The Seasons, and Castle of Indolence ... To which are Added, Various Readings from the Early Editions PDF Download

Author: James Thomson
Publisher:
ISBN:
Category :
Languages : en
Pages : 350

View

Book Description

Author: James Thomson
Publisher:
ISBN:
Category :
Languages : en
Pages : 356

View

Book Description

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 454

View

Book Description

Author: Alexander Dyce
Publisher: BoD – Books on Demand
ISBN: 3385252873
Category : Fiction
Languages : en
Pages : 458

View

Book Description
Reprint of the original, first published in 1875.

Author: John Forster
Publisher: BoD – Books on Demand
ISBN: 3385379393
Category : Fiction
Languages : en
Pages : 454

View

Book Description
Reprint of the original, first published in 1875.

Author: South Kensington Museum. Dyce collection
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 458

View

Book Description

Author: Ronnie Young
Publisher: Bucknell University Press
ISBN: 161148801X
Category : Literary Criticism
Languages : en
Pages : 315

View

Book Description
This collection of essays explores the role played by imaginative writing in the Scottish Enlightenment and its interaction with the values and activities of that movement. Across a broad range of areas via specially commissioned essays by experts in each field, the volume examines the reciprocal traffic between the groundbreaking intellectual project of eighteenth-century Scotland and the imaginative literature of the period, demonstrating that the innovations made by the Scottish literati laid the foundations for developments in imaginative writing in Scotland and further afield. In doing so, it provide a context for the widespread revaluation of the literary culture of the Scottish Enlightenment and the part that culture played in the project of Enlightenment.

Author: Sandro Jung
Publisher: Rowman & Littlefield
ISBN: 161146238X
Category : Literary Criticism
Languages : en
Pages : 267

View

Book Description
A ground-breaking contribution to the economic and cultural history of the eighteenth- and early nineteenth-century publishing of illustrated belles lettres in Scotland, the book offers detailed accounts of numerous agents of prints (booksellers, printers, designers, engravers) and their involvement in the making and marketing of illustrated editions. It examines the ways in which the makers of books not only produced printed visual culture artefacts but also contributed to the ideological inscription of these illustrations to engender patriotic concerns and issues of national identity. The book differs fundamentally from existing interventions in book illustration studies: Examinations of eighteenth- and early nineteenth-century British literary book illustrations have, as a rule, been selective rather than broad in scope or systematic in outlook; they have focused on English examples of book illustrations. By contrast, The Publishing and Marketing of Illustrated Literature in Scotland, 1760-1820 studies a large body of illustrated editions andadopts a systematic and decentered (non-London-centered) approach. It focuses on the examination of the production of literary book illustrations in eighteenth- and early nineteenth-century Scotland, while at the same time bearing in mind that developments in the marketing of illustrated books need to be understood as part of the cultural and book-historical dynamics of exchange that existed between Scotland and England. Not only does the monograph offer the first large-scale study of the subject, contextualizing literary book illustrations in terms of the ideologically defined ventures as part of which they were issued, but it also draws a map of illustrated works that has not been imagined yet by scholars of the history of the eighteenth- and early nineteenth-century book. In doing so, the book provides an account of the publishing of belles lettres and the various strategies that bookseller-publishers deployed to market their editions competitively in both Scotland and England.

Author: Sandro Jung
Publisher: Rowman & Littlefield
ISBN: 1611461928
Category : Literary Criticism
Languages : en
Pages : 319

View

Book Description
Drawing on the methods of textual and reception studies, book history, print culture research, and visual culture, this interdisciplinary study of James Thomson’s The Seasons (1730) understands the text as marketable commodity and symbolic capital which throughout its extended affective presence in the marketplace for printed literary editions shaped reading habits. At the same time, through the addition of paratexts such as memoirs of Thomson, notes, and illustrations, it was recast by changing readerships, consumer fashions, and ideologies of culture. The book investigates the poem’s cultural afterlife by charting the prominent place it occupied in the visual cultures of eighteenth- and early nineteenth-century Britain. While the emphasis of the chapters is on printed visual culture in the form of book illustrations, the book also features discussions of paintings and other visual media such as furniture prints. Reading illustrations of iconographic moments from The Seasons as paratextual, interpretive commentaries that reflect multifarious reading practices as well as mentalities, the chapters contextualise the editions in light of their production and interpretive inscription. They introduce these editions’ publishers and designers who conceived visual translations of the text, as well as the engravers who rendered these designs in the form of the engraving plate from which the illustration could then be printed. Where relevant, the chapters introduce non-British illustrated editions to demonstrate in which ways foreign booksellers were conscious of British editions of The Seasons and negotiated their illustrative models in the sets of engraved plates they commissioned for their volumes.

Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 544

View

Book Description