The Saint's Theatre PDF Download

Author: Horace Fish
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 516

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Author: Luke Barnes
Publisher: Bloomsbury Publishing
ISBN: 1783196548
Category : Drama
Languages : en
Pages : 121

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Kenny Glynn is the world’s biggest Saints fan and for twenty-five years he has been locked in a game of football against the world. On his 26th birthday the world steps up its game and Kenny Glynn faces the match of his life as he takes on women, money and status with the help of his mates, his family and the guiding spirit of Matt Le Tissier. Can they conquer all the things the world is throwing at them? Will Southampton ever win the FA cup again? And what can we learn from the icons we hold so dearly at the club? The Saints, written by Luke Barnes and directed by one of British theatre's best directors Matthew Dunster, explores football in Southampton, the history of the club and how it has shaped our understanding of ourselves in the city.

Author: David Ives
Publisher: Dramatists Play Service Inc
ISBN: 9780822217466
Category : Drama
Languages : en
Pages : 100

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THE STORIES: ENIGMA VARIATIONS. Zany hijinks as a pair of lookalikes named Bebe W.W. Doppel-gängler solve an identity crisis with the help of Dr. William W. Williams and his nurse Fifi, who may or may not be Aphrodite the Goddess of Love. Or is she

Author: Diana R. Jenkins
Publisher:
ISBN: 9780819871190
Category : Catholic children
Languages : en
Pages : 180

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This teachers' resource book of twelve humorous readers' theater plays provides contemporary kids with opportunities to learn Catholic values and follow in the footsteps of the saints.

Author: Gina M. Di Salvo
Publisher: Oxford University Press
ISBN: 0192689967
Category : Literary Criticism
Languages : en
Pages : 273

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The age of miracles was not yet past on the Shakespearean stage. In the first book-length study of the English saint play across the Reformation divide, The Renaissance of the Saints after Reform recovers the surprisingly long theatrical life of the saints from a tenth-century monastery to the Restoration stage. Through a reassessment of archival records of performance and religious change, this book challenges the established history of the saint play as a product of medieval devotional culture that ended with the national conversion to Protestantism during the Reformation. Not only did saints in performance frequently diverge from the narratives of devotional literature during the Middle Ages but also saints made a spectacular reappearance in the theatre of the early modern era. In the rupture between those two eras, the English church separated itself from the Cult of the Saints, and saints disappeared from public view until sainthood transformed from a matter of theology into a matter of theatricality. Early modern saint plays document a post-Reformation culture committed to saints—but not all saints. Certain ancient martyrs and British saints returned to the liturgical calendar in the Elizabethan Book of Common Prayer. This limited inventory performed an initial de-Catholicization of these saints, but it did not recover their lives. Instead, the theatre produced new lives of the saints for the English public. A period of experimentation with saints and devils in the 1590s was followed by unprecedented innovation throughout the Stuart era. This book traces the transformation of sainthood in early modern drama from ambiguous supernatural association and negotiated patronage to a renaissance of miraculous theatricality and sacred place-making. By excavating saints in plays by Shakespeare, Heywood, Dekker, Massinger, and Rowley, as well as plays authored by relatively unknown dramatists, this book reconfigures how we think about the legacy of late medieval religious culture, the impact of Reformation change on literary texts and social practices, and the development of English theatre and drama.

Author: Jake Johnson
Publisher: University of Illinois Press
ISBN: 025205136X
Category : Music
Languages : en
Pages : 306

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The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.

Author: John Millington Synge
Publisher:
ISBN:
Category : Blindness
Languages : en
Pages : 120

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Author: Alice Randall
Publisher: HarperCollins
ISBN: 0062968653
Category : Fiction
Languages : en
Pages : 397

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An enthralling literary tour-de-force that pays tribute to Detroit's legendary neighborhood, a mecca for jazz, sports, and politics, Black Bottom Saints is a powerful blend of fact and imagination reminiscent of E.L. Doctorow's classic novel Ragtime and Marlon James' Man Booker Award-winning masterpiece, A Brief History of Seven Killings. From the Great Depression through the post-World War II years, Joseph “Ziggy” Johnson, has been the pulse of Detroit’s famous Black Bottom. A celebrated gossip columnist for the city’s African-American newspaper, the Michigan Chronicle, he is also the emcee of one of the hottest night clubs, where he’s rubbed elbows with the legendary black artists of the era, including Ethel Waters, Billy Eckstein, and Count Basie. Ziggy is also the founder and dean of the Ziggy Johnson School of Theater. But now the doyen of Black Bottom is ready to hang up his many dapper hats. As he lays dying in the black-owned-and-operated Kirkwood Hospital, Ziggy reflects on his life, the community that was the center of his world, and the remarkable people who helped shape it. Inspired by the Catholic Saints Day Books, Ziggy curates his own list of Black Bottom’s venerable "52 Saints." Among them are a vulnerable Dinah Washington, a defiant Joe Louis, and a raucous Bricktop. Randall balances the stories of these larger-than-life "Saints" with local heroes who became household names, enthralling men and women whose unstoppable ambition, love of style, and faith in community made this black Midwestern neighborhood the rival of New York City’s Harlem. Accompanying these “tributes” are thoughtfully paired cocktails—special drinks that capture the essence of each of Ziggy’s saints—libations as strong and satisfying as Alice Randall’s wholly original view of a place and time unlike any other.

Author: Ian Rankin
Publisher: Orion
ISBN: 1409144763
Category : Fiction
Languages : en
Pages : 352

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SUNDAY TIMES No.1 bestseller Ian Rankin returns with his gripping new Rebus novel. Rebus is back on the force, albeit with a demotion and a chip on his shoulder. A 30-year-old case is being reopened, and Rebus's team from back then is suspected of foul play. With Malcolm Fox as the investigating officer, are the past and present about to collide in a shocking and murderous fashion? And does Rebus have anything to hide? His old colleagues called themselves 'the Saints', and swore a bond on something called 'the Shadow Bible'. But times have changed and the crimes of the past may not stay hidden much longer, especially with a referendum on Scottish independence just around the corner. Who are the saints and who are the sinners? And can the one ever become the other?

Author: Erik Ehn
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 224

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This collection of fifteen plays by Erik Ehn is part of an ongoing cycle of plays loosely based on the lives of saints and biblical characters ranging from John the Baptist to Joan of Arc. Placing the protagonists and their suffering in a modern context, Ehn produces what he calls "contemporary fairy tales for the stage." The subject matter, he explains in the Preface, is "exploded biography," or "the means by which the self is overmastered by acts of the imagination, by acts of faith." An important contribution to current explorations of the poetic and spiritual in the theater, these surprising dramas create their own language, interrogating the limits of empathy and faith. "The plays grow out of [Ehn's] deep Catholic faith which reveals a specifically Franciscan spiritual energy in its community-based ethos and hallowed desire to infuse contemporary life with a feeling for the divine... Ehn's saint plays partake of the century-long Judeo-Christian tradition of modern writers dramatizing the great themes of faith, evil, spiritual longing and soul states in plays that include saints, angels or biblical characters... His joyful drama sings the praises of the poetic voice and image in portraits of people crafted like beautiful holy cards."--Bonnie Marranca, Plays for the End of the Century