. H. Lawrence's greatest novel, Women in Love is both a lucid account of English society before the First World War, and a brilliant evocation of the inexorable power of human desire.Women in Love continues where The Rainbow left off, with the third generation of Brangwens: Ursula Brangwen, now a teacher at Beldover, a mining town in the Midlands, and her sister Gudrun, who has returned from art school in London. The focus of the novel is primarily on their relationships, Ursula's with Rupert Birkin, a school inspector, and Gudrun's with industrialist Gerald Crich, and later with a sculptor, Loerke. Quintessentially modernist, Women in Love is one of Lawrence's most extraordinary, innovative and unsettling works

Author: Sybille Bedford
Publisher:
ISBN: 9781907970979
Category :
Languages : en
Pages : 80

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The first full-scale literary trial in Britain's history - re-counted by the ever-charming and inimitable Sybille Bedford.

Author: Frances Wilson
Publisher: Bloomsbury Publishing
ISBN: 1526644703
Category : Biography & Autobiography
Languages : en
Pages : 512

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'Frances Wilson writes books that blow your hair back. She makes Lawrence live and breathe, annoy and captivate you ... she conjures the past with such clarity and wit and flair that it feels utterly present' Katherine Rundell 'A brilliantly unconventional biography, passionately researched and written with a wild, playful energy' Richard Holmes D H Lawrence is no longer censored, but he is still on trial – and we are still unsure what the verdict should be, or even how to describe him. History has remembered him, and not always flatteringly, as a nostalgic modernist, a sexually liberator, a misogynist, a critic of genius, and a sceptic who told us not to look in his novels for 'the old stable ego', yet pioneered the genre we now celebrate as auto-fiction. But where is the real Lawrence in all of this, and how – one hundred years after the publication of Women in Love - can we hear his voice above the noise? Delving into the memoirs of those who both loved and hated him most, Burning Man follows Lawrence from the peninsular underworld of Cornwall in 1915 to post-war Italy to the mountains of New Mexico, and traces the author's footsteps through the pages of his lesser known work. Wilson's triptych of biographical tales present a complex, courageous and often comic fugitive, careering around a world in the grip of apocalypse, in search of utopia; and, in bringing the true Lawrence into sharp focus, shows how he speaks to us now more than ever. 'No biography of Lawrence that I have read comes close to Burning Man' Ferdinand Mount, author of Kiss Myself Goodbye 'The most original voice in life-writing today' Lucasta Miller, author of Keats